RT @tomcolicchio: Twitter won't cut it, apologize on the Senate floor. https://t.co/JajmrEmXoj
The upcoming show stars Olivia Wilde and Bobby Cannavale.
Finally, the premiere date for forthcoming HBO drama 'Vinyl' has been announced, with a feature length pilot episode to kick it all off. Exploring music in the 1970s, the series has been produced by legendary filmmaker Martin Scorsese and The Rolling Stones' Mick Jagger.
Bobby Cannavale stars as Richie Finestra in 'Vinyl'
Created by the Oscar nominated Terence Winter, best known for his work on such shows as 'Boardwalk Empire' and 'The Sopranos' as well as movies like 'The Wolf Of Wall Street', the show has been in production since 2011 but after much waiting, we'll see the finished result for the first time in 2016. 'Vinyl' follows the story of a fictional New York record label called American Century Records and its founder Richie Finestra, tracing music through the decades from punk, through disco, to rock 'n' roll.
Continue reading: HBO To Show Scorsese And Jagger's Music Drama 'Vinyl' On Valentine's Day
Olivia Wilde, Birgitte Hjort Sorensen , Bobby Cannavale - Olivia Wilde on the set of her new TV show 'Vinyl' in a red Pontiac Firebird muscle car on Coney Island at Brooklyn, Coney Island - New York City, New York, United States - Wednesday 12th August 2015
Olivia Wilde, Birgitte Hjort Sorensen, Bobby Cannavale , James Jagger - Olivia Wilde, Birgitte Hjort Sorensen, Bobby Cannavale and James Jagger in a red Pontiac Firebird muscle car on the set of new TV show "Vinyl" on Coney Island at Brooklyn - New York City, New York, United States - Tuesday 11th August 2015
The increasingly stale Marvel formula gets a blast of fresh air in this rollocking adventure movie, which combines a steady stream of character-based comedy with action sequences that are integrated seamlessly into the plot. Like last summer's Guardians of the Galaxy, the film departs from the usual tired structure to joyously tell a story that's more than pure escapism.
Released from prison after a stint for burglary, Scott (Paul Rudd) is struggling to restart his life when he has an unexpected encounter with Hank Pym (Michael Douglas), an inventor who needs his help. Hank's technology company is being steered away from his original vision to help mankind by his daughter Hope (Evangeline Lilly) and his protege Darren (Corey Stoll), who see a chance to make a lot of money by selling Hank's ideas to the highest bidder. Hank's biggest breakthrough is a suit that shrinks the wearer down to ant-size, allowing for all kinds of unexpected possibilities. Pushed into a corner, Scott starts learning how to master the suit. But his ex-wife (Judy Greer) is now engaged to a cop (Bobby Cannavale) who's keeping his eye on Scott.
One of director Peyton Reed's main challenges was to sell the whole idea of an insect-sized warrior, and he does that fairly effortlessly, revealing an increasingly cool series of possibilities in each action sequence. These set-pieces emerge organically from the story, combining comedy and exhilaratingly coherent action to push the narrative forward. One of the best moments is an encounter with one of the Avengers (Anthony Mackie's Falcon), which offers a strong hint about how Ant-Man can liven up the franchise as a whole. And the climactic sequence is an inspired collision of mind-bending effects and inventive humorous touches (Thomas the Tank Engine nearly steals the whole film). Plus two post-credit stings for the fanboys.
Continue reading: Ant-Man Review
The ace partnership between filmmaker Paul Feig and actress Melissa McCarthy evolves into something formidable with this raucous action comedy, which simultaneously spoofs the espionage genre and provides some genuine thrills. From ensemble player (Bridesmaids) to costar (The Heat) and now to the star of the show, McCarthy finds a role worthy of her talents, subverting rather than exploiting her distinct physicality.
She plays Susan Cooper, a desk-jockey at the CIA who works with the field agents, guiding them by radio link through their dangerous paces. When star spy Bradley Fine (Jude Law) is taken out of service and all other top agents have their covers blown, the boss (Allison Janney) has little choice but to send the well-trained Susan into the field to take down the villainous arms dealer Rayna (Rose Byrne). With her best pal Nancy (Miranda Hart) as her office-bound helper, Susan gets into a series of disguises and travels to Paris, Rome and then Budapest. And despite the constant attempts of rogue agent Rick Ford (Jason Statham) to "help" her, Susan gets ever closer to Rayna and her gangster buyer Sergio (Bobby Cannavale).
