Four years later, Taylor drops another oddball flick on us, and the trouble is obvious before frame one. For starters, the name of the movie is The Darwin Awards, which sounds like it's going to be a documentary about those nutty people who kill themselves doing stupid things, thus earning posthumous "Darwin Awards" (as written up in a series of books of the same name) for ridding the gene pool of their DNA.
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Mop-topped Brad Hunt is the lead, a slacker/loser named Zach that's coming to grips with his long-term crush over Abbey (Lauren Graham, who can't save this picture with a half-hearted effort), whom he's never opened up with. She's leaving town, so Zach embarks on a voyage of self-discovery to figure out why he's been so unsuccessful with the ladies.
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Paul Thomas Anderson (Boogie Nights) only waited until his third film to make his, an over-three-hour epic with at least 10 major characters in almost as many separate story lines. And thanks to those characters, every one a rich mystery burning with secrets, Magnolia is a smashing success.
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Don't tell the other movie critics I said this, but once in a very great while I see an independent film I wish could have been a big budget Hollywood studio picture. Sometimes a good idea, a lot of enthusiasm and a shoestring budget just aren't enough.
Take "Cherish," for example. This creative but contrived and gimmick-driven comedy-thriller is about a geeky, socially inept young beauty (Robin Tunney), who is falsely accused of a hit-and-run and incarcerated in her own sparse and funky loft while awaiting trial, monitored by one of those electronic ankle bracelet programs.
Going stir-crazy because she's the kind of girl who can't stand to be alone (of men she says "I don't think I'd go out with so many if any one would call me back"), Tunney spends the movie trying to outwit the system that will set off an alarm at police headquarters if she wanders out of the bracelet's range.
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