The show was previously given a second season after the first episode aired in February.
HBO has announced that period drama ‘Vinyl’ will not be coming back to our screens, despite previously green lighting a second season. The 70s drama, which was created by Mick Jagger, Martin Scorsese, Rich Cohen and Terence Winter, suffered from low ratings throughout its first season, despite the big names behind it.
Bobby Cannavale as Richie Finestra in ‘Vinyl’.
In a statement, HBO said: "After careful consideration, we have decided not to proceed with a second season of 'Vinyl'. Obviously, this was not an easy decision. We have enormous respect for the creative team and cast for their hard work and passion on this project.”
Continue reading: HBO Changes Its Mind And Cancels 'Vinyl' Season Two
Bobby Cannavale - SAMSUNG 837 Flagship Launch Party 55,000 square-foot flagship is a first for Samsung in North America at Meatpacking District NYC - New York, New York, United States - Monday 22nd February 2016
Cannavale himself told Stephen Colbert that he and Byrne welcomed their son on February 1st.
Cannavale himself broke the news when he appeared on ‘The Late Show with Stephen Colbert’ on Friday night (February 5th). He revealed that he and the Australian actress, 36, had welcomed a baby boy into the world on February 1st and had named him Rocco.
Earlier in the interview, the American actor revealed the sex of his and Byrne’s child, saying that a friend had gifted him a diaper cake and told him “for your boy” when it was handed to him. He also described his son simply as “beautiful”.
Continue reading: Rose Byrne Welcomes First Child, A Boy, With Partner Bobby Cannavale
Michael Douglas addressed his mother’s death in a recent interview at a screening of his upcoming film 'Ant-Man'.
Michael Douglas described his late mother, Diana Douglas, as a “class act” during a recent appearance at a press screening of his soon-to-be-released movie, Ant-Man, on Monday (13th July). Diana died earlier this month at the age of 92 after losing her battle with cancer.
Michael Douglas at the press screening of Ant-Man in New York on Monday.
An awful lot has happened in the world - A Second World War super soldier has risen from the dead, a billionaire playboy has revealed himself as a costumed superhero, and the Norse God of thunder himself has come to earth on four occasions. So for Scott Lang (Paul Rudd), a petty criminal entrusted with the secret of his mentor's super-secret substance designed to shrink a person, it should be seen as just another day in the life for a person of planet Earth. Now, with the ability to shrink his down to a minuscule size while increasing his strength, Ant-Man is born.
A solid cast bodes well for this unnecessary remake of the 1982 movie (based on the 1970s musical), but the filmmakers' decision to turn the catchy songs into bland pop numbers is the real mistake. It leaves the entire film feeling empty, highlighting director Will Gluck's clunky direction, which includes coaxing Cameron Diaz to a squirm-inducingly over-the-top performance. Young children probably won't mind, but as the movie lurches awkwardly from one messy set piece to the next, the lack of a decently arranged musical number makes everything look dull and witless.
In Harlem, 10-year-old Annie (Quvenzhane Wallis) is an orphan living in a foster home with four other girls, run by the greedy Miss Hannigan (Diaz). Smart and quick-witted, Annie longs for a day when she can be reunited with her parents. Then she has a run-in with Will Stacks (Jamie Foxx), a workaholic mobile phone executive who's running for New York mayor. Will's advisor Guy (Bobby Cannavale) suggests that he take Annie in temporarily to boost his poll numbers, and once settled in his spacious penthouse apartment she immediately charms Will's assistant Grace (Rose Byrne) and driver Nash (Adewale Akinnuoye-Agbaje). And she begins to work her way into Will's heart as well.
From here, Gluck completely misses the point of the play, trying desperately to crank up a ridiculous scam subplot into some big final-act action mayhem. But this never gains any traction at all because it's clear what has to happen in the story. Indeed, the best thing on screen is the strong chemistry between Foxx and Wallis, who find moments of genuine humour and connection even in the silliest slapstick. And they seem almost reluctant every time they have to dive into yet another insipidly revamped song. Pop star Sia worked on them, but loses all the charm in the attempt to turn each one into a chart-topping clone. Fans of the original music will enjoy the brief riffs of the originals audible here and there, and they'll leave the cinema wanting to revisit the old numbers instead of these Frankenstein versions.
Continue reading: Annie Review
The New York premiere of 'Annie', held at the Ziegfeld Theater, was a star-studded affair, with appearances from producer Will Smith, star Cameron Diaz and singer Sia Furler - who has re-recorded original 'Annie' song 'You're Never Fully Dressed Without A Smile' - with her husband Eric Anders Lang.
