The music scene of Austin, Texas becomes tainted by lust and illict desires as two aspiring songwriters named Faye (Rooney Mara) and BV (Ryan Gosling) become entwined in two overlapping love triangles with a major player in the music business named Cook (Michael Fassbender) - who encourages them to take their music careers further - and a charming waitress (Natalie Portman). As much as their lives are about making it in the industry and becoming world renowned successes, their lives get more complicated by disloyalty, temptation and infatuation with each other, pushing all of them ultimately further away. Can love last when betrayal lies at every corner?
Continue: Song To Song Trailer
In an almost fourth-wall-breaking episode, the latest installment of the Wolverine movie series acknowledges the 'X-Men' comic book series. But this time Logan is far from the superhero his fans are reading about. Age has finally caught up with him - as it does with everyone - and he's no longer as fast or as agile as he used to be. His injuries don't heal as quickly as they used to either, but he's not the only one dealing with the crippling effect of old age. He's currently caring for Professor X in a hide-out, but their lives are about to become disrupted once again with the arrival of a new mutant. Laura is an 11-year-old girl with powers and abilities that match Logan's own. There are dark forces closing in on her, however, and as much as she is capable of taking care of herself, she needs guidance, protection and discipline from somebody who knows her struggle.
Continue: Logan Trailer
Not even a mutant can be powerful forever. Logan aka Wolverine is dealing with the effects that old age are having on his ability to heal, namely the fact that his skin now scars easily and he's constantly in pain. Professor Charles Xavier is also suffering; Alzheimer's has taken over his mind, destroying his memories. But the pair don't even have the X-Men to take care of them anymore, as a new supervillain by the name of Nathaniel Essex with his Essex Corporation is destroying the world as we know it. Logan and Xavier's only chance of defeating Essex lies with a young girl named Laura Kinney who is an exact genetic clone of Wolverine in female form.
Continue: Logan Trailer
Jane Hammond has always been an independent woman, but living in the developing West is precarious even for her. After a treacherous few years and constant aggravation from a nasty gang called The Bishop Boys, Jane marries a man by the name of Bill 'Ham' Hammond and things settle down.
However, when Hamm returns home badly injured after running into The Bishop Boys, Jane decides there's no other option but to face her past and take on the Colin McCann and the rest of the infamous gang. Jane contacts the only person she knows who she thinks will be able to help her, her ex-fiance and gunslinger Dan Frost. Recruiting Frost and returning to the family home, the three await the arrival of the gang. One way or another score will be settled.
Jane Got A Gun will be released in the UK from Spring 2016.
With a script by Brad Ingelsby (Out of the Furnace), this thriller has more substance than most, although it's also been compromised by the inclusion of a lot of contrived action mayhem. At its centre, there's a nice exploration of two retirement-age men looking at the world they have created, and how things have changed since they made key decisions as younger men. But director Jaume Collet-Serra (Non-Stop) seems uninterested in these serious themes, and would clearly rather stage another shoot-out or chase instead.
Liam Neeson stars as Jimmy, a lifelong criminal who's now a wheezy husk of his former thrusting self. But he maintains his childhood friendship with Shawn (Ed Harris), who turned his crime empire legit but is having problems keeping his son Danny (Boyd Holbrook) out of trouble. Now Danny has made a dodgy deal with some Albanians, and when that goes predictably wrong, it accidentally puts Jimmy's estranged good-guy son Mike (Joel Kinnaman), his wife (Genesis Rodriguez) and kids in danger. So Jimmy sets out to set things right, although this means that he ends up on opposite sides of the conflict from Shawn. And he and Mike also have to outrun his detective nemesis (Vincent D'Onofrio) and a ruthless assassin (Common).
There's a nice sense of respect and inevitability to the relationship between Jimmy and Shawn that goes a long way in making this overlong movie watchable. Neeson and Harris are terrific at playing men who are too old to be running around with guns. Their quietly tense conversations are by far the most riveting scenes in the film. By comparison, the action sequences feel rather routine: brutal and fast, with flashy editing, outrageous stunts and more firepower than is strictly necessary. And for a man who can barely stand when the film opens, Jimmy is suspiciously able to run, jump, drive and shoot like a trained professional a third his age.
Continue reading: Run All Night Review
With a strikingly unflinching eye, newcomer Sara Colangelo astutely adapts her 2010 short into an evocative feature, beautifully capturing the impact a series of random tragedies can have on a community. It's gorgeously shot and sensitively acted by a skilled cast, and while the film remains a little too ambiguous for its own good, it still gets under the skin to leave us pondering some very hard issues.
It's set in a working-class West Virginia town that's still reeling after a devastating mining accident. The only survivor was Amos (Boyd Holbrook), who has been left injured both physically and psychologically. And it doesn't help that everyone is pressuring him to lie to the investigators while quietly resenting him for surviving. For support, he turns to Diane (Elizabeth Banks), the wife of the mine's manager (Josh Lucas). And Diane needs help too, because her teen son JT (Travis Tope) has gone missing. The only person who knows what happened is 14-year-old Owen (Jacob Lofland), whose father died in the accident. He was cruelly bullied by JT in school, and is struggling to keep his own secret.
