Bob Burrus

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Tully Review


Very Good
There is something so inviting -- especially for those of us who live in the city -- about a film that captures the brilliance and serenity of rural life. Seeing those late-day hints of sunlight beam down upon open fields and lone houses can be one of the great cinema escapes. Tully, the debut feature from a talented filmmaker named Hilary Birmingham, gives viewers that easygoing country warmth but also delivers a fine, reserved narrative within its setting.

Based on an award-winning story by Tom McNeal, Tully is a guy-at-a-crossroads tale, told with a welcome lack of standard convention. The title character, played by able newcomer Anson Mount (Crossroads), is a young, good-looking fella admired by most of the women in his Nebraska farming town, and playing his quiet popularity for all it's worth. Tully works on his pappy's farm with his younger brother, Earl, but still finds time to get it on with a local stripper (Catherine Kellner) on the hood of her car (or his car, if available).

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