The problem with Moog becomes that, because of these content limitations, you're left staring at one talking head conversation after another that struggles to make a cohesive fanboy-whole out of shreds of disparate information. It takes too much time for outsiders of the music industry to get any grip on when any of the events happened, or how the practice of synthesizing, still very much in use today, gained the momentum and respect that Robert Moog obviously deserves for putting it on the map.
Continue reading: Moog Review
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