The relatively simple plot is overcrowded with characters and subplots that add absurd layers of humour to the film, almost all of which are genuinely hilarious. Best of all, none of the laughs come at the expense of Susan, a capable, smart, witty woman who's the perfect alter ego for McCarthy (and certainly much more engaging than her obnoxious-slob persona in The Heat or Tammy). She has terrific chemistry with all of her costars, flirting shamelessly with the Bond-like Law, an amusingly swaggering Statham and especially the purringly hysterical Byrne. As always, the great Janney steals every one of her few scenes. Less effective is an extended goofy cameo by Curtis Jackson, aka 50 Cent, who at least shows willing to dive into some ridiculous comedy. There's also another terrific foil in Susan's local contact Aldo, played with leering, opportunistic relish by Peter Sarafinowicz.
Continue reading: Spy Review
When you need someone to break into a place and steal something, a career cat burglar is your best bet. Scott Lang (Paul Rudd) is in jail, which isn't the best start, but when Dr. Hank Pym (Michael Douglas) needs a thief, Lang is still his man. Pym was once a miniature superhero known as Ant-Man, yet when Darren Cross (Corey Stoll) takes over his company and tries to mass-market the powerful Ant-Man suits, Pym hires Lang to break in and steal the suit back. From there, he must become the Ant-Man - no matter how much he hates the name.
Continue: Ant-Man Trailer
On the day of his new company's big launch, and young and successful entrepreneur suffers, and pays the price for his hubris. Jake (Nick Kroll) loses everything; not only his money, but also the money of a lot of other people. Forced to move in with his pregnant sister, Justine (Rose Byrne), and her husband, Danny (Bobby Cannavale), for around three months, Jake takes to baby-sitting, and has to learn to love his family once again. In the process of raising a child, Jake, Justine and Danny are all forced to grow up a little themselves.
Continue: Adult Beginners Trailer
Susan Cooper works as an analyst for the CIA; rarely out where the action is and working entirely from the office, advising some of the organisation's top agents during their most deadly assignments. However, following a serious lapse in judgement at the hands of her partner during a bomb disposal mission, the agency are forced to enlist another member of the team to uncover the location of the nuclear weapon. Deciding now is the time to drop her boring persona and become the super keen spy she always wanted to be, Susan volunteers to go undercover - to much derision from her colleagues who barely know her name let alone her position in the CIA. She's allowed to prove herself on the task though, with no appropriate alternative, but can she show that Susan Cooper is just as deadly as her team?
Continue: Spy - Teaser Trailer
A solid cast bodes well for this unnecessary remake of the 1982 movie (based on the 1970s musical), but the filmmakers' decision to turn the catchy songs into bland pop numbers is the real mistake. It leaves the entire film feeling empty, highlighting director Will Gluck's clunky direction, which includes coaxing Cameron Diaz to a squirm-inducingly over-the-top performance. Young children probably won't mind, but as the movie lurches awkwardly from one messy set piece to the next, the lack of a decently arranged musical number makes everything look dull and witless.
In Harlem, 10-year-old Annie (Quvenzhane Wallis) is an orphan living in a foster home with four other girls, run by the greedy Miss Hannigan (Diaz). Smart and quick-witted, Annie longs for a day when she can be reunited with her parents. Then she has a run-in with Will Stacks (Jamie Foxx), a workaholic mobile phone executive who's running for New York mayor. Will's advisor Guy (Bobby Cannavale) suggests that he take Annie in temporarily to boost his poll numbers, and once settled in his spacious penthouse apartment she immediately charms Will's assistant Grace (Rose Byrne) and driver Nash (Adewale Akinnuoye-Agbaje). And she begins to work her way into Will's heart as well.
