A new album of Cobain's home recordings is being released on November 13th.
Brett Morgen, the director of the Kurt Cobain documentary movie Montage of Heck earlier this year, has revealed the artwork and tracklisting for the “new” album Montage of Heck: The Home Recordings, which is released next month.
The filmmaker also took the time to defend the project from the criticism that it’s received from some quarters in an interview with Rolling Stone. “Just like The Bootleg Series furthers your understanding of Bob Dylan's process, I find that Montage of Heck: The Home Recordings furthers not just our understanding of his process but represents yet another angle, another side of Kurt — an artistic outlet that he was not necessarily able to work within the context of a three-piece band.”
Brett Morgen, director of 'Montage of Heck'
The album will be a solo Cobain outing, not a new Nirvana record.
A new album from late Nirvana frontman Kurt Cobain is coming this summer, according to Montage of Heck director Brett Morgen. Morgen, who was given unprecedented access to Cobain’s archives while making the documentary, has said he found over 200 hours of never heard before material and rare music in the singer’s collection.
Cobain: Montage of Heck director Brett Morgen.
“We’re going to be putting out an amazing album this summer that I think will answer that question,” Brett Morgen told Bedford + Bowery when asked if he found any new material in Cobain’s archives.
Brett Morgen - A variety of stars turned out in numbers to attend the LA premiere of HBO's documentary "Kurt Cobain: Montage Of Heck" which was held at the Egyptian Theatre in Hollywood, California, United States - Wednesday 22nd April 2015
In a new clip from the forthcoming official Kurt Cobain documentary, we discover the birth of grunge pioneers Nirvana; featuring a rare early performance clip, a set of black and white animated sketches seemingly entitled 'The Reaganites' and various notepad scribbles featuring words and phrases that were ultimately replaced by the band name 'Nirvana', including The Mandibles, Window Pain, Seringe, Godchild and Novacain. The film uses art and previously unseen footage and photos to document the rise to fame of Kurt Cobain, his struggles with addiction and his tragic suicide at the age of just 27.
Home movies of the Nirvana legend are featured in this amazing movie.
Some of Kurt Cobain's happiest moments are depicted in the new trailer for the first authorised documentary of his life 'Cobain: Montage Of Heck'; a collection of home movies and never before seen footage directed by Brett Morgen and executively produced by Frances Bean.
Kurt Cobain's life story comes to life in 'Montage of Heck'
While his early life saw the late Kurt Cobain as a happy-go-lucky child with a profound creative talent, the years following his parents' divorce were nothing short of tempestuous for the young musician. Though still hungry for music, songwriting and drawing, Cobain developed struggles with anger and rejection throughout his teenage years, setting him up for a success that would ultimately bring about his downfall. And while it seemed his astonishing success with grunge pioneers Nirvana in the 90s was a high point in his life, not to mention his relationship with Courtney Love and the birth of their daughter Frances, it only led to a tragic end.
Kurt Cobain was trapped in a troubled homelife as a child with his parents having divorced, and it wasn't long before he embarked on a tragic path of self-destruction. Deliberately rebellious as a teenager with a lot of pent up anger and frustration, Cobain's creative talents were obvious to those who knew him as he'd constantly be working on songwriting or artwork. The fame of his grunge pioneer band Nirvana brought a lot of dangerous issues including drug use, and it took its toll on his relationship with Courtney Love, with whom he bore a child. It seemed he was happy to be building a family of his own, but his sudden suicide at the age of 27 was not unforeseen for a musician so determined to bring peace to his own mind.
Continue: Cobain: Montage Of Heck Trailer
Check out the haunting first image from Brett Morgen's upcoming film.
The first image from the forthcoming official Kurt Cobain documentary 'Cobain: Montage of Heck' has finally been released, giving us a glimpse into one of the most highly anticipated music documentaries of late.
First picture from 'Cobain: Montage of Heck'
The movie has been executively produced by the Nirvana frontman's 22-year-old daughter Frances Bean and marks the very first authorized documentary on the grunge legend, who tragically took his own life at the peak of Nirvana fame in 1994. The first image is a haunting painting of the singer walking away from a blue, wooden panelled house surrounded by trees, as the dull, dark grey sky bears down on him.
'Montage of Heck' is due for release later this year, and a book exploring the documentary in greater depth will accompany the British cinematic release.
'Montage of Heck', a documentary about Nirvana frontman Kurt Cobain, will be released in May
Both the film and book will be entitled ‘Montage of Heck’, a name taken from a mixtape that Cobain made and which was shared widely online last year. The tracklisting features clips from The Beatles, The Monkees, Iron Maiden, Black Sabbath, The Jackson Five and many more, which gave an insight into the widely divergent influences that made up Cobain’s songwriting.
Continue reading: Book To Accompany Documentary Film About Kurt Cobain
Watching the Rolling Stones' home movies while they reminisce on the soundtrack is thoroughly entertaining, although this documentary is such an inside job that it doesn't really tell us anything we don't already know. Indeed, the Rolling Stones commissioned this film for their 50th anniversary, and while it doesn't shy away from showing their heyday of sex, drugs and rock-n-roll, it never gets into their personal lives at all. And it only covers the first half of their half-century.
As well-educated blues musicians on the London club scene, the Stones enjoyed reasonable success, but it wasn't until they were dubbed the "anti-Beatles" and set about to play on their anarchic images that they rocketed to global stardom, setting teen girls' hearts (and bladders) aflutter across Britain and America. But their bad-boy behaviour also got them into a lot of trouble. Guitarist Brian Jones dropped out of the band in 1969 (and drowned less than a month later), while his replacement Mick Taylor quit in 1974 due to drugs, replaced by Ronnie Wood. But the partying hit a low point with Keith Richards' arrest for heroin in 1977, after which they cleaned up their act. And their early 1980s tour was their biggest ever.
Oddly, the documentary suddenly ends here, making us wonder if this is just part 1. Although their successes since then have been a bit more sporadic, they would certainly provide some telling backstage moments. By contrast, much of the footage here (mainly in grainy black and white shot on Mick Jagger's own home movie camera) centres on the band goofing around in their down moments. It's edited in with lots of concert footage, so the soundtrack is like an early greatest hits collection. And there are also lively TV interviews done through the years. For narration, the filmmakers use audio recordings done specifically for this movie, with telling memories and witty commentary.
Continue reading: Crossfire Hurricane Review
Morgen's conceit with Chicago 10 -- mixing archival footage of the riot and its aftermath with animated recreations of the trial -- is not the film's problem. In fact, by breaking away from the well-worn documentarian's path of narration and flashback, Morgen does opens interesting doors for other filmmakers to follow. But the filmmakers (Morgen's main backer was Vanity Fair editor and occasional political dilettante Graydon Carter) have such a lack of faith in their own subject's inherent power that it all ends up more a gimmick than a bold new direction in non-fiction filmmaking. Medium Cool 2008 it's not.
Continue reading: Chicago 10 Review
After watching Brett Morgen and Nanette Burstein's brilliant documentary, adapted from Evans' book, I may soon have to reread my copy. The duo does two things that Evans never really embraced in his literary effort: They capture the tornado of fame, women, and power that Evans lived in, and, with their subject's help, give it a well-worn dignity and honesty that you rarely see in celebrity biographies.
Continue reading: The Kid Stays In The Picture Review
In a new clip from the forthcoming official Kurt Cobain documentary, we discover the birth...
Kurt Cobain was trapped in a troubled homelife as a child with his parents having...
Watching the Rolling Stones' home movies while they reminisce on the soundtrack is thoroughly entertaining,...