Megan Leavey is a young US Marine corporal who has never been brilliant at connecting with people. Her mother isn't happy about choice of profession, but Megan finds something within herself as a Military Police K9 handler, finding it much easier to bond with dogs than her comrades. One day she meets Rex; a working dog whose skills include detecting explosives and attacking. Unfortunately, he happens to be one of the most vicious dogs on the team, but Megan isn't going to led that deter her. She's determined to train Rex and teach him discipline and they form a relationship, saving thousands of lives as they embark on over 100 missions over two Iraq deployments. However, when an IED explosion leaves them both injured, Megan decides she wants Rex to retire and live out the rest of her days with her. That's easier said than done.
Continue: Megan Leavey Trailer
Leave it to a comedian to make one of the scariest movies in recent memory. Jordan Peele moves into writing and directing with this offbeat comedy, a fresh and fiendishly smart story with engaging characters and provocative themes. It's a combination of a knowing issue-based drama, lively romantic comedy and unhinged horror that hits all of its targets with precision. And it keeps us gleefully entertained with its escalating terror.
The story centres on Chris (Sicario's Daniel Kaluuya), whose girlfriend Rose (Girls' Allison Williams) invites him home for a weekend to meet her parents Missy and Dean (Catherine Keener and Bradley Whitford). Rose assures Chris that they're so liberal that they won't mind at all that he's black. But things don't feel quite right from the start. For one thing, there are two creepy servants (Betty Gabriel and Marcus Henderson) who seem to be lurking everywhere. And Rose's brother Jeremy (Caleb Landry Jones) revels in stirring up problems. As things get increasingly freaky, Chris calls his best friend Rod (Lil Rel Howery), an airport security officer back in New York, for advice. Then things take an even more bizarre turn when Missy and Dean's friends arrive for an annual party.
Peele begins to play with the audience right from the start, using Michael Abels' disorienting music and Toby Oliver's quirky camerawork to maximum effect. Often this involves pushing us far too close to a character whose behaviour is just a bit off. Every moment is undercut with humour, including awkward moments and snappy gags that serve as a relief valve even as they set us up for something scary. It's such clever filmmaking that we have little choice but to sit back and enjoy the ride. And woven through all of this is an inventive and lacerating exploration of attitudes toward race in American society.
Continue reading: Get Out Review
Kaluuya is the star of 'Get Out', the debut film from first-time director Jordan Peele.
Low-budget satirical horror film Get Out is turning into one of the early front-runners for the best movie of 2017, receiving ecstatic reviews and tearing up the box offices.
In a new interview, one of its cast members, Bradley Whitford, has attributed this to the vision of first-time director Jordan Peele and its talented young lead star, 27 year old British actor Daniel Kaluuya.
Get Out has been doing great business in the States since its release at the end of February, grossing over $84 million worldwide so far against its modest budget of just $4.5 million, with reports of many people going to the cinema to see it a second, or even third, time.
Continue reading: Bradley Whitford Praises Jordan Peele And Daniel Kaluuya
When Chris packs up for the weekend to go and meet his girlfriend Rose's family for the first time, his biggest concern is that they might not approve of him being a black man. Thankfully, they seem to be accepting, but he's slightly disturbed by a pair of strange black housekeepers that live there named Georgina and Walter. When his pal back home discovers that black people have been going missing from the area for years, he tries to brush it off in order to get through the weekend, but he can ignore it no longer when one of the missing people shows up at a garden party on the estate looking particularly disturbed and warning him to 'get out'. But it's much too late for that now.
Continue: Get Out Trailer
Writer-director Marc Abraham gets ambitious with this biopic about iconic country music star Hank Williams, but the film is far too choppy to provide much insight. Leaping through the decades without much context, the film never explores what made Williams such an important artist, so it's difficult to understand the impact of his tragic death at just 29. That said, Tom Hiddleston shines in the role.
Cutting around in time, the film shows Hank (Hiddleston) as a young man with a singular vision: he's determined to perform at the Grand Ole Opry in Nashville. His young wife Audrey (Elizabeth Olsen) and his mother Lillie (Cherry Jones) argue about who will control his career, but Hank just gets on with it, relying on help from music publisher Fred Rose (Bradley Whitford). Finally at 26 he gets his first No 1 single, and lands a spot at the Opry, becoming a fast-rising superstar. But the chronic back pain he has suffered since childhood leads him into alcohol and drug abuse, which of course begins to take a toll on his career as well as his friendships, marriage and health.
The film skips around Williams' life, moving on to the next scene before this one seems quite finished. This means that the story is never able to build up any momentum, and also that each fragmented period of time feels under-explained. And the people around Williams appear and disappear at random, so the actors never get any traction in their roles. Hiddleston does find moments of resonance, simply because he's in every scene in the film and establishes a bit of rapport with the audience. It's also astonishing that he performs the songs himself. But Abrahams's approach to storytelling never offers any insight into Williams' fame, talents or personal life.
Continue reading: I Saw The Light Review
Amy Landecker , Bradley Whitford - 22nd Annual Screen Actors Guild Awards at The Shrine Expo Hall - Arrivals at Shrine Auditorium, Screen Actors Guild - Los Angeles, California, United States - Saturday 30th January 2016
Hank Williams was one of the most iconic country stars America has ever seen, moving crowds to their feet (and often to tears) with such hits as 'Lovesick Blues', 'Hey Good Lookin'' and 'I'm So Lonesome I Could Cry'. But away from the mic stand, his life was often in turmoil. Plagued by crippling chronic back pain from his spina bifida occulta, he found himself repeatedly drawn to alcohol which made figures in the music industry refuse to work with him, and later other substances including painkillers and morphine prescribed by a fraudulent doctor. If that wasn't bad enough, his love life was hardly blissful either; both his marriages were marred by legal misfortunes and can only be described as tumultuous and unstable. By his 20s he had developed heart problems, which ultimately led to the saddening and untimely demise of one of country music's most unforgettable legends.
