Brenton starred alongside Johnny in the latest installment of Pirates Of The Caribbean
After growing up with the franchise, 27-year-old Australian actor Brenton Thwaites is the latest new cast member joining the Pirates of the Caribbean gang. In Dead Men Tell No Tales, he plays the son of Will and Elizabeth (Orlando Bloom and Keira Knightley). So to prepare for the role, he rewatched all four movies.
Johnny Depp as Jack Sparrow
"I remember seeing the first one when I was a teenager," Thwaites says. "And I've been a fan of the franchise ever since, so it's good to be a part of one! I think it's popular because of the freedom. It's a fantasy to just get a boat and sail out into the ocean. Pirates don't have rules."
Continue reading: Brenton Thwaites Enjoyed Johnny Depp's Irreverent Approach
Subtitled Salazar's Revenge in the UK, this fifth film in the long-running series never quite gets its sea legs. With a waterlogged script and a startlingly murky production design, this is the first movie in the franchise that lacks a sense of swashbuckling merriment. It's lively enough to keep the audience watching, but it never quite makes any sense because any sensible details are lost amid the chaotic action sequences.
It opens with Henry (Brenton Thwaites), son of franchise veterans Will and Elizabeth (Orlando Bloom and Keira Knightley in cameos), who is on a quest to free his father from his watery imprisonment. For this he needs Poseidon's trident, which only Captain Jack Sparrow (Johnny Depp) can find with his magical compass. Except that Jack has swapped the compass to buy some whiskey. Then Will meets the feisty Carina (Kaya Scodelario), who's star-reading skills will come in handy. But the vengeful Salazar (Javier Bardem) is also after the compass and the trident, hoping to reverse his own ghostly curse. And as things heat up, Captain Barbossa (Geoffrey Rush) dives into the pursuit as well.
What follows is a series of set-pieces in which these various factions scuffle for control of people and artefacts that can lead them in their quests for power. They all talk incessantly about the elaborately complex mythology, but it never makes any sense why each person knows only fragments of the lore. And it's also not easy to hear what they're shouting amid the general chaos of yet another epically choreographed fight scene. Thankfully, the actors are hammy enough to stand out from the sea of digital effects that fill the screen.
Continue reading: Pirates Of The Caribbean: Dead Men Tell No Tales Review
'Pirates of the Caribbean' is an exciting new career development for Brenton Thwaites.
There can't be anything more thrilling than getting to be involved in a movie project that you have been a fan of from the very beginning, and for Brenton Thwaites, getting to star in 'Pirates of the Caribbean: Dead Men Tell No Tales' was a dream come true.
Brenton Thwaites stars in 'Dead Men Tell No Tales'
Brenton Thwaites plays Elizabeth Swann (Keira Knightley) and Will Turner's (Orlando Bloom) now grown up son Henry Turner in the new film - which is apparently set many years after we first get a glimpse of the character at end of the second movie 'At World's End', released in 2007.
Continue reading: Brenton Thwaites Has Always Been A 'Pirates Of The Caribbean' Fan
It seems Captain Jack Sparrow has been sailing the seas as a pirate for many, many years, and in that time he's made a lot of enemies. As a young trouble-maker, he damned a pirate-hating adversary and his crew to a seabound immortality - and now Captain Salazar has returned to exact his revenge. Panic is afoot when it becomes clear that Captain Salazar has escaped his eternal torment at the bottom of the Devil's Triangle, and as much as Jack loves an adventure almost as much as he loves rum, this time he could truly be out of his depth. It will take more than his trusty compass to help him this time, but thankfully he has the help of a new headstrong maiden named Carina Smyth who happens to be a skilled astronomer, plus the return of his old friend Will Turner. Together they must uncover the Trident of Poseidon before Salazar does, and send the enemy back to their watery graves.
Forget Davy Jones' Locker and the Fountain of Youth, Captain Jack Sparrow is on an all new quest as he embarks on the hunt for the fabled trident of Poseidon. It may sound like he's set his sights far too high this time, but he's never failed the crew of the Black Pearl yet - and he really could do with a windfall right about now. To make matters worse, Capitan Salazar is back from the Devil's Triangle with his ghostly crew, and the trident is his only hope of stopping them. This time he's got the help of his old friend Will Turner, who is apparently free of his binding contract with The Flying Dutchman.
With a massive scale and a digital cast of thousands, this ancient Egyptian romp tries to be both a new version of those 1950s Biblical toga epics and a generous dose of camp silliness. The result will be a guilty pleasure for some in the audience, especially those who enjoy watching grown men leap around in short skirts. The actors are sometimes lost in the overwhelming animation, and the casting of Westerners as North Africans is more than a little dubious. But the script is smarter than it looks, and director Alex Proyas is clearly in a playful mood.
The premise conflates the golden age of the Pharaohs with the ancient world of Egyptian gods. And things kick off when the bitter god Set (Gerard Butler) launches a reign of terror by killing his brother, blinding his nephew Horus (Nokolaj Coster-Waldau) and taking over the mortal world, enslaving all humans. Horus' greatest fan is the muscly slave Bek (Brenton Thwaites) who, encouraged by his glamorous girlfriend Zaya (Courtney Eaton), sneaks into Set's palace and steals one of Horus' eyes. He then strikes a deal to help Horus assume his rightful throne. But this means travelling into the sky to confront his grandfather Ra (Geoffrey Rush), then teaming up with sneering god of wisdom Thoth (Chadwick Boseman) and duplicitous Hathor (Yung) to take on Set.
