That says something about how hip-hop evolves as a genre - it's not Fitzgerald's fault that the genre he loves best moves so fast, and getting an indie documentary finished on a shoestring can be a lengthy process. But you wouldn't notice how dated the film feels if it didn't have more serious organizational problems. Freestyle mainly wants to be a documentary about the history and mechanics of freestyling, but its loose-limbed, impressionistic structure too often makes the film drift away from the point. Freestyle bounces from interviews with members of early-'70s Beat-poet-styled hip-hop pioneers the Last Poets to brief (and unconvincing) attempts to tether freestyling to Baptist church preachers and John Coltrane's improvisations. Brief interludes about the history of early hip-hop in the Bronx, female rappers, and the mainstream rap industry take on worthy subjects, but they draw energy away from the subject at hand.
Continue reading: Freestyle: The Art Of Rhyme Review
Take a look back at October's inaugural event.
The film is expected to continue without Mendes' involvement.