Hugh Jackman returns to his signature role one last time (so he says), reuniting with filmmaker James Mangold, who also directed 2013's The Wolverine. But this doesn't feel like any other X-Men movie; it strikes a sombre, gritty tone from the start to take the audience on a dark and rather brutal road trip. So while it feels rather long and repetitive, the movie also has a strong emotional kick.
It's set in the year 2029, when mutants have been wiped off the planet, and no new ones have been born for years. Hiding out in a drunken haze as a Texas limo driver, Logan aka Wolverine (Jackman) has stashed Charles aka Professor X (Patrick Stewart) across the border in Mexico, watched over by albino caretaker Caliban (Stephen Merchant). Then a nurse (Elizabeth Rodriguez) appears asking for Logan's help to transport the young Laura (Dafne Keen) to North Dakota. And Laura clearly has a genetic connection with Logan. It also turns out that she has escaped from a Mexico City hospital, so as Logan, Charles and Laura hit the road, the ruthless henchman Pierce (Boyd Holbrook) and sinister Dr Rice (Richard E. Grant) are hot on their trail.
Mangold holds all of this in careful control, never tipping over into the usual whiz-bang Hollywood superhero action chaos (the violence is especially grisly). The story moves at a steady pace that adds an involving note of desperation to each sequence. This also makes the movie feel a bit repetitive and even wheel-spinning at times. Since the baddies are able to stay right on the heroes' heels, it's clear that even a nicely offhandedly sojourn with a farmer (Eriq La Salle) and his family will be short-lived. But the gnawing intensity, while never quite building into proper suspense, gets deep under the skin as it fleshes out the characters.
Continue reading: Logan Review
The music scene of Austin, Texas becomes tainted by lust and illict desires as two aspiring songwriters named Faye (Rooney Mara) and BV (Ryan Gosling) become entwined in two overlapping love triangles with a major player in the music business named Cook (Michael Fassbender) - who encourages them to take their music careers further - and a charming waitress (Natalie Portman). As much as their lives are about making it in the industry and becoming world renowned successes, their lives get more complicated by disloyalty, temptation and infatuation with each other, pushing all of them ultimately further away. Can love last when betrayal lies at every corner?
Continue: Song To Song Trailer
In an almost fourth-wall-breaking episode, the latest installment of the Wolverine movie series acknowledges the 'X-Men' comic book series. But this time Logan is far from the superhero his fans are reading about. Age has finally caught up with him - as it does with everyone - and he's no longer as fast or as agile as he used to be. His injuries don't heal as quickly as they used to either, but he's not the only one dealing with the crippling effect of old age. He's currently caring for Professor X in a hide-out, but their lives are about to become disrupted once again with the arrival of a new mutant. Laura is an 11-year-old girl with powers and abilities that match Logan's own. There are dark forces closing in on her, however, and as much as she is capable of taking care of herself, she needs guidance, protection and discipline from somebody who knows her struggle.
Continue: Logan Trailer
Not even a mutant can be powerful forever. Logan aka Wolverine is dealing with the effects that old age are having on his ability to heal, namely the fact that his skin now scars easily and he's constantly in pain. Professor Charles Xavier is also suffering; Alzheimer's has taken over his mind, destroying his memories. But the pair don't even have the X-Men to take care of them anymore, as a new supervillain by the name of Nathaniel Essex with his Essex Corporation is destroying the world as we know it. Logan and Xavier's only chance of defeating Essex lies with a young girl named Laura Kinney who is an exact genetic clone of Wolverine in female form.
Continue: Logan Trailer
Lee Weathers evaluates potential risks in businesses, businesses that blur the lines of what could be deemed ethically correct. When Lee is assigned a new case, she journey's to a remote scientific facility where they focus in engineering human DNA. Lee is informed that their latest project is a scientifically engineered human who's developed at a far greater speed than any human. By one month old, the baby had already begun walking and her physical and mental development continued to appreciate from then.
5 years later, Morgan is almost fully formed and her handlers have grown incredibly attached to the child that they've cared for since birth. However, her human and synthetic bioengineered elements combined with laboratory style upbringing appear to affected Morgan's thought process and she's unable to set conclusive thoughts on how to behave.
When Morgan violently injures one of her doctor/handlers, Lee is brought in to evaluate what the team ought to do with her. Knowing that Lee's decision could mean the end of Morgan, they are distant from Weather's and must decide just how far they will go to save their experiment.
Continue: Morgan Trailer
With its grindingly low-key tension and unusual perspectives, this Western has a chance to revamp the genre in intriguing ways. The first-rate cast adds plenty of depth to the usual roles, including a strong female point-of-view from Natalie Portman, who also produced the film. But some rather simplistic thematic touches undermine the originality, and the film never quite cracks through the surface to become something meaningful.