Bobby Cannavale - Shots of a variety of stars as they arrived at the New York Premiere of the musical film 'Annie' which was held at the Ziegfeld Theater in New York City, New York, United States - Sunday 7th December 2014
Martin Scorsese will direct the first episode of the HBO drama, whilst serving as executive producer.
Martin Scorsese and Terence Winter are teaming up with Rolling Stones legend Mick Jagger for a new untitled rock and roll series for HBO. The drama series will feature a cast including Bobby Cannavale, Ray Romano and Olivia Wilde.
Martin Scorsese will direct the pilot episode of the Rock and Roll series for HBO, whilst acting as executive producer
The press release reads: "Set in 1970's New York, the series will explore the drug and sex fueled music business as punk and disco were breaking out, all through the eyes of a record executive (Cannavale) trying to resurrect his label and find the next new sound."
Continue reading: 'Boardwalk Empire' Team Reassembles For HBO Rock And Roll Series
Like comfort food, this movie has very little nutritional value, but it sure goes down smoothly. This is one of those shamelessly delicious-looking films that makes our mouths water at the tasty dishes that are lovingly created on-camera. And it also has an array of deeply likeable characters, witty cameos and sparkling dialogue to keep us smiling. So who cares that nothing unexpected happens from start to finish? This is a movie we sit back and enjoy without worrying about the appearance of a plot twist.
The title character is Carl (played by writer-director Jon Favreau), the chef at a top Los Angeles restaurant that is stuck in a rut because the owner (Dustin Hoffman) refuses to change anything on the menu. When a snooty food critic (Oliver Platt) criticises Carl for his tired and predictable cuisine, Carl's reaction sparks an angry Twitter war. In a fit of anger, Carl quits his job then hatches a plan to get back to his roots while bonding with Percy (Emjay Anthony), his pre-teen son with spicy ex-wife Inez (Sofia Vergara). So Carl and his sidekick Martin (John Leguizamo) take Percy to Miami to refurbish food truck and drive back to California, along the way building a reputation and perfecting their Latin-infused menu.
Since a complex plot would just be distracting, this film coasts on the charisma of its likeable cast, throwing in lively side roles for the likes of Scarlett Johansson as a restaurant colleague, Bobby Cannavale as a fellow chef and most memorably Robert Downey Jr. as Inez's hilariously nutty ex. Everyone is relaxed and effortlessly funny, which makes the interaction feel amusing and never remotely forced. While this is easily Favreau's most assured work as a director (that's including the first two Iron Man movies), this is also his most generous performance too. He infuses the whole film with easy-going charm.
Continue reading: Chef Review
Annie is a young orphan living with her cruel foster mother Miss Hannigan at an orphanage for girls. Having been left on the doorstep as a baby, she has become determined to find out where her parents are to reunite with them. She makes an attempt to escape the hard knock life that is living at the orphanage and discover the location of her folks, but is soon brought back. Things take an unusually lucky turn for her when she is temporarily taken in to the luxurious household of billionaire Will Stacks over the Christmas holiday; though he struggles to connect with Annie, his assistant Grace agrees to help her look for her parents by putting out a generous reward offering for their discovery. However, with such a large sum of money on the table, it's bound to attract a few dishonest and unsavoury characters.
Continue: Annie - International Trailer
Carl Casper is a chef working at one of the top restaurants of Miami. Food is his ultimate passion in life and so he is utterly heartbroken when his boss forces him to cook a 'safer' menu, bypassing his usually ambitious creations. The change came about when it was found that a formidable food critic would be visiting the establishment, but, as it turns out, the menu switch was a bad idea and Carl doesn't take his subsequent criticism very well at all. After reading his bad review and going viral, he sends out a badly judged post over Twitter and is thus forced to leave his post at the eatery. Instead, he sets up his own food truck, delivering his food on wheels to anyone willing to try a new culinary experience, and along the way uses it to reconnect with his young son and ex-wife.
'Chef' is brilliant comedy about self-discovery, passion and drive. The movie's main star, Primetime Emmy nominated Jon Favreau ('Cowboys & Aliens', 'Iron Man', 'Elf', 'Zathura: A Space Adventure'), was also responsible for the direction, production and screenplay and it made its premiere at the SXSW Film Festival in March. It is due for UK release on June 18th 2014.
For Favreau, chefs are blue collar rockstars, and that's something he wanted to capture in this film
When you’re the man behind the camera of $1.2 billion worth of films (Iron Man 1 & 2) then you keep on churning out sequels until you can buy a country and name it after yourself, don’t you? Jon Favreau doesn’t: he walked from Marvel to make films about Cowboys & Aliens, and ‘Chef’, which you can see more of with the fantastic new clip below.
