Brent Carver, Orlando Bloom, Condola Rashad and Jayne Houdyshell - Curtain call for First Preview of Broadway's Romeo and Juliet at the Richard Rodgers Theatre. - New York, NY, United States - Sunday 25th August 2013
Atom Egoyan, the avant-garde Canadian filmmaker born in Egypt to Armenian parents, has a chip on his shoulder the size of the Great White North. And that chip is Armenia. Obviously harboring a deep guilt for his living high on the hog in the West while his ancestors were massacred in the motherland, Egoyan never misses a chance to revisit Armenia as a theme in his films -- even if, say, it's a movie about a strip club and a dead girl (Exotica). And invariably Egoyan casts his wife Khanjian as an Armenian of some sort, always taking the time to let us know she's Armenian with the subtext that she should be pitied.
Continue reading: Ararat Review
Although director and co-writer Thom Fitzgerald sets us up for a mystery at the beginning of the film - Who is Matt? Did he commit suicide? What will Nick find? - the story quickly derails into an extremely sappy and self-indulgent amble through Matt's life, which didn't seem to be terribly interesting. We are given hardly anything of Matt prior to his disease, he is only presented as an AIDS victim, and one particularly prone to flights of self-pity. While The Event is refreshingly candid about many of the particulars of the disease, resisting the melodramatic impulse to keep the more physically unpleasant aspects of it hidden away, it is much less honest and forthcoming about Matt's relationships.
Continue reading: The Event Review
Points for trying to avoid the cruel typecasting fate of Freddy Prinze Jr., but Dunst is pretty far from her element here. As a girl named Silly (Silly!), Dunst takes center stage in a tale told by Lynn Redgrave's aging Celia -- part fiction, part legend. The fishing village where she lives, it is told, has a dark past, caused by an ancient curse that causes the fish to vanish from the local waters once every 50 years. The only way to banish the curse is to sacrifice a girl in the water. And guess who's turn it is to go?
Continue reading: Deeply Review
Writer-director Atom Egoyan's heartfelt passion project "Ararat" is an abstractly structured account of both the 1915-1923 Armenian genocide at the hands of the Ottoman Turks and the massacre's emotional reverberation in the descendants of its survivors.
It's an immense, dark chapter in world history, the gravity of which has never been given its due, especially in the West. As a character in the film points out, even Aldoph Hitler said, "Who remembers the extermination of the Armenians?" when lobbying reluctant underlings to continue with the Holocaust. And Turkey still denies the slaughter took place, despite evidence and eyewitness accounts to the contrary.
Such accounts and denials are an integral part of the truth and shadow at play in this movie, which weaves five stories from three time periods into an intricate elliptical narrative that is sometimes powerfully distressing, sometimes overly contrived and sometimes downright confounding.
Continue reading: Ararat Review
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