It's set in 1871 New Mexico, where Jane (Portman) lives on a hidden ranch with her outlaw husband Bill (Noah Emmerich) and their young daughter. But Bill's been badly injured, and the notorious scoundrel Bishop (Ewan McGregor) has vowed to track him down. For help Jane turns to her ex-fiance Dan (Joel Edgerton), an angry gunslinger who has never got over being abandoned by Jane all those years ago. He agrees to help her, and of course Bill isn't too happy about this, but he's too injured to protest. And Jane is so fiercely independent that she refuses to let her history with these two men define her future.
The premise is packed with all kinds of intriguing layers, but the script continually over-explains everything with a series of flashbacks to Jane's earlier encounters with Dan, Bishop, Bishop's hotheaded brother (Boyd Holbrook) and a particularly brutal desperado (Rodrigo Santoro). Not one of these people has even a hint of morality about them, which gives the actors a chance to inject a lot of complex texture into their performances. These are tough-minded men who never stop to think about the rule of law. And Portman's Jane is steelier than all of them, a woman who makes her own hard decisions in a place that doesn't let anyone off easily. Portman is terrific in the role, even if director Gavin O'Connor (Warrior) undermines her with his rather straightforward approach. Even so, her scenes with Edgerton and McGregor crackle with subtext.
Continue reading: Jane Got A Gun Review
Jane Hammond has always been an independent woman, but living in the developing West is precarious even for her. After a treacherous few years and constant aggravation from a nasty gang called The Bishop Boys, Jane marries a man by the name of Bill 'Ham' Hammond and things settle down.
However, when Hamm returns home badly injured after running into The Bishop Boys, Jane decides there's no other option but to face her past and take on the Colin McCann and the rest of the infamous gang. Jane contacts the only person she knows who she thinks will be able to help her, her ex-fiance and gunslinger Dan Frost. Recruiting Frost and returning to the family home, the three await the arrival of the gang. One way or another score will be settled.
Jane Got A Gun will be released in the UK from Spring 2016.
Jimmy Conlon is a former hit man for the mob whose life of crime have left many mental scars. His best friend is the mob boss Shawn Maguire, but things get complicated for their relationship when Conlon's son Mike finds himself being hunted down by Maguire's own boy Danny. In a bid to defend his son, Jimmy arrives on the scene and shoots Danny dead. Jimmy knows the drill and after a meeting with Shawn realises he must do everything within his power to keep Mike from being killed by the rest of the gang, as he and his family are targeted once again. Jimmy is forced to kill old friends as he takes on the most dangerous task of his life, in taking care of the family he has led to death. Meanwhile, he's on the run from a police officer desperate to put him behind bars for his past crimes.
Continue: Run All Night Trailer
Elizabeth Olsen is engaged to actor and model Boyd Holbrook, but what does she have lined up for her career?
The younger (and much taller) Olsen sister, Elizabeth Olsen, has become engaged to boyfriend Boyd Holbook. The pair have been dating for over two years now and began living together in Brooklyn just a few months ago. Holbook obviously enjoyed living with Elizabeth so much that he just knew she was the girl for him!
Elizabeth Olsen, pictured here with fiance Boyd Holbrook
The news comes not at all long after Elizabeth’s big sis, Mary-Kate, announced her engagement to French banker, Olivier Sarkozy. We wonder if a double wedding could possibly be on the cards? Or would that be reserved for the twins if Ashley decides to get hitched to current beau, 47 year old director Bennett Miller. Perhaps a triple Olsen wedding? Although both Mary-Kate and Ashley's partners have quite a few years on 31 year old Boyd! There would be quite a range of guests at the wedding!
Continue reading: Elizabeth Olsen Engaged, But Where Is Her Career Headed?
David Walling and Terry Ostroff are totally inseparable. Living across the street from each other in the beautiful town of West Orange, New Jersey, both patriarchs bring their families together at every available opportunity and every single year to celebrate Thanksgiving. When 24-year-old Ostroff daughter Nina comes home to join in the festivities for the first time in five years after splitting up with her fiancé, both families secretly have hopes that she and Walling son Toby might get together. However, there is a shocking turn of events when Nina's suspicious mother Cathy follows her as she leaves the house with a mysterious person and turns up at a motel. Outside, Cathy runs into David and her daughter and both struggle to explain what's going on. They have inadvertently fallen for one another and, as their attraction grows ever stronger, the two inseparable families face are suddenly faced with conflict and heartbreak.
Continue: The Oranges Trailer
Hugh Jackman returns to his signature role one last time (so he says), reuniting with...
The music scene of Austin, Texas becomes tainted by lust and illict desires as two...
In an almost fourth-wall-breaking episode, the latest installment of the Wolverine movie series acknowledges the...
Lee Weathers evaluates potential risks in businesses, businesses that blur the lines of what could...
With its grindingly low-key tension and unusual perspectives, this Western has a chance to revamp...
Jane Hammond has always been an independent woman, but living in the developing West is...
With a script by Brad Ingelsby (Out of the Furnace), this thriller has more substance...
With a strikingly unflinching eye, newcomer Sara Colangelo astutely adapts her 2010 short into an...
Although the plot isn't particularly original, a darkly internalised tone makes this low-key thriller oddly...
Nick Dunne finds himself at the fore of a police investigation when his wife Amy...