Bradley Whitford

Bradley Whitford

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Lambda Legal 2015 West Coast Liberty Awards

Bradley Whitford and Amy Landecker - Lambda Legal 2015 West Coast Liberty Awards hosted by Wendi McLendon-Covey - Inside at The Beverly Wilshire Four Seasons Hotel - Beverly Hills, California, United States - Thursday 11th June 2015

Bradley Whitford and Amy Landecker
Bradley Whitford and Amy Landecker
Bradley Whitford and Amy Landecker
Zachary Drucker, Amy Landecker, Bradley Whitford and Guests
Zachary Drucker, Amy Landecker, Bradley Whitford and Guests

'Transparent' presents 'Meet the Family' Panel Discussion and Q&A

Bradley Whitford and Jill Soloway - 'Transparent' presents 'Meet the Family' Panel Discussion and Q&A - Arrivals at Directors Guild of America Theater - Los Angeles, CA - Los Angeles, California, United States - Monday 1st June 2015

'Transparent' presents 'Meet the Family' Panel Discussion and Q&A

Bradley Whitford - Panel Discussion and Q&A - Arrivals at Directors Guild of America Theater - Los Angeles, California, United States - Monday 1st June 2015

Bradley Whitford
Bradley Whitford

The 8th Annual Television Academy Honors

Bradley Whitford and Judith Light - The 8th Annual Television Academy Honors at The Montage Beverly Hills at Montage Hotel - Beverly Hills, California, United States - Wednesday 27th May 2015

Bradley Whitford
Bradley Whitford

The 8th Annual Television Academy Honors

Bradley Whitford, Alexandra Billings, Guest, Jill Soloway, Judith Light and Ian Harvie - The 8th Annual Television Academy Honors at Montage Beverly Hills - Arrivals at Montage Beverly Hills - Los Angeles, California, United States - Wednesday 27th May 2015

Bradley Whitford, Alexandra Billings, Guest, Jill Soloway, Judith Light and Ian Harvie
Bradley Whitford and Judith Light
Bradley Whitford and Judith Light
Bradley Whitford and Judith Light
Bradley Whitford

Decoding Annie Parker Trailer


Annie Parker is a fun-loving young woman struggling with the difficulties of motherhood, a husband who's slowly losing interest and, more importantly, breast cancer. She is unsurprised that she has become afflicted with the disease following her mother and older sister's suffering, but she suddenly finds herself overcome with the determination to find out why. Meanwhile, a young research geneticist named Mary-Claire King is looking into a breakthrough theory that suggests that some women are genetically pre-disposed to have breast cancer due to a particular gene. Unfortunately for her, there are few scientists who believe her theory. In order to prove her theory, she must conduct a research project looking into cancer sufferers' and their relatives' medical history - and that's where Annie Parker is eager to help.

Continue: Decoding Annie Parker Trailer

Saving Mr. Banks Review


Excellent

This true story only barely avoids becoming sloppily sentimental, thanks to a solid cast and a final act that generates honest emotion. Awash with the Disney spirit, the film breaks free of the marketing machine to recount events that are lively and often very funny, but also manage to be sharply moving. It's the kind of crowd-pleaser that deserves to do well both at the box office and in awards ceremonies.

Set in 1961, it's the story of how Walt Disney (Hanks) finally lures PL Travers (Thompson) to Hollywood to woo her into signing over the film rights to Mary Poppins after some 20 years of pestering. She is equally determined to protect her creation, which is very close to her heart. But she agrees to work with the screenwriter (Whitford) and composers (Schwartzman and Novak) as long as she has veto power. Her demands are crazy ("I don't want the colour red anywhere in the movie!"), but everyone tries to win her over. Eventually Walt realises that he needs to find out exactly why Mary Poppins is so important to her. And that the story is more about Mary's affect on the family's father, Mr Banks, than the children.

