The Revenant actor Brendan Fletcher is recovering after he was injured by a firearm while filming a TV series in Canada.
Fletcher was in the middle of shooting drama Cardinal in Sudbury, Ontario when he suffered lacerations on his throat after discharge from a gun not fully emptied of blanks peppered his head.
He was hospitalised and received treatment, but has since been discharged.
In a statement, Fletcher's agent claims the accident was "no fault of his (Fletcher)" and the actor is recovering well.
Continue reading: The Revenant Actor Injured In Onset Firearm Accident
Hugh Glass is a skilled hunter, experienced in trapping some of the most predatory of beasts in the American West in order to claim their fur. However, it all goes wrong one day when he and his three friends and companions John Fitzgerald, Andrew Henry and Jim Bridger are travelling some untouched territory. They are confronted by a bear who wastes no time in viciously attacking Glass, leaving the other three men to flee without a second glance. Unfortunately for them, Glass is not dead after his mauling, and he's not happy about being left for dead by the people he's supposed to be able to trust. Determined to survive on his own even as a particularly bitter winter sets in, he just wants to find the cowards that betrayed him and take revenge.
Continue: The Revenant - R Rated Trailer
You say a thinly-veiled fictionalization of the Columbine massacre. I say directed by Uwe Boll (He'll make four movies based on video games from 2003 to 2006.)
Continue reading: Heart Of America Review
Recalling the rules from memory, each team has 20 people on it, 10 of each sex. There is one female's one-piece to a team. It starts on one girl, who swims to the opposite side, places it on a boy, who then swims back and places the suit on the next girl.
Continue reading: Rollercoaster Review
Ryan and Grant are getting married -- sort of: They can't actually decide on what to call their "civil union." One even wants the other to wear jeans and a t-shirt to the event instead of a tux. But never mind that: Relatives and friends are arriving, and the neuroses are piling up.
Continue reading: Everyone Review
Canadian writer-director Jeremy Podeswa assigned himself a daunting task when he stepped behind the camera to make "The Five Senses": Create a five-dimensional world of sight, sound, touch, taste and smell, in the two dimensional medium of film.
The resulting picture is penetrating metaphorical cinema that immerses the viewer in its characters' often internalized loneliness, anxiety, desire, shame and insecurity by watching them misunderstand, embrace and/or rediscover senses we often take for granted through five well-conceived, inter-connected narratives, one for each sense.
Richard (Philippe Volter) is a middle-aged French optometrist who has learned he is slowly going deaf. He makes a list of every sound he wants committed to memory before it's too late and sets out to record them in his mind. He calls his estranged wife's house just to hear his daughter answer the phone, and he becomes mesmerized while eavesdropping on a neighbor through heating ducts in his office floorboards.
Continue reading: The Five Senses Review
For the first time since "Scream," the slasher genre shows signs of life (was that in poor taste?) in "Freddy vs. Jason," a franchise merger that pits hockey-masked psycho Jason Voorhees from the "Friday the 13th" movies against "A Nightmare on Elm Street's" dream-invading bimbo-killer Freddy Krueger and his knife-blade glove.
The scenes in which these two unstoppable supernatural slayers are literally at each other's throats prove to be everything fans of such movies could hope for as they hack, cut, beat, tear and toss each other around, first in Freddy's dream realm (where the burn-scarred nutcase has tapped into Jason's subconscious), and later on Jason's home turf at Camp Crystal Lake after Freddy has been drawn into the real world. Their super-violent showdowns are like John Woo fight scenes with all the elegance sucked out and replaced with brutal fury.
Unfortunately, the rest of the movie is largely the same tired old crap -- 25-year-old half-talents playing unconvincing high-schoolers stalked through the dark by one or the other of our killers. Any bouts of creativity in the script are almost immediately squelched by low standards of hack filmmaking, as evidenced by the boring expository prologue in which Krueger (Robert Englund) blabs on and on about his backstory, then explains the plot: He's awakened Jason (Ken Kirzinger) from the dead by invading his psyche (as a vision of his abusive mother), sending him to Elm Street to rekindle the fear Freddy needs to thrive in the dreams of his hometown teenagers and begin anew his own killing streak.
Continue reading: Freddy Vs Jason Review
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Canadian writer-director Jeremy Podeswa assigned himself a daunting task when he stepped behind the camera...