The film is a goofy, but intelligent, combination of David Cronenberg's seminal slimy freak-out Shivers, the underrated teen zombie slugfest, Night of the Creeps, The Hidden, and one of the countless ribald, hicksploitation flicks that clogged the drive-ins in the '70s (I don't think I've seen such a cast of less-than-attractive performers outside of Quest for Fire.)
Continue reading: Slither Review
Pollard has a good sense of comic timing (and the good sense to adapt a novel instead of writing his own original story). His film pans out in Louisville, with frequent visits to the track and other interesting locations. (How many indie romantic comedies are shot in two locations: someone's apartment and a bar!? Ugh.) He even gets actors like Morgan Fairchild and William "This is my other brother Darryl" Sanderson. Pollard obviously spent a lot of money too, shooting on 35mm (if not, he fooled me) and staging some big-budget scenes, including period-piece dream sequences and real-live horse races.
Continue reading: Nice Guys Sleep Alone Review