When a young women finds herself with amnesia following a car accident on Mulholland Drive, she adopts the name Rita and joins forces with an actress named Betty to try and re-discover who she is and where she was going with a strange blue key and a bag full of money. Meanwhile, a filmmaker named Adam Kesher gets roped into a mob deal, and other characters are being stalked by a mysterious and terrifying figure. Doppelgangers, betrayed love and murder line the plot as bit-by-bit Rita makes connections to her memories. Blurring the lines between illusion and reality, dreams and wakefulness, David Lynch gets into the core of the human condition with this surreal mystery.
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After E.F. Bloodworth abandoned his wife and family to take up a life on the road, he never really expected to return. Having left the family home whilst his sons were still young, it's now 40 years later and Bloodworth returns to his old house. His (now ex) wife never really mentally recovered from E.F's departure and their sons haven't forgiven him for leaving.
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Lou Ford leads -what looks to be a pretty unremarkable existence, he's the deputy Sheriff of a small town but has two girlfriends one who works as a schoolteacher and the other a prostitute. When murders start happening in the sleepy West Texas town, no one is quite sure who's committing the murders. As investigators lean toward Lou as their prime suspect, he finds himself in a spiral of death as he struggles to clear his name. Things are never as they seem, the unassuming person the townsfolk thought they knew in Lou soon unravels and it becomes clear that all they were seeing was a facade.
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Elah is set in late 2004, when previously pro-war segments of the population started seeing cracks in the official flag-waving rhetoric, and ugly rumors started flying about what was actually going on Over There. Haggis' hard-boiled script -- closely based on Mark Boal's harsh, eye-opening article, "Death and Dishonor," published in Playboy in 2004 -- takes the form not of a war film but of a mystery, hiding its disquieting revelations in a familiar structure. Retired military policeman Hank Deerfield (Tommy Lee Jones) finds out that his son Mike (Jonathan Tucker, from Haggis' short-lived TV show The Black Donnellys), currently serving in Iraq, went AWOL not long after coming home on R&R. Having already lost his other son to combat in Afghanistan, and convinced he's getting some sort of runaround from the army, Hank hops in his winded old pickup and heads to Mike's base looking for answers.
Continue reading: In The Valley Of Elah Review
A murdered family sadly haunts the home in which they met their demise, wreaking havoc on the life and mental state of a teenage girl, as she and her baby brother are the only ones that can see these not-so-grisly apparitions. Why can't their parents (Dylan McDermott and Penelope Ann Miller) catch a glimpse? That's not explained -- if it were, there might have been more meat on these bare bones.
Continue reading: The Messengers Review
Swept Away more than doubled that.
Continue reading: Waking Up In Reno Review
For starters, it's literally crawling with cult-friendly stars, including Jon Favreau (Swingers), Joey Lauren Adams (Chasing Amy), Bud Cort (Harold and Maude), Jon Gries (Real Genius), Daryl Hannah (Kill Bill),and Rachael Leigh Cook (who seems to be making a living off of desert-based movies these days). Secondly, it's got message boards buzzing with fans asking a variation on one simple question: What the hell does it all mean?
Continue reading: The Big Empty Review
Bill Paxton stars as Hank Mitchell, a normal every day kind of guy. Hank, his moronic brother Jacob (Billy Bob Thornton) and Jacob's friend Lou (Brent Briscoe) find a crashed plane filled with 4.4 million dollars one day and decide to keep it. Well, kind of. Hank is the smartest of the three and he thinks it would be a good idea to keep the money until the plane is found, then disperse it among themselves. Here come the murders.
Continue reading: A Simple Plan Review
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