Mateo (Homar) is a filmmaker who, after going blind, has locked himself in his Madrid flat writing scripts with Diego (Novas), son of his loyal agent (Portillo). Then he hears of the death of wealthy financier Ernesto (Gomez), who 14 years earlier had bankrolled a film project starring his trophy mistress Lena (Cruz), who was desperate to get out of the relationship. Back then, as Lena and Mateo started spending rather too much time together, Ernesto sent his teen son (Ochandiano) to follow them, ostensibly to film a making-of doc.
Continue reading: Broken Embraces [los Abrazos Rotos] Review
Volver starts with a wonderfully lyrical scene in which the old women of a rural village clean the headstones in a graveyard during a fantastic windstorm -- the blowing leaves quickly render absurd any cleaning. The village is a slightly unreal place anyway, populated mostly by the very old (in actuality, a common occurrence in Spain) and known far and wide for the wind, which is reputed to drive the inhabitants insane. The stars are a pair of sisters, Raimunda (Penélope Cruz) and Sole (Lole Dueñas) who long ago decamped for Madrid, much like Almodóvar himself did as a child (he shot the village scenes in his hometown of La Mancha). The sisters' parents died in a fire years back, but they return on occasion to check in on their elderly aunt, Paula (Chus Lampreave, who has mellowed here somewhat since her hilariously venomous turn in Almodóvar's 1995 film The Flower of My Secret). They still feel that tenuous link to their ancestral village, but with their parents dead and unfulfilling lives in the city, the two seem stuck in a hazy netherworld, home in neither place.
Continue reading: Volver Review
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