Indeed, in parallel flashbacks we see Travers' childhood in rural 1906 Australia, where she lives as a young girl (Buckley) with her lively father (Farrell) and shattered mother (Wilson). Her dad's alcoholism is the driving force of these scenes, which feel like a completely separate film intercut with sunny 1960s Hollywood. But they add weight to Thompson's remarkably detailed performance, which is marvellously withering and hilarious, and also subtly emotional. Her interaction with the buoyant Hanks is sharp and jagged, and the film's nicest scenes are between Travers and her driver, sensitively played by Giamatti.

Continue reading: Saving Mr. Banks Review

Is 'Trophy Wife' The New Modern Family?


Malin Akerman Bradley Whitford

Trophy Wife, the new sitcom starring Malin Akerman, premiered on ABC on Tuesday to a wave of fanfare from critics. The American actress plays Kate Harrison, who finds being the third wife of Pete (Bradley Whitford) complicated by the presence of his ex-wives and stepchildren. 

Trophy WifeMalin Akerman [Center] And The Cast of 'Trophy Wife'

In her review, Newsday's Diane Werts noted how Trophy Wife is almost entirely focused on the 38-year-old. "Akerman has to be everything. Good thing she's a nimble actress.... Whitford is always winning, and even the poor exes find wiggle room inside their cliches," she said.

Continue reading: Is 'Trophy Wife' The New Modern Family?

CBGB Trailer


In 1973, New York nightclub CBGB opened as a venue for Country, BlueGrass and Blues acts led by music entrepreneur Hilly Kristal. However, it soon became clear that that wasn't the way the music scene was going in the city and he soon began to book new rock and punk bands - excluding all cover and tribute bands - to play regular shows there which helped raise the profile of several musical pioneers including Talking Heads, Blondie, The Ramones and the Patti Smith Group. It wasn't the easiest ride for Kristal, however, who suffered many money troubles due to his vision and ambition for the bands that he showcased, as well as much scrutiny over the general poor health and safety of the venue. Nonetheless (and despite its closure in 2006), it will always been known as the kick off point for so many 70s and 80s bands.

Randall Miller ('Nobel Son', 'Bottle Shock', 'Houseguest') directs this music drama alongside his frequent writing partner Jody Savin as it follows the highs and lows of Hilly Kristal's life and ambition to give innovative local bands a chance at success. The movie will premiere at the CBGB Festival over its October 10th-13th weekend; not far off the anniversary of its 2006 official closure.

 

Saving Mr. Banks Trailer


P.L. Travers was an Australian author who, in the early sixties, went into negotiations with Walt Disney over the rights of her novels surrounding the character Mary Poppins. It was eventually released on the big screen and won five Oscars, though its production was not without its conflicts. Travers' initial aversion to Hollywood didn't help matters, and she was unnerved by the idea that Disney might turn her beloved character into a prancing, dancing, twinkling fairy godmother. However, when Disney began to understand that Mary Poppins' place in the story was less about the children and more about their father - and, in effect, her own father on whom she based him on - the pair began to bond better and Travers was finally willing to unleash her story onto the world.

'Saving Mr. Banks' is the story of how 'Mary Poppins' was put to film in 1964 by Walt Disney, thirty years after P.L. Travers began writing about her. It is about the conflicts between Travers and Disney and Travers own struggles with her personal life when we discover just how true to life the story really was. It has been directed by John Lee Hancock ('Snow White and the Huntsman', 'A Perfect World', 'The Blind Side') and written by Kelly Marcel ('Terra Nova') and Sue Smith ('My Brother Jack', 'Peaches') and it is set to hit UK cinemas on January 17th 2014.

Click Here To Read - Saving Mr. Banks - Movie Review 

The Cabin in the Woods Review


Excellent
The script for this horror romp is almost too inventive, cleverly combining clashing genres and playing hilariously with a range of cliches while thoroughly grossing out the audience. It's certainly a riot of fun to watch, even if it's not actually that scary.