All of this is so ridiculous that it's difficult to stop giggling. And that seems to be part of the idea, as Proyas merrily cranks up the snarky wit in every scene, especially as he indulges in a series of ludicrous set-pieces that feel like videogames populated by toy action figures. The digital effects continually engulf the characters, transforming the gods inexplicably into animal-headed metallic robots. But they also create some genuinely gorgeous moments of spectacle, with sprawling landscapes and whooshing action. Basically, the actors have little choice but to hang on for the ride along with the audience.
Continue reading: Gods Of Egypt Review
When Set brutally murderers his brother, Osiris the great deities of ancient Egypt are upset, non-more so than his wife Isis. Piecing her husband - and fellow god - Osiris back together, she manages to resurrect him for long enough to conceive Horus. So begins a lifetime of battles for the Kingdom.
Set, the brother of Osiris and god of storms, disorder and violence on one side and Horus, the son of Osiris on the other. When Set and Horus go head to head in combat, the mortal citizens of Egypt hope for one victor (Horus) but in a moment of weakness, Set makes his move and steals the eyes of Horus.
Soon after the downfall of Horus, Set takes over Egypt and enslaves the mortals, knowning there's little hope of being saved, one mortal hero decides to help steal the eyes of Horus back in order to gain the trust of the cast out god. To take the kingdom back (and save Bek's love), he and Horus face vast armies of mortals and immortal demons cast under Set's spell.
Continue: Gods Of Egypt Trailer
With a baby on the way, Damon Gameau has decided to experiment with just how bad the supposedly 'healthy' food of the world is for the general public. Having given up sugar entirely a few years ago, Gameau knew that it wasn't likely that his children would do the same thing. This led to the experiment - Gameau won't eat the known 'bad foods' like chocolate, ice cream or soft drinks, but goes for all the food considered to be healthy for people to eat. As his own weight begins to grow over the course of just three weeks, he knows that his child is going to be born into a dangerous world, where obesity is just another factor of life. But does it have to be?
Continue: That Sugar Film Trailer
This may not be the brightest thriller in the cinema, but it's made with such a ripping sense of energy that it's thoroughly entertaining. With his first feature, Australian filmmaker Julius Avery packs the screen with intense characters, raucous set-pieces and suggestions of all kinds of metaphorical meaning. He also assembles a terrific cast of actors willing to chomp merrily on the scenery. So even if the movie never actually cracks the surface, it's a true guilty pleasure.
Set in Western Australia, the film centres on 19-year-old JR (Brenton Thwaites), who begins a six-month stint in prison with a determination to rise to the top. His bravado nearly gets him killed, but he boldly aligns himself with notorious criminal Brendan (Ewan McGregor), and in exchange for protection inside JR agrees to help Brendan from the outside. Sure enough, in six months Brendan launches an audacious prison break, after which he and Brendan get to work with dodgy mobster Sam (Jacek Koman) on an even more elaborate gold heist. JR is loving the gangster lifestyle but still refuses to follow the rules, which puts him on a collision course with Sam as he openly flirts with Sam's prized moll Tasha (Alicia Vikander). Now JR thinks he can steal Tasha, ditch Brendan and get away with the gold. As if.
Yes, the film is a web of double-crosses and betrayals, none of which is much of a surprise. All of the final act's twists and turns are loudly announced early on, as are the strained metaphors of chess-playing criminals and father-son mentoring. Avery's script and direction constantly suggest that nothing is what it seems, although it's hard not to see what's really going on. But what's on-screen is so much fun that we don't mind at all. Thwaites, McGregor, Vikander and Koman all have a great time playing with our expectations. Each character is cocky and sure that they're in control, when it's clear that they're not. And the sparks between them make each scene sizzle.
Continue reading: Son Of A Gun Review
A young man, JR (Brendan Thwaites) is only 19-years-old when he finds himself in an Australian prison. There, he comes under the protection of Australia's Public Enemy number one, Brendan Lynch (Ewan McGregor). In exchange for not being ganged up on or killed in prison, JR is going to have to help Lynch as soon as he is released from prison. This begins with a daring rescue attempt to break Lynch out, and then moves into a plot to steal a vast amount of gold. When JR's attention is diverted, Lynch reveals that their partnership may, in fact, be coming to an end.
Continue: Son Of A Gun Trailer
Subtitled Salazar's Revenge in the UK, this fifth film in the long-running series never quite...
It seems Captain Jack Sparrow has been sailing the seas as a pirate for many,...
Forget Davy Jones' Locker and the Fountain of Youth, Captain Jack Sparrow is on an...
Jack Sparrow finds himself in constant trouble with the law; not only is his name...
With a massive scale and a digital cast of thousands, this ancient Egyptian romp tries...
When Set brutally murderers his brother, Osiris the great deities of ancient Egypt are upset,...
With a baby on the way, Damon Gameau has decided to experiment with just how...
This may not be the brightest thriller in the cinema, but it's made with such...
A young man, JR (Brendan Thwaites) is only 19-years-old when he finds himself in an...
JR (Brendan Thwaites) is receiving a lesson from his protector, Brendan Lynch (Ewan McGregor) over...
Yet another teen sci-fi adventure, this movie may be sharply well-made but it struggles to...