Olivia Wilde, Birgitte Hjort Sorensen , Bobby Cannavale - Olivia Wilde on the set of her new TV show 'Vinyl' in a red Pontiac Firebird muscle car on Coney Island at Brooklyn, Coney Island - New York City, New York, United States - Wednesday 12th August 2015
Olivia Wilde, Birgitte Hjort Sorensen, Bobby Cannavale , James Jagger - Olivia Wilde, Birgitte Hjort Sorensen, Bobby Cannavale and James Jagger in a red Pontiac Firebird muscle car on the set of new TV show "Vinyl" on Coney Island at Brooklyn - New York City, New York, United States - Tuesday 11th August 2015
The increasingly stale Marvel formula gets a blast of fresh air in this rollocking adventure movie, which combines a steady stream of character-based comedy with action sequences that are integrated seamlessly into the plot. Like last summer's Guardians of the Galaxy, the film departs from the usual tired structure to joyously tell a story that's more than pure escapism.
Released from prison after a stint for burglary, Scott (Paul Rudd) is struggling to restart his life when he has an unexpected encounter with Hank Pym (Michael Douglas), an inventor who needs his help. Hank's technology company is being steered away from his original vision to help mankind by his daughter Hope (Evangeline Lilly) and his protege Darren (Corey Stoll), who see a chance to make a lot of money by selling Hank's ideas to the highest bidder. Hank's biggest breakthrough is a suit that shrinks the wearer down to ant-size, allowing for all kinds of unexpected possibilities. Pushed into a corner, Scott starts learning how to master the suit. But his ex-wife (Judy Greer) is now engaged to a cop (Bobby Cannavale) who's keeping his eye on Scott.
One of director Peyton Reed's main challenges was to sell the whole idea of an insect-sized warrior, and he does that fairly effortlessly, revealing an increasingly cool series of possibilities in each action sequence. These set-pieces emerge organically from the story, combining comedy and exhilaratingly coherent action to push the narrative forward. One of the best moments is an encounter with one of the Avengers (Anthony Mackie's Falcon), which offers a strong hint about how Ant-Man can liven up the franchise as a whole. And the climactic sequence is an inspired collision of mind-bending effects and inventive humorous touches (Thomas the Tank Engine nearly steals the whole film). Plus two post-credit stings for the fanboys.
Continue reading: Ant-Man Review
Michael Douglas addressed his mother’s death in a recent interview at a screening of his upcoming film 'Ant-Man'.
Michael Douglas described his late mother, Diana Douglas, as a “class act” during a recent appearance at a press screening of his soon-to-be-released movie, Ant-Man, on Monday (13th July). Diana died earlier this month at the age of 92 after losing her battle with cancer.
Michael Douglas at the press screening of Ant-Man in New York on Monday.
Rose Byrne and Bobby Cannavale - American Theatre Wing's 69th Annual Tony Awards at Radio City Music Hall - Red Carpet Arrivals at Radio City Music hall, Tony Awards - New York City, New York, United States - Sunday 7th June 2015
The ace partnership between filmmaker Paul Feig and actress Melissa McCarthy evolves into something formidable with this raucous action comedy, which simultaneously spoofs the espionage genre and provides some genuine thrills. From ensemble player (Bridesmaids) to costar (The Heat) and now to the star of the show, McCarthy finds a role worthy of her talents, subverting rather than exploiting her distinct physicality.
She plays Susan Cooper, a desk-jockey at the CIA who works with the field agents, guiding them by radio link through their dangerous paces. When star spy Bradley Fine (Jude Law) is taken out of service and all other top agents have their covers blown, the boss (Allison Janney) has little choice but to send the well-trained Susan into the field to take down the villainous arms dealer Rayna (Rose Byrne). With her best pal Nancy (Miranda Hart) as her office-bound helper, Susan gets into a series of disguises and travels to Paris, Rome and then Budapest. And despite the constant attempts of rogue agent Rick Ford (Jason Statham) to "help" her, Susan gets ever closer to Rayna and her gangster buyer Sergio (Bobby Cannavale).
The relatively simple plot is overcrowded with characters and subplots that add absurd layers of humour to the film, almost all of which are genuinely hilarious. Best of all, none of the laughs come at the expense of Susan, a capable, smart, witty woman who's the perfect alter ego for McCarthy (and certainly much more engaging than her obnoxious-slob persona in The Heat or Tammy). She has terrific chemistry with all of her costars, flirting shamelessly with the Bond-like Law, an amusingly swaggering Statham and especially the purringly hysterical Byrne. As always, the great Janney steals every one of her few scenes. Less effective is an extended goofy cameo by Curtis Jackson, aka 50 Cent, who at least shows willing to dive into some ridiculous comedy. There's also another terrific foil in Susan's local contact Aldo, played with leering, opportunistic relish by Peter Sarafinowicz.
