Andrew Sarris has written about von Sternberg that "his characters generally make their first entrance at a moment in their lives when there is no tomorrow," and Macao toes the Sarris company line. In a story that could have been hatched by S.J. Perelman, Macao, after an under-cranked chase scene, settles in on an ocean liner breezing into the freakish Oriental port of Macao ("a fabulous speck on the earth's surface"), the dangers ahead cued by the ship's barometer which indicates "Unhealthy for Plants/Unhealthy for Humans." Since this is not a nature documentary, the focus is on two humans -- Nick Cochran (Mitchum), on the run from an unclear fate in New York City, and Julie Bensen (Russell), high-tailing it from Hong Kong (when a customs inspector asks what she did in Hong Kong, she responds, "You don't really want me to tell you, do you?"). The two meet cute after Julie hauls a stiletto heel at a randy cha-cha dancer's torso but instead manages to clip Nick's noggin, who is passing by her cabin at the time. Nick and Julie immediately gravitate to each other, since not only are they the stars but also the coolest and most unflappable characters in the picture. The half-assed plot involves something about enticing villainous nightclub owner Vincent Halloran (Brad Dexter, whispering his dialogue like an incantation) outside the three-mile limit so that he can be arrested, and Nick being mistaken for a New York detective and chased around by Halloran's sinister thugs (with Philip Ahn's knife-wielding Itzumi being particularly impressive).
Continue reading: Macao Review
As the first American feature to be shot in Japan after WWII (its home-grown film industry had been trucking right along since not long after the peace treaty was signed), House of Bamboo makes the most out of its setting, and its spell-binding Cinemascope compositions make up most of the reasons to see it. The film opens on a supply train puffing across a snowy landscape that's hijacked by a gang of thieves who are more than happy to garrote the Japanese and U.S. guards on board before making off with the loot, .50-caliber machine guns. It's a sharply executed piece of work and ends with a hammer blow: achingly beautiful Mount Fuji, as shot between the boots of a dead soldier.
Continue reading: House Of Bamboo Review
Credit Miss Diana Ross for her guts. In this, her first screen performance, she tosses all vanity aside, kicking things off by wearing a straitjacket and writhing around on the floor of an asylum (that writhing earned her an Oscar nomination). What has brought Billie Holiday to this lowly state? The flashbacks will tell us.
Continue reading: Lady Sings The Blues Review
A cowboy retelling of Akira Kurosawa's The Seven Samurai, the movie takes place in a Mexican farming village which has been overrun by bandits. The outlaws take the villagers' food, making a grueling life that much tougher. Tired of getting pushed around, several men consult the resident wise old man. "Fight, you must fight," he says.
Continue reading: The Magnificent Seven Review
Five years after his first stint as hitman Arthur Bishop in The Mechanic, Jason Statham has returned to the role for Mechanic: Resurrection.
In a busy year that has seen John Krasinski star in movies and TV shows, he somehow managed to find the time to direct, produce and star in the new...