The script is minimalistic, as Colangelo prefers to deepen the characters rather than construct a detailed plot. Sometimes this feels rather too understated, but it also allows the actors to create people who are remarkably involving. Holbrook is magnetic, the heart of the film as a damaged man looking for healing wherever he can find it. Banks is simply wonderful in a complex role that makes us wish she'd do more serious drama. And Lofland more than lives up to the promise of Mud with a darkly involving performance that continually catches us by surprise. These three characters circle around each other like wounded animals looking for help, but while the plot points that push them together might feel contrived, their interaction is earthy and very real.
Continue reading: Little Accidents Review
Jimmy Conlon is a former hit man for the mob whose life of crime have left many mental scars. His best friend is the mob boss Shawn Maguire, but things get complicated for their relationship when Conlon's son Mike finds himself being hunted down by Maguire's own boy Danny. In a bid to defend his son, Jimmy arrives on the scene and shoots Danny dead. Jimmy knows the drill and after a meeting with Shawn realises he must do everything within his power to keep Mike from being killed by the rest of the gang, as he and his family are targeted once again. Jimmy is forced to kill old friends as he takes on the most dangerous task of his life, in taking care of the family he has led to death. Meanwhile, he's on the run from a police officer desperate to put him behind bars for his past crimes.
Continue: Run All Night Trailer
Although the plot isn't particularly original, a darkly internalised tone makes this low-key thriller oddly compelling. It may be the usual serial killer nastiness, but it also pays attention to earthier themes like morality and the futility of revenge. Meanwhile, Liam Neeson is able to combine his more recent action-hero persona with his serious acting chops this time. And writer-director Scott Frank infuses the film with moody grit, quietly subverting each cliche of the genre.
The action picks up eight years after Matt (Neeson) stopped drinking and quit the police force, following a shootout that went horribly wrong. It's now 1999, and New York is in the grip of Y2K paranoia. Matt is working as an unlicensed private detective who uses word-of-mouth to find clients. So Matt is intrigued when one of his 12-step friends (Boyd Holbrook) introduces his brother Kenny (Dan Stevens), a wealthy drug trafficker whose wife was kidnapped and then murdered even though he paid the ransom. As Matt digs into the case, he realises that the two killers (David Harbour and Adam David Thompson) have a left a string of similar victims in their wake, and that the murders are connected. Meanwhile, Matt takes in homeless teen TJ (Brian "Astro" Bradley), an observant kid who helps him work piece together the clues. And together they try to figure out where the killers will strike next.
This story unfolds with a remarkably gloomy tone, combining horrific violence with introspective drama. This mixture can feel rather jarring, especially as it wallows in the nastier side of human existence. Every character is tortured in more ways than one, with lost loves, physical afflictions and internal demons. Even the smaller side roles are packed with detail, including Olafur Darri Olafsson's creepy cemetery worker and Sebastian Roche's frazzled Russian mobster. All of this adds texture to the film, a welcome distraction from the grisly central plot, which is never played as a mystery, but rather as an inevitability.
Continue reading: A Walk Among The Tombstones Review
Nick Dunne finds himself at the fore of a police investigation when his wife Amy mysteriously goes missing on their fifth wedding anniversary. He has mixed emotions about the whole thing as he enlists volunteers to help find her; their marriage has been on the rocks after he lost his job and dragged Amy away from New York to open a new business. Their relationship was often volatile, further implicating his involvement in her disappearance. A part of him is not so worried about her; he knows how manipulative and deceitful she can be, but unfortunately his lack of visible devastation on TV goes solidly against him for those who are sure he's killed her. As it turns out, he's not so honest either and things come to a head when it turns out that every person in this story has a secret.
Continue: Gone Girl Trailer
Matt Scudder gave up his high-flying job with the NYPD after accidentally shooting dead a civilian while chasing away a group of criminals trying to rob the bar he was drinking in. Now working as an unlicensed private detective, this recovering alcoholic is enlisted by a man who wants Matt to find the kidnappers who took his ransom and murdered his wife. These kidnappers are no amateurs, however; they very meticulously choose their victims and it isn't long before they discover that Matt is looking for them. He may be used to taking down some pretty ruthless criminals, but he's never faced anything like this before and is constantly feeling as though he is one step behind his opposition. To nab criminals like these, he can't work within the law himself - but will that turn him into something he's tried so hard to avoid?
Continue: A Walk Among the Tombstones Trailer
The music scene of Austin, Texas becomes tainted by lust and illict desires as two...
In an almost fourth-wall-breaking episode, the latest installment of the Wolverine movie series acknowledges the...
Lee Weathers evaluates potential risks in businesses, businesses that blur the lines of what could...
With its grindingly low-key tension and unusual perspectives, this Western has a chance to revamp...
Jane Hammond has always been an independent woman, but living in the developing West is...
With a script by Brad Ingelsby (Out of the Furnace), this thriller has more substance...
With a strikingly unflinching eye, newcomer Sara Colangelo astutely adapts her 2010 short into an...
Although the plot isn't particularly original, a darkly internalised tone makes this low-key thriller oddly...
Nick Dunne finds himself at the fore of a police investigation when his wife Amy...
Maggie and Milo are a twin brother and sister who have been living apart for...