Brent Sexton, Alan Alda, Allison Janney, David Morse, Liev Schreiber and Maggie Gyllenhaal Wednesday 1st June 2011 Brent Sexton, Mireille Enos, David Morse, Maggie Gyllenhaal, Liev Schreiber, Allison Janney, Bill Camp and Alan Alda
For two smart, nerve-wracking acts, "Flightplan" is a thriller almost worthy of the tag "Hitchcockian," in which Jodie Foster plays a distraught mother whose forlorn 6-year-old girl has disappeared in the middle of an overnight flight from Berlin to New York.
Already an emotional wreck because her husband has just died -- his coffin is in the cargo hold -- when Kyle Pratt (Foster) wakes up three hours into the flight to discover her daughter gone from her side, she loses it. Frantically searching the state-of-the-art jumbo jet, she becomes so unruly that the passengers are put on edge, the captain is called, and an air marshal (Peter Sarsgaard) takes her into custody while the crew looks for the missing child.
But startling revelations soon emerge about the death of Kyle's husband and other seemingly indisputable plot particulars. The whole dynamic of the film, and your perception of this grief-stricken widow, soon shift wildly -- and more than once -- as director Robert Schwentke (a German making his Hollywood debut) deftly rolls mood, pacing and Foster's gut-wrenching, cracked-psyche performance into an atmosphere of incendiary tension.
Continue reading: Flightplan Review
"Radio" is the kind of "based on a true story," pandering feel-good movie in which nobody ever says what's on his or her mind without turning it into a momentous anecdote, and the fictional characters contrived solely for plot conflict stand out like circus clowns at a funeral.
You know the characters I mean -- the star-jock bully who picks on the hero and (gasp!) gets benched for it, the jock's callous father who subsequently reviles the coach for not sharing his twin philosophies of "boys will be boys" and "winning is everything."
There are literally scores of such clichés in this predictable story of a mentally challenged young man (Cuba Gooding, Jr.) in small-town South Carolina circa 1976, who was taken under the wing of a high school football coach (Ed Harris) and grew into a valuable member of the sideline crew and a local celebrity. But while the movie isn't all that bad in spite of this triteness, it certainly is bland. The lazy screenwriting mentality that produces such characters just isn't capable of originality or imagination.
Continue reading: Radio Review
It's almost always a good sign when a movie jumps right into a pivotal scene, not bothering with opening credits, establishing scenes or any pre-fabricated title sequence.
It means the filmmaker is focused on telling a good story, and in "Criminal," director Gregory Jacobs wastes no time showing a very green small-time con artist (Diego Luna) being rescued from arrest by a life-long (but no less petty) short-con expert (John C. Reilly) who had been watching him pull a clumsy $20 scam on several casino waitresses.
In need of a new partner, Reilly takes the kid under his wing, and in a matter of hours they've swindled $200 from a little old lady (while butting heads over Luna's hypocritical selective conscience), ripped off a restaurant for another $100 in a change scam, and faked a minor car accident to get a stranger to pony up for gas money -- all in a day's "work" for the unconscionable elder crook.
Continue reading: Criminal Review
There's already an Oscars buzz surrounding this movie.
For two smart, nerve-wracking acts, "Flightplan" is a thriller almost worthy of the tag "Hitchcockian,"...
"Radio" is the kind of "based on a true story," pandering feel-good movie in which...