From here, Gluck completely misses the point of the play, trying desperately to crank up a ridiculous scam subplot into some big final-act action mayhem. But this never gains any traction at all because it's clear what has to happen in the story. Indeed, the best thing on screen is the strong chemistry between Foxx and Wallis, who find moments of genuine humour and connection even in the silliest slapstick. And they seem almost reluctant every time they have to dive into yet another insipidly revamped song. Pop star Sia worked on them, but loses all the charm in the attempt to turn each one into a chart-topping clone. Fans of the original music will enjoy the brief riffs of the originals audible here and there, and they'll leave the cinema wanting to revisit the old numbers instead of these Frankenstein versions.
Continue reading: Annie Review
Bobby Cannavale - Shots of a variety of stars as they arrived at the New York Premiere of the musical film 'Annie' which was held at the Ziegfeld Theater in New York City, New York, United States - Sunday 7th December 2014
Martin Scorsese will direct the first episode of the HBO drama, whilst serving as executive producer.
Martin Scorsese and Terence Winter are teaming up with Rolling Stones legend Mick Jagger for a new untitled rock and roll series for HBO. The drama series will feature a cast including Bobby Cannavale, Ray Romano and Olivia Wilde.
Martin Scorsese will direct the pilot episode of the Rock and Roll series for HBO, whilst acting as executive producer
The press release reads: "Set in 1970's New York, the series will explore the drug and sex fueled music business as punk and disco were breaking out, all through the eyes of a record executive (Cannavale) trying to resurrect his label and find the next new sound."
Continue reading: 'Boardwalk Empire' Team Reassembles For HBO Rock And Roll Series
1970s rocker Danny Collins (Al Pacino) has earned a reputation for himself as a sell-out. He hasn't written a song for years, and his family has been left behind while he embarks upon the life of a true rock star. But when his manager reveals a previously lost handwritten letter from John Lennon, instructing Collins to remember who he is and not lose himself. Wondering what could have happened if he had actually received the letter 40-years-ago, Collins embarks on a journey to rediscover his family and find out just what made him famous in the first place.
Continue: Danny Collins - Trailer
In a small New York orphanage, a group of children are united in their hatred for their hatred for their foster mother. But when young Annie (Quvenzhané Wallis) falls in front of a bus and is almost killed, she is saved at the last moment by a mysterious man - Will Stacks (Jamie Foxx). Stacks is a politician, who's campaign is helped dramatically by the news that he saved a young orphan's life. After contacting her as part of a publicity campaign, he decides to better his image by adopting her; along the way, both Annie and Stacks realise that they can each learn a thing or two from one another when it comes to love, friendship and family.
Continue: Annie Trailer
Date of birth
3rd May, 1970
RT @tomcolicchio: Twitter won't cut it, apologize on the Senate floor. https://t.co/JajmrEmXoj
RT @JustineBateman: Hey Republicans, your reps DON'T GIVE A SHIT ABOUT YOU. Your internet providers can now sell all your Internet activity…
So proud to have worked with @EarthAngelNYC! Support them and join @earthhour by attending #EARTHangelHOUR on 3/25! https://t.co/cj3vhrnJy1
@ditzkoff makes me bummed to have brown eyes
Honestly, very rare to have an interview that's this long with the man. So so good. https://t.co/sHZg4DhYk1
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#RIPBIG 20 years. Wow. https://t.co/AEQUa8qJE9
RT @thereverendJ: I wanna have a son just so I can name him Wile E. Cannavale and his catch phrase is gonna be "meep meep, motherfucker".
RT @AlbertBrooks: Republicans finally publish their new health plan which will, from now on, be affectionately known as "Let Them Die."
RT @ditzkoff: Obamacare // the GOP replacement https://t.co/sqTC8yUhAj
This is the most realest response EVERYONE should have. https://t.co/UH5S7UzKok
Yo I don't give a FUCK, I'm watching @FeudFX in 17 minutes!
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TAPPS!!! (mic drop) https://t.co/9f7r4Apun2
The increasingly stale Marvel formula gets a blast of fresh air in this rollocking adventure...
The ace partnership between filmmaker Paul Feig and actress Melissa McCarthy evolves into something formidable...
On the day of his new company's big launch, and young and successful entrepreneur suffers,...
A solid cast bodes well for this unnecessary remake of the 1982 movie (based on...
1970s rocker Danny Collins (Al Pacino) has earned a reputation for himself as a sell-out....
Like comfort food, this movie has very little nutritional value, but it sure goes down...