Behind the scenes of 'Chef': from left to right, John Leguizame, Jon Favreau, Bobby Cannavale and Roy Choi
‘Chef’ tells the story of a disgruntled chef, dismissed from his flagging restaurant and seemingly back to square one in the cookery game. But instead of stepping getting back on the ladder – ready to climb and climb – our chef decides to take his cooking to the streets by opening up a food van, capturing the current zeitgeist of ‘street eats’ enjoyed by foodies and hipsters alike.
Carl Casper is a well-known chef from Miami who works in a trendy LA restaurant much lauded by critics. However, when one particularly formidable critic shows up to taste Casper's food, his culinary creativity is thrown into question when his boss requests he make something a little more 'safe' than his usual creations. Unfortunately for Casper, he doesn't take criticism too well and loses his cool in a tirade which is captured on film and subsequently goes viral across all social mediums. Now jobless and unsure of his own passions, he returns to Miami to set up a food truck by the name of El Jefe Cubanos in a bid to regain some of his ingenuity and, of course, respect. The journey also sees him reconnect with his wealthy ex-wife and young son as the family attempt to rebuild the bonds between them.
Continue: Chef - Clip
An unusual structure gives this biopic a surprising kick as it explores both sides of the porn industry: the glamour and the sleaze. Oscar-winning documentary filmmakers Epstein and Friedman (The Times of Harvey Milk) keep things so balanced that it sometimes feels a bit clinical, never letting us feel the intense emotions that gurgle throughout the story. But it's a strikingly well-made film with a terrific all-star cast.
It also cleverly looks like it was actually made in the early 1970s, the period in which it's set. This is when 21-year-old Linda Boreman (Seyfried) left the home of her harshly religious parents (Stone and Patrick) to live with her free-spirited boyfriend Chuck (Sarsgaard). By 1972 she was the most famous porn-star on earth, as the lead actress in the crossover adult movie Deep Throat. But the glamorous lifestyle covered a much darker reality: that the abusive Chuck forced her to make the film while selling her body to anyone willing to pay. And it took her several years to break free, tell her story and stand up against the industry that used her.
Cleverly, the film carefully lays out the male-dominated culture in the industry along with the jet-set high life before rewinding and showing us the gruesome underbelly. It's a bold gimmick that undermines the emotional momentum but forces us to examine our own perceptions. And it helps that the filmmakers recreate the period without much fussiness. Yes, there's a lot of big hair and groovy music, but it's never played for laughs. Everything centres on the characters, who are sharply well-played. Seyfried brings a terrific fragility to Linda, while Sarsgaard reveals Chuck's darkness in a complex way. The unrecognisable Stone is also excellent, while Patrick has the film's most moving moment.
Continue reading: Lovelace Review
Linda Lovelace was a hugely successful pornographic actress who hit global stardom with her 1972 hardcore film 'Deep Throat'. Although apparently happy, feisty and at ease on the surface, she suffered severe abuse and violence at the hands of her husband and manager Chuck Traynor who forced her into the sex industry at gunpoint; a stark contrast to her previous life, being well-known by her friends for keeping all her previous boyfriends at a good distance. While she apparently seemed to enjoy the highlife of national and international stardom, she made attempts to quit pornography to the anger of Traynor, who did everything he could to frighten her into submission. A vulnerable woman who spent her life being used, and who would go on to be a key figure in later anti-pornography movements.
Continue: Lovelace Trailer
Jasmine is an aristocratic New York housewife whose luxurious lifestyle and marriage to the wealthy Hal has been snatched away from her leaving her with quite literally nothing but the clothes on her back. She is forced to fly to San Francisco to move in with her sister Ginger whose apartment is well below her usual standards, as is her boyfriend Chili who is equally as resentful of Jasmine. It doesn't take long before Jasmine starts to plummet emotionally and mentally and only just manages to keep herself sane with several handfuls of anti-depressants a day. In a bid to get her life back on track, she takes a job as a dental receptionist while pursuing a career in interior design. Suffering from a serious breakdown, things are looking dark for Jasmine's future, but do things begin to look up when she meets the sophisticated Dwight?
Continue: Blue Jasmine Trailer
Far better made than it has any right to be, this cheesy 70s-style thriller is given a thoroughly engaging kick by veteran filmmaker Hackford working outside his usual dramatic genre. It's predictable and far too long, but Hackford grounds everything in gritty reality, avoiding obnoxious effects work while indulging in entertaining innuendo and riotously nasty action sequences.
None of this is much of a stretch for the cast, and Statham's Parker is essentially the same character he always plays: a ruthlessly efficient, indestructible criminal with a conscience. After a gang of thugs (including Chiklis and Collins) betrays him following a fairgrounds heist, Parker miraculously recovers from his hideous injuries and heads to Florida to get revenge. He uses local estate agent Leslie (Lopez) to find the gang's lair, and she's instantly attracted to the way he fills out his designer suit. Living with her soap-addict mum (LuPone), Leslie is looking for a wealthy man to rescue her. And she's already too involved when she realises that Parker isn't who he seems to be.