Taking a break from her pre-med studies, Dana (Connolly) heads off to a mountain cabin with her flatmate Jules (Hutchison), their stoner pal Marty (Kranz) and Jules' muscle-jock boyfriend Curt (Hemsworth), who has invited his friend Holden (Williams) as a possible date for Dana. But they have no idea that two sardonic businessmen (Jenkins and Whitford) are managing an elaborate underground operation during which they are manipulating everything about the cabin. And it starts to become clear that, to save the world, all five young people must die in the correct order.

Continue reading: The Cabin in the Woods Review

The Cabin In The Woods Trailer


Five teenagers - Holden; Curt; Marty; Jules and Dana - decide to go on a weekend trip to let off some steam. Not surprisingly, their location of choice is a cabin in the woods. So remote is this cabin that it doesn't show up on the teens' GPS.

Continue: The Cabin In The Woods Trailer

The West Wing: Season Six Review


OK
The death of veteran actor John Spencer -- who played Chief of Staff Leo McGarry, the coolest head among the cast of The West Wing -- was sad news, and it was the final death knell for the once-popular NBC series, now finishing its seventh and final season. That's a shame, because in some ways the show is still getting better.

When creator Aaron Sorkin left The West Wing abruptly in 2003, many people wrote the show off. Sorkin imbued the show with his naïve left-liberal bias and scripted much of its glib dialogue, and his leaving seemed to guarantee an identity crisis. In fact, The West Wing was really nothing more than Sorkin's personal wish fulfillment: What if we elected a strongly moral liberal Democrat as president? Or to put it a different way, what if President Clinton (who was still president when the show started, in 1999) had been even more liberal, and not horny all the time? Sorkin's answer was Jed Bartlet, the imaginary president played by Martin Sheen. Bartlet is sort of a Ted Kennedy with gravitas -- a sententious, northeastern liberal Catholic who, because this is TV, is always right. (With John Kerry we actually had a chance to elect someone like Bartlet, minus the intellectual rigor, and not too surprisingly, the electorate didn't go nuts over him. Of course, Kerry was not as telegenic as Martin Sheen.)

Continue reading: The West Wing: Season Six Review

The West Wing: Sixth Season Review


OK
The death of veteran actor John Spencer -- who played Chief of Staff Leo McGarry, the coolest head among the cast of The West Wing -- was sad news, and it was the final death knell for the once-popular NBC series, now finishing its seventh and final season. That's a shame, because in some ways the show is still getting better.

When creator Aaron Sorkin left The West Wing abruptly in 2003, many people wrote the show off. Sorkin imbued the show with his naïve left-liberal bias and scripted much of its glib dialogue, and his leaving seemed to guarantee an identity crisis. In fact, The West Wing was really nothing more than Sorkin's personal wish fulfillment: What if we elected a strongly moral liberal Democrat as president? Or to put it a different way, what if President Clinton (who was still president when the show started, in 1999) had been even more liberal, and not horny all the time? Sorkin's answer was Jed Bartlet, the imaginary president played by Martin Sheen. Bartlet is sort of a Ted Kennedy with gravitas -- a sententious, northeastern liberal Catholic who, because this is TV, is always right. (With John Kerry we actually had a chance to elect someone like Bartlet, minus the intellectual rigor, and not too surprisingly, the electorate didn't go nuts over him. Of course, Kerry was not as telegenic as Martin Sheen.)

Continue reading: The West Wing: Sixth Season Review

Little Manhattan Review


Excellent
In a year that has seen both Simpson sisters on screen, Scarlett Johansson in a Michael Bay movie, and Scotty from Boogie Nights playing Truman Capote, it's fitting that the forerunner for the feel-good movie of the year is Little Manhattan, a romantic comedy focusing on two grammar school students. What's surprising is that more people haven't heard of it. It's that good.

Gabe (Josh Hutcherson) is a 10-year-old kid whose life is, as he puts it, "very fulfilling," despite his parents' pending divorce. His summer days consist of basketball, video games, and hanging out with his friends. His decision to take karate is looked upon as just one more part of a life well-lived. That is until longtime schoolmate Rosemary Telesco (newcomer Charlie Ray) becomes his sparring partner.

Continue reading: Little Manhattan Review

Bradley Whitford

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