Twenty-three year old debuting writer-director Adam Bhala Lough amps up the life of a graffiti bomber in a visual style generated on the cutting table. And, while some might call a technique of overlapped time cuts, freeze frames that thaw, jump frames and general image deviltry a daring adventure in underground cinema, others may see it as too much hip stylization.
Continue reading: Bomb The System Review
Too bad the joke is not funny. At all. Whiteboys (aka the street-friendly Whiteboyz) claims "It's all good!" but that's far from the truth. Actually, it's all insulting and moronic, as Hoch and co. try their hand at street talk and drug dealing with deliterious effects. Is this a comedy? I don't think so. Not on purpose, anyway. The film gets even worse with Hoch's frequent regressions into dream-sequence land, punctuated by real rapper cameos.
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The overly familiar-sounding Brooklyn Babylon features (see if you can guess) a Rastafarian black man (Tariq Trotter) and a Jewish woman (Karen Goberman) who come together on the eve of nearly full-blown race riots, all brought on because of a fender bender between his friend and her brother. Oy vey, now that's original.
Continue reading: Brooklyn Babylon Review