Continue reading: Spy Review
When you need someone to break into a place and steal something, a career cat burglar is your best bet. Scott Lang (Paul Rudd) is in jail, which isn't the best start, but when Dr. Hank Pym (Michael Douglas) needs a thief, Lang is still his man. Pym was once a miniature superhero known as Ant-Man, yet when Darren Cross (Corey Stoll) takes over his company and tries to mass-market the powerful Ant-Man suits, Pym hires Lang to break in and steal the suit back. From there, he must become the Ant-Man - no matter how much he hates the name.
Continue: Ant-Man Trailer
On the day of his new company's big launch, and young and successful entrepreneur suffers, and pays the price for his hubris. Jake (Nick Kroll) loses everything; not only his money, but also the money of a lot of other people. Forced to move in with his pregnant sister, Justine (Rose Byrne), and her husband, Danny (Bobby Cannavale), for around three months, Jake takes to baby-sitting, and has to learn to love his family once again. In the process of raising a child, Jake, Justine and Danny are all forced to grow up a little themselves.
Continue: Adult Beginners Trailer
Susan Cooper works as an analyst for the CIA; rarely out where the action is and working entirely from the office, advising some of the organisation's top agents during their most deadly assignments. However, following a serious lapse in judgement at the hands of her partner during a bomb disposal mission, the agency are forced to enlist another member of the team to uncover the location of the nuclear weapon. Deciding now is the time to drop her boring persona and become the super keen spy she always wanted to be, Susan volunteers to go undercover - to much derision from her colleagues who barely know her name let alone her position in the CIA. She's allowed to prove herself on the task though, with no appropriate alternative, but can she show that Susan Cooper is just as deadly as her team?
Continue: Spy - Teaser Trailer
An awful lot has happened in the world - A Second World War super soldier has risen from the dead, a billionaire playboy has revealed himself as a costumed superhero, and the Norse God of thunder himself has come to earth on four occasions. So for Scott Lang (Paul Rudd), a petty criminal entrusted with the secret of his mentor's super-secret substance designed to shrink a person, it should be seen as just another day in the life for a person of planet Earth. Now, with the ability to shrink his down to a minuscule size while increasing his strength, Ant-Man is born.
A solid cast bodes well for this unnecessary remake of the 1982 movie (based on the 1970s musical), but the filmmakers' decision to turn the catchy songs into bland pop numbers is the real mistake. It leaves the entire film feeling empty, highlighting director Will Gluck's clunky direction, which includes coaxing Cameron Diaz to a squirm-inducingly over-the-top performance. Young children probably won't mind, but as the movie lurches awkwardly from one messy set piece to the next, the lack of a decently arranged musical number makes everything look dull and witless.
In Harlem, 10-year-old Annie (Quvenzhane Wallis) is an orphan living in a foster home with four other girls, run by the greedy Miss Hannigan (Diaz). Smart and quick-witted, Annie longs for a day when she can be reunited with her parents. Then she has a run-in with Will Stacks (Jamie Foxx), a workaholic mobile phone executive who's running for New York mayor. Will's advisor Guy (Bobby Cannavale) suggests that he take Annie in temporarily to boost his poll numbers, and once settled in his spacious penthouse apartment she immediately charms Will's assistant Grace (Rose Byrne) and driver Nash (Adewale Akinnuoye-Agbaje). And she begins to work her way into Will's heart as well.
From here, Gluck completely misses the point of the play, trying desperately to crank up a ridiculous scam subplot into some big final-act action mayhem. But this never gains any traction at all because it's clear what has to happen in the story. Indeed, the best thing on screen is the strong chemistry between Foxx and Wallis, who find moments of genuine humour and connection even in the silliest slapstick. And they seem almost reluctant every time they have to dive into yet another insipidly revamped song. Pop star Sia worked on them, but loses all the charm in the attempt to turn each one into a chart-topping clone. Fans of the original music will enjoy the brief riffs of the originals audible here and there, and they'll leave the cinema wanting to revisit the old numbers instead of these Frankenstein versions.
Continue reading: Annie Review
The New York premiere of 'Annie', held at the Ziegfeld Theater, was a star-studded affair, with appearances from producer Will Smith, star Cameron Diaz and singer Sia Furler - who has re-recorded original 'Annie' song 'You're Never Fully Dressed Without A Smile' - with her husband Eric Anders Lang.
Martin Scorsese will direct the first episode of the HBO drama, whilst serving as executive producer.
Martin Scorsese and Terence Winter are teaming up with Rolling Stones legend Mick Jagger for a new untitled rock and roll series for HBO. The drama series will feature a cast including Bobby Cannavale, Ray Romano and Olivia Wilde.
Martin Scorsese will direct the pilot episode of the Rock and Roll series for HBO, whilst acting as executive producer
The press release reads: "Set in 1970's New York, the series will explore the drug and sex fueled music business as punk and disco were breaking out, all through the eyes of a record executive (Cannavale) trying to resurrect his label and find the next new sound."
Continue reading: 'Boardwalk Empire' Team Reassembles for HBO Rock and Roll Series
Date of birth
3rd May, 1970