There isn't much to the plot, which is packed with contrived twists and turns and never follows through the intriguing possibilities along the way. At least the film avoids the usual action cliches, as Hackford sharply orchestrates each fight sequence to make it both lucid and startlingly brutal. This earthy approach keeps things relatively believable, until Parker emerges with yet another serious injury that doesn't slow him down at all. Meanwhile, Hackford injects plenty of eyebrow-raising flirtation that keeps us smiling. Statham and Lopez may not be stretching themselves as actors, but they clearly have a lot of fun circling around each other like dogs on heat.
Continue reading: Parker Review
A collection of random shorts that focus mainly on idiotic male behaviour, this portmanteau comedy is only occasionally amusing, never making anything of its astonishing cast. Frankly, we spend most of the time wondering how the filmmakers lured these A-listers to appear in these pointless, nasty little films. And while the premises have potential, not a single one has a decent punchline.
As a prank, two teens make up a banned online film called Movie 43. While their brainly little brother searches for it, he runs across a series of clips that mainly focus on awkward vulgarity between the sexes. Bitter exes (Culkin and Stone) have a rude exchange that's broadcast on a supermarket sound system. Pratt is shocked when his girlfriend (Faris) asks him to "poop" on her, and agrees because he loves her. Parents (Watts and Schreiber) homeschool their teen son (White) with the goal of showing him how excruciating life will be. Two pals (Scott and Knoxville) kidnap a leprechaun (Butler) who's reluctant to give them his gold. And a 1950s basketball coach (Howard) tries to convince his players that they're winners because they're black.
Others are dating scenarios: Winslet goes on a blind date with a guy (Jackman) who has testicles on his neck; Berry and Merchant play an increasingly deranged game of Truth or Dare in a Mexican restaurant; a pre-teen (Bennett) can't cope when his young date (Moretz) has her first period; Batman (Sudeikis) messes up Robin's (Long) attempt at speed-dating; Banks struggles to cope with her new boyfriend's (Duhamel) obsessive cartoon cat. There are also a few random advert spoofs, including one for the naked-woman shaped iBabe, which leads to trouble for the company CEO (Gere).
Continue reading: Movie 43 Review
If you were hoping for a romantic comedy with a harmless storyline, romance and inoffensive jokes, the here's a warning: read no further. 'Movie 43' is one of the most cringe-worthy and uncensored taboo-filled flicks to be released in the history of comedy. Here you will see several interlinked stories with characters' lives surrounding unusual proposals, interrupting blind kids' parties, bad parenting, teenage menstruation, a confused and slightly racist basketball coach, innovative business ideas and the kidnapping of a violent leprechaun. Once you see this movie it is unlikely you will find a subject that offends you ever again.
With twelve different comedy genius directors including Peter Farrelly ('Dumb & Dumber', 'There's Something About Mary', 'Shallow Hal'), Steve Carr ('Daddy Day Care', 'Dr Dolittle 2'), Steven Brill ('Little Nicky') and Brett Ratner ('Rush Hour') to name but a few and eight different writers, this jaw-droppingly crude and often obscene movie features a diverse star-studded cast, both British and American, who have banded together to shock you in the most hilarious ways you can think of. Whatever kind of comedy you're into, 'Movie 43' probably has something in it for everyone and it is set to hit the big screen on February 1st 2012.
Continue: Movie 43 Trailer
New York cops Gamble and Hoitz (Ferrell and Wahlberg) have been relegated to unimportant positions by two teams of flashier detectives (Jackson/Johnson and Wayans/Riggle). But when Gamble arrests a millionaire investor (Coogan) for a minor infraction, he and Hoitz are plunged into a murky case involving a ruthless Aussie goon (Stevenson) and bribed city officials. Even their captain (Keaton) tells them to leave it alone, but Gamble can't let go and Hoitz sees this as a chance to stop being the "other guys".
Continue reading: The Other Guys Review
Gere plays Chicago lawyer John Clark, a man in a rut. Day after depressing day, it's the same routine of drawing up a few wills, running a couple miles on the treadmill, and returning home to apathetic wife Beverly (Susan Sarandon) and their two teenage children. The only highlight of his day is the fleeting moment when the "L" train passes by the beautiful but solemn looking woman in the window of Miss Mitzi's Dance School. Drawn to her, John impulsively jumps off the train and into the dance studio where he's confident that lessons will bring happiness back to his life.
Continue reading: Shall We Dance? (2004) Review
Date of birth
3rd May, 1970
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