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Stonehearst Asylum Trailer


Stonehearst Asylum follows the plot of Edgar Allen Poe's short story The System of Doctor Tarr and Professor Fether. It is a story about Edward Newgate (Jim Sturgess) - a medical school graduate in the 19th Century who travels to the titular Asylum to gain 'clinical experience'. It is here that Newgate meets Silas Lamb (Ben Kingsley) and Eliza Graves (Kate Beckinsale), the latter of which he becomes instantly infatuated with. Almost at once, things start to creepy as Edward encounters some of the inmates and realises that perhaps his new colleges are not entirely concerned with following regulations. As the plot thickens and Edward finds himself spiralling further down the rabbit hole, the questions seem pile up. Why does one of the inmates claim to be the asylum's superintendent? Why are the doctors so gleeful when using such barbaric 'treatments'? And why does the man in charge seem so adamant that 'we're all mad'?

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The Call Trailer


Jordan Turner is a 911 emergency call operator whose life is turned upside down when one distressed girl's call complaining of an intruder in her house ends in a brutal murder. Shaken and traumatised, Jordan contemplates taking a different career path as she struggles to come to terms with what happened when she recognises that her own actions could have been a catalyst in the girl's fate. With the support of her cop boyfriend, she finds the strength to remain as that steady, calm figure that has helped so many people in the most devastating of situations.  However, when another girl dials 911 from the trunk of a kidnapper's car, she realises that, through several disturbingly familiar similarities, they are dealing with the same killer and this time she is determined not to let another girl die. Passing on a series of careful instructions to the victim, she takes matters into her own hands and goes from operator to rescuer in a matter of hours.

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Los Angeles Premiere of 'The Call'

David Otunga, Michael Eklund, Halle Berry, Abigail Breslin, Brad Anderson and Morris Chestnut - Los Angeles Premiere of 'The Call' held at ArcLight Hollywood Theatre - Los Angeles, California, United States - Tuesday 5th March 2013

David Otunga, Michael Eklund, Halle Berry, Abigail Breslin, Brad Anderson and Morris Chestnut
David Otunga
David Otunga
David Otunga

Picture - Brad Anderson Toronto, Canada, Sunday 12th September 2010

Brad Anderson Sunday 12th September 2010 The 35th Toronto International Film Festival - 'Vanishing On 7th Street' premiere arrival at the Ryerson Theatre. Toronto, Canada

Brad Anderson

Transsiberian Review


OK
As the train rattles through the frozen tundra with its cargo of weary passengers, a melancholic detective gives the American tourists an idea of just how far into it they've stepped: "In Russia we have a saying, With lies you may go forward in the world, but you may never go back." To same extent, this is the Slavic equivalent of fortune cookie wisdom. Ah, Russia, with its apparently inexhaustible capacity for resigned suffering. But as presented here, in the context of a tight and terse thriller like Transsiberian, and coming out of the mouth of a particularly sharp Ben Kingsley, cynical bits of wisdom like that go down like an invigorating shot of chilled vodka.

In Brad Anderson's film, the scenario is one we've seen before, but it's handled here with an unusual alacrity. Woody Harrelson and Emily Mortimer play Roy and Jessie, a pair of young Americans who just finished a volunteering stint in China and are now taking the Trans-Siberian train all the way to Moscow. Both as comfortable in their roles as few actors are ever allowed to be, the two need little more than a handful of lines and a couple of telling looks to apprise viewers of their characters. As the good-natured Christian rube from Iowa, and the girl with a past who's looking to put it all behind her but doesn't trust herself to do so, the two are ripe for the plucking. So when a dark and sexy couple in black move into Roy and Jessie's cabin, it's all a question of time before the Americans find themselves in a situation they're less than prepared for.

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Session 9 Review


Excellent
Director/writer Brad Anderson, who turned heads with the winning romantic comedy Next Stop Wonderland, does a narrative about face with Session 9, a creepy, psychological thriller more likely to twist heads than turn them. After displaying a knack for witty dialogue and strong pacing with Wonderland, Anderson applies those skills to the difficult horror genre, and delivers an exciting, low-key treat.

You can think of Session 9 as a kind of 5 Angry Men meets The Shining. A crew of asbestos removal workers -- played with solid force throughout, with notable performances by David Caruso (Kiss of Death, NYPD Blue) and Peter Mullan (The Claim) -- has the unenviable task of spending a week in an enormous, abandoned insane asylum, gutting it at a fever pitch pace in order to make it safe for renovation. The hospital once housed 2,300 "patients" at its peak, and very few of them were happy. Makes for an excellent haunted house story.

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Next Stop Wonderland Review


Grim
Huh? Hope Davis and Alan Gelfant play two Boston mopers (one a nurse, one an aquarium worker) who just can't find their soulmates. Mom puts a personal ad in the paper for Davis, even(!). The ensuing comedy of errors ends up being a limp melodrama of cliches. The plot is straight out of Sliding Doors and 'Til There Was You, but Wonderland adds nothing to the will-they-meet? genre of romance filmmaking, and Davis wears way too much lipstick. Best reserved for late night insomnia attacks. This one will knock you right out.

Happy Accidents Review


Good
My filmcritic.com colleague Norm Schrager nailed Session 9, Brad Anderson's throwback to spooky horror films from the 70's. It worked as an eerie homage without being self-referential or smugly postmodern. Genre aficionados will acknowledge the similarities in tone to Stanley Kubrick's The Shining and George Romero's Dawn of the Dead without being taken out of the engrossing narrative (i.e., a psychologically addled waste management team clears out an abandoned lunatic asylum; unspeakable dread ensues). In a double-whammy for 2001, Anderson shoots and (mostly) scores again with his eclectic riff on time-travel episodes from The Twilight Zone, appropriately titled Happy Accidents.

Much like Session 9, the cards are played very close to the vest here. Is boyish, eccentric "Sam Deed from Dubuque, Iowa" a futuristic voyager from the year 2470 or just your run-of-the-mill psychologically disturbed nutcase let loose on the present-day streets of NYC? As played by wonderful character actor Vincent D'Onofrio (Full Metal Jacket), it's up in the air whether or not we should accept his detailed monologues about life after the polar ice caps have melted. The question proves to be moot, at least for a time. Even if the whole thing proves to be a creative delusion, one agrees with the character judgment passed down on him by his new girlfriend, Ruby (Marisa Tomei): "He's a freak, but he sure tells a good story!"

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