For most people in the modern world, they don't need to think about the consequences of modern day living, it's hard to think that people still need to mine land physically and often in treacherous conditions. In 2010 the world was reminded of just how risky that job can be.
When a 100+ year-old copper & gold mine in Chile suffers considerable damage to the shaft due to a cave-in, the world's news is quick to report the disaster. All life was thought to be lost and there was little hope of finding survivors, however deep inside the mine, a group of 33 men were fighting for survival. As the world learnt of their battle for survival, the onlookers could only imagine the tribulations the men inside faced. Main communication with the outside world was from one miner called Mario who was affectionately named 'super Mario', thanks to his videos, he could relay information to the support crew telling them about the men's wellbeing and progress.
Director Patricia Riggen's The 33 was filmed with the cooperation of the miners and tells their story from 700 meters underground. The 33 is Patricia Riggen's first major directorial role, though in 2012 she shot Girl In Progress starring Eva Mendes.
A single accident or act of violence can change more than just a single person, but an entire city. Blinded as a child, Matt Murdock (Charlie Cox) has worked hard to become a respected lawyer, yet it is his out-of-hours job that is having more of an impact on the world around him. Living in the Hell's Kitchen neighbourhood in New York City, Murdock faces crime on a day-to-day basis. Left without the use of his eyes, he must navigate the world around him using his almost sonar levels of hearing, battling criminals during the day as a lawyer, and at night, as the masked vigilante Daredevil.
Continue: Daredevil - Teaser Trailer
Annie Parker is a fun-loving young woman struggling with the difficulties of motherhood, a husband who's slowly losing interest and, more importantly, breast cancer. She is unsurprised that she has become afflicted with the disease following her mother and older sister's suffering, but she suddenly finds herself overcome with the determination to find out why. Meanwhile, a young research geneticist named Mary-Claire King is looking into a breakthrough theory that suggests that some women are genetically pre-disposed to have breast cancer due to a particular gene. Unfortunately for her, there are few scientists who believe her theory. In order to prove her theory, she must conduct a research project looking into cancer sufferers' and their relatives' medical history - and that's where Annie Parker is eager to help.
Continue: Decoding Annie Parker Trailer
Gus Lobel is one of the most formidable baseball talent scouts around, however his age starts to fail him in his career as his eyesight deteriorates and he is unable to focus properly on the Atlanta Braves games he goes to watch. Worried about his health and career, his long-time boss and good friend enlists Lobel's daughter to accompany her father on what is to be the last talent scouting trip of his career. Mickey Lobel has never had a strong relationship with her father, since he was unable to look after her alone following the death of her mother. Nonetheless, she compromises her high status lawyer job and agrees to keep an eye on Gus, despite his protests. On the way, Mickey meets Gus's friend Johnny Flanagan; a former baseball player and aspiring talent scout who looks up to Gus and takes an interest in the beautiful Mickey. Much is to be discovered for everyone on this journey as it becomes less about baseball and more about truth, love and family.
'Trouble with the Curve' serves as the first film that Clint Eastwood has starred in without being the director since 1993 when he appeared in 'In the Line of Fire'. It is directed by Robert Lorenz in his directorial debut (though he has previously worked as an assistant director on various blockbusters) and written by Randy Brown. It is set for release on November 30th 2012.
Starring: Clint Eastwood, Justin Timberlake, John Goodman, Matthew Lillard, Chelcie Ross, Raymond Anthony Thomas, Ed Lauter, Clifton Guterman, George Wyner, Bob Gunton, Jack Gilpin, Scott Eastwood & Tom Dreesen.
We all have bad days, but for Driver (Gibson) his day is really taking the biscuit. It's not all bad; he's just made off with a big haul worth millions, something that would be able to secure that nice summer vacation he's been after for a while, however after the haul things begin to head south - literally!
Continue: How I Spent My Summer Vacation Trailer
Which makes the fact that Numb has a romance at its core all the stranger: Perry's Hudson is a high-power screenwriter and before long he's dating Sarah (Lynn Collins), a studio exec who is taken with him when Hudson and partner Tom (Kevin Pollak) drop by to pitch her a script. It's unclear why she's smitten by the nearly catatonic Hudson... though the way Perry plays it, Hudson seems to be able to come and go from his semi-coma at will.
Continue reading: Numb Review
Fracture has no excuse to be so lazy, given the actors at its disposal and a setup that should have made this an easy slam-dunk. Hopkins plays Ted Crawford, an aeronautics engineer who's found out that his wife Jennifer (Embeth Davidtz) is having an affair with police detective Rob Nunally (Billy Burke). Confronting her at home, Crawford shoots her in the head and calmly waits for the cops to arrive. When they do, it's with none other than Nunally at the lead, who's shocked and enraged at finding Jennifer in a pool of blood and Crawford standing there as though nothing had happened. After a quickly-interrupted beating from Nunally, Crawford later confesses and even waives his right to a lawyer. When it's all dropped in the lap of assistant district attorney Willy Beachum (Gosling), the case couldn't seem more airtight, which is good since Beachum can't wait to slip the bonds of lowly civil employment for a well-paying private sector job.
Continue reading: Fracture Review
Bats is one of those movies where you have to get popcorn just to throw it at the screen. It is one of those movies where you have to make fun of those little kids scared out of their wits three rows behind you on the other side of the theatre. Most of all, however, it is one of those movies where you have to provide a running commentary.
Continue reading: Bats Review
Somewhere inside "The Perfect Storm" there's a near-perfect movie drowning under gale-force swells of romanticized sea-faring melodrama.
Here's a stomach-in-knots true story about the rugged crew a swordfishing boat caught in the biggest sea storm in modern history -- a terrifying human saga with unsurpassed, seat-gripping special effects, strong performances from a stellar cast and level of realism so potent you can almost smell the 200-lb. fish and the sweat of the men who scrape together a living endangering their lives to net them at sea.
Yet the movie's potential got gutted in post-production, where director Wolfgang Petersen ("Outbreak," "Air Force One") slathered it in sentimentality weepy voice-overs, choppy editing and an incessant, intrusive score (by "Titanic's" James Horner) that saturates every single frame of the film with pounding tympani and crashing cymbals.
Continue reading: The Perfect Storm Review
Driven entirely by tedious clichés, vulgar stereotypes, tawdry and low-brow raunch-as-comedy gags, and the degrading, almost minstrel-show antics of a mugging, rubber-faced Cuba Gooding Jr., "Boat Trip" is a gay-themed movie aimed squarely and exclusively at stupid straight people.
The contrived mix-up plot finds Gooding and John Belushi-wannabe Horatio Sanz ("Saturday Night Live") trapped onboard a cruise ship full of gay men for a weeklong voyage, and writer-director Mort Nathan (who scripted the Farrelly Brothers' "Kingpin") finds endless excuses for them to act cartoonishly homosexual in order to score with the few women on board.
Gooding has fallen for the ship's dance instructor (Roselyn Sanchez) -- a steamy Latina who walks around in see-through linen tops and three pounds of eye shadow while professing "I don't care about makeup, I don't care about what I'm wearing." Meanwhile fat, ugly, loutish Sanz has the hots for a brain-dead bimbo (Playboy Playmate Victoria Silvstedt) from the "Swedish suntanning team" who was rescued from a shipwreck along with a dozen other swimsuit models. Inexplicably, she has the hots for him too -- not because there's anything attractive about him whatsoever, but because the director is transparently more interested in any excuse for bug-eyed boob shots than he is in anything remotely resembling story or humor.
Continue reading: Boat Trip Review
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