Continue: I Saw The Light - In The Studio Clip
Annie Parker is a fun-loving young woman struggling with the difficulties of motherhood, a husband who's slowly losing interest and, more importantly, breast cancer. She is unsurprised that she has become afflicted with the disease following her mother and older sister's suffering, but she suddenly finds herself overcome with the determination to find out why. Meanwhile, a young research geneticist named Mary-Claire King is looking into a breakthrough theory that suggests that some women are genetically pre-disposed to have breast cancer due to a particular gene. Unfortunately for her, there are few scientists who believe her theory. In order to prove her theory, she must conduct a research project looking into cancer sufferers' and their relatives' medical history - and that's where Annie Parker is eager to help.
Continue: Decoding Annie Parker Trailer
Colin Farrell, Annie Rose Buckley, Bradley Whitford, Tom Hanks, Rita Wilson, Paul Giamatti, Emma Thompson, B.J. Novak and Jason Schwartzman - "Saving Mr. Banks" - Los Angeles Premiere At Walt Disney Studios - Burbank, California, United States - Tuesday 10th December 2013
This true story only barely avoids becoming sloppily sentimental, thanks to a solid cast and a final act that generates honest emotion. Awash with the Disney spirit, the film breaks free of the marketing machine to recount events that are lively and often very funny, but also manage to be sharply moving. It's the kind of crowd-pleaser that deserves to do well both at the box office and in awards ceremonies.
Set in 1961, it's the story of how Walt Disney (Hanks) finally lures PL Travers (Thompson) to Hollywood to woo her into signing over the film rights to Mary Poppins after some 20 years of pestering. She is equally determined to protect her creation, which is very close to her heart. But she agrees to work with the screenwriter (Whitford) and composers (Schwartzman and Novak) as long as she has veto power. Her demands are crazy ("I don't want the colour red anywhere in the movie!"), but everyone tries to win her over. Eventually Walt realises that he needs to find out exactly why Mary Poppins is so important to her. And that the story is more about Mary's affect on the family's father, Mr Banks, than the children.
Indeed, in parallel flashbacks we see Travers' childhood in rural 1906 Australia, where she lives as a young girl (Buckley) with her lively father (Farrell) and shattered mother (Wilson). Her dad's alcoholism is the driving force of these scenes, which feel like a completely separate film intercut with sunny 1960s Hollywood. But they add weight to Thompson's remarkably detailed performance, which is marvellously withering and hilarious, and also subtly emotional. Her interaction with the buoyant Hanks is sharp and jagged, and the film's nicest scenes are between Travers and her driver, sensitively played by Giamatti.
Continue reading: Saving Mr. Banks Review
Trophy Wife has strong reviews, though it has a way to go to match a certain family sitcom on the same network.
Trophy Wife, the new sitcom starring Malin Akerman, premiered on ABC on Tuesday to a wave of fanfare from critics. The American actress plays Kate Harrison, who finds being the third wife of Pete (Bradley Whitford) complicated by the presence of his ex-wives and stepchildren.
Malin Akerman [Center] And The Cast of 'Trophy Wife'
In her review, Newsday's Diane Werts noted how Trophy Wife is almost entirely focused on the 38-year-old. "Akerman has to be everything. Good thing she's a nimble actress.... Whitford is always winning, and even the poor exes find wiggle room inside their cliches," she said.
Continue reading: Is 'Trophy Wife' The New Modern Family?
In 1973, New York nightclub CBGB opened as a venue for Country, BlueGrass and Blues acts led by music entrepreneur Hilly Kristal. However, it soon became clear that that wasn't the way the music scene was going in the city and he soon began to book new rock and punk bands - excluding all cover and tribute bands - to play regular shows there which helped raise the profile of several musical pioneers including Talking Heads, Blondie, The Ramones and the Patti Smith Group. It wasn't the easiest ride for Kristal, however, who suffered many money troubles due to his vision and ambition for the bands that he showcased, as well as much scrutiny over the general poor health and safety of the venue. Nonetheless (and despite its closure in 2006), it will always been known as the kick off point for so many 70s and 80s bands.
Randall Miller ('Nobel Son', 'Bottle Shock', 'Houseguest') directs this music drama alongside his frequent writing partner Jody Savin as it follows the highs and lows of Hilly Kristal's life and ambition to give innovative local bands a chance at success. The movie will premiere at the CBGB Festival over its October 10th-13th weekend; not far off the anniversary of its 2006 official closure.
Megan Leavey is a young US Marine corporal who has never been brilliant at connecting...
Writer-director Marc Abraham gets ambitious with this biopic about iconic country music star Hank Williams,...
I Saw The Light is the new biopic about Hank Williams. The film follows his...
Hank Williams was one of the most iconic country stars America has ever seen, moving...
Annie Parker is a fun-loving young woman struggling with the difficulties of motherhood, a husband...
This true story only barely avoids becoming sloppily sentimental, thanks to a solid cast and...
P.L. Travers was an Australian author who, in the early sixties, went into negotiations with...
The script for this horror romp is almost too inventive, cleverly combining clashing genres and...
Five teenagers - Holden; Curt; Marty; Jules and Dana - decide to go on a...
Watch the trailer for Bottle ShockDuring the 1970's there were no wines that could rival...