Glynn Turman, Blair Underwood and Michael Schultz - Stars attended the Los Angeles premiere of 'AWAKE: The Life Of Yogananda' which was held at the DGA Theater in Los Angeles, California, United States - Tuesday 14th October 2014
NBC is winning the battles, though will CBS win the war?
NBC stormed to its second straight weekly ratings victory, taking first place in the key 18-49 demographic - the most important to advertisers.
The network bested ABC, CBS and Fox in the lucrative demo, averaging a 2.76 rating for the week of September 30, compared to CBS' second place rating of 2.14, ABC's 2.13 and Fox's paltry 1.7.
The victory came despite the fact that NBC's three premieres for the week - Ironside, Welcome to the Family and Sean Saves the World - screened to frankly awful numbers, 1.4, 1.2 and 1.6 respectively, according to The Wrap.
Continue reading: NBC Storms Ahead In Key Demographic, Despite Miserable Premieres
In his senior year at a Manhattan prep school, George (Highmore) can't muster up the energy to do his schoolwork. A bright kid with serious artistic talent, he's in trouble with the principal (Underwood) for failing his classes. He's also uninterested in communicating with his mother (Wilson) or stepdad (Robards). The class' hot bad girl Sally (Roberts) takes an interest in him, but he can't do much more than follow her around, even when his mentor painter (Angarano) urges him to make a move.
Continue reading: The Art of Getting By Review
George is a senior at a private high school in New York. He has never done a day's work in his life and sees no point in trying to do anything because sooner or later he will die. When he should be working on assignments for school, he watches TV, listens to music or does anything that isn't what he should be doing. Despite never taking Art classes seriously, George shows talent at drawing and it's his favourite subject, but his untapped talent isn't enough to save him from the principal who puts him on academic probation due to constant slacking.
Continue: The Art Of Getting By Trailer
The star of 'Dirty Sexy Money', Blair Underwood, has come under fire from African-American fans after he played the lover of a white character in 'Sex and the City'.
'Dirty Sexy Money' star Blair Underwood has received unfavourable backlash from African-American fans, after he appeared as the black lover of a white character in 'Sex And The City'. Despite being the first African-American actor to join the cast of the predominantly white series, some of Underwood's fans did not respond with approval to the character of Dr. Robert Leeds; boyfriend to Miranda Hobbes (Cynthia Nixon).
However, Underwood claimed that the outspoken fans reviewed their position on the character after learning that Underwood has a black wife - Desiree DaCosta - and has been for 13 years. He explained his understanding of the events, by saying: "In terms of the black female audience, usually in your body of work if you've proven that you love your sisters (black women) and will come back home, they will give you a pass when you jump ship. I hear it all the time. I heard, 'We'll get you a pass because we know you're married to a black woman.'"
So why is scripter Kriss Turner, a veteran of generic sitcom writing, attempting to blow the dust off the concept for newfound laughs? Turner's treatment for Sanaa Hamri's Something New pits races against each other to tell the often-turbulent courtship of Kenya (Sanaa Lathan), a black accountant, and Brian (Simon Baker), her white landscape architect. Color colors everything for this duo as they try to make a relationship work, and New overplays the racial chip on its shoulder to the detriment of the romantic date movie that's buried at its core.
Continue reading: Something New Review
Genres, like many things in life, work well when slightly blended together. Take darkly comic thrillers or lighthearted romantic comedies - they're both in the same general emotional ballpark. On the opposite end of the spectrum might be, say, making a movie that's equal parts comedy-free romance, transvestite and fart comedy, and domestic violence drama.
Continue reading: Madea's Family Reunion Review
That's the crux of director John Whitesell's semi-parody on ethnic and societal stereotypes, and while suffering from being too thin and silly at times, the idea is pulled off better than one might expect. B-Rad is really Brad, as in Brad Gluckman, a super-privileged white Jewish boy who is forced to see what life in the 'hood is really like -- and finds that he actually fits in a little.
Continue reading: Malibu's Most Wanted Review
Rules of Engagement is one of these waste products: pulling together a great cast, a great story idea, and a great director, then letting it all fall apart into a mess of things I wouldn't even blame Joel Schumacher for.
Continue reading: Rules of Engagement Review
Like King of the Hill and the groundbreaking videotape, some of this work is genius.
Continue reading: Full Frontal Review
After going from esoteric art house darling to Oscar-winning mainstream mogul without losing his soul, it was probably inevitable that Steven Soderbergh would eventually make an industry farce -- and "Full Frontal" is the consummate ironic marriage of his two worlds.
The cinematic equivalent of an Escher painting, it's movie within a movie within a movie within a movie that keeps folding in on itself. Low-budget ($2 million) but awash in big names (Julia Roberts, Brad Pitt, David Duchovny), it's also a joke within a joke within a joke. Sometimes the joke is on Hollywood mucky-mucks. Sometimes the joke is on fans of his mainstream success ("Erin Brockovich," "Ocean's Eleven"). And sometimes the joke is on art film snobs who can't understand why Soderbergh, the artuer behind left-field flicks like "Schitzopolis," "The Limey" and "sex, lies & videotape," would have ever "gone Hollywood" to begin with.
On one level "Full Frontal" is an over-lit, digi-video, fly-on-the-wall guerilla-style picture following several cross-pollinating characters both inside and on the fringes of the filmmaking industry. David Hyde Pierce plays a melancholy milksop writer for Los Angeles Magazine whose first screenplay is being produced. Catherine Keener is his petulant, borderline-lunatic wife, a human resources director who torments nervous employees in erratic, interrogation-style interviews by day, and by night becomes a Hollywood hanger-on with delusions of significance. Mary McCormack plays her sister, a manicly depressed massage therapist who gets sexually harassed by a bigwig movie producer (David Duchovny), who wants help with his autoerotic fantasies.
Continue reading: Full Frontal Review