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Mifune Review


Excellent
In 1995, Danish directors Lars Von Trier and Thomas Vinterberg established a code of ethics for an alternative form of filmmaking. The two directors were fed up by the way in which movie making was "raped" by technology such as special effects, expensive gear, cranes, filters, dollies, and spotlights. They wisely knew that they could never measure up to the Americans in that area, so they decided that European filmmaking should head in an all-together different direction. The result was a vow of chastity complete with the ten commandments of what they called Dogme filmmaking. Some of these groundbreaking rules included: on location shooting without the ability to bring in props, the rule that music will not be used unless it occurs where the scene is being shot, the camera must be hand-held, optical work and filters are forbidden, and the films must not contain superficial action such as murders, weapons, etc. The purpose was to force a director to think along unconventional and imaginative lines in order to create a Dogme film, and the first two attempts, Vinterberg's The Celebration, and Von Trier's The Idiots, were both successful.

Director Soren Kragh-Jacobsen's Mifune, is the third film from the Danish Dogme Collective. Subtitled in English, it is the story of Kresten (Anders W. Berhelsen) who has become an overnight sensation as a businessman in Copenhagen. The morning after his wedding to the boss' daughter, he receives a phone call that his estranged father has just died. He has trouble explaining this to his wife, since he has told everyone in the city that he has no living relatives, in attempt to disguise his humble origins. Now he must return to the family's run down farm to bury his father and make arrangements to hide the truth of his mentally retarded brother from his new family and friends.

Continue reading: Mifune Review

It's All About Love Review


Weak
If this is all about love, then I'm a monkey's uncle. One of the most roundly criticized films in recent memory (reports have most of the stars disowning it before release, with poor Claire Danes reduced to tears by it), this is a sci-fi bit of nonsense that covers the gamut from human cloning to global warming/freak weather to fear of flying. Yes, there's a love story -- which has Joaquin Phoenix having second thoughts on a divorce from Danes, both of whom affect awful faux Polish accents. For some reason, they decide to "escape" New York, which lands them in a snowbound ice age in July. I challenge you to make any sense out of this thing -- and I'm led to question my previous esteem for Celebration director Thomas Vinterberg -- but hey, Claire Danes sure is purty. Look, a squirrel!

The Celebration Review


Extraordinary
Does anything come out of Denmark these days that's not disturbing?

A grand experiment that is a smashing success, The Celebration adheres to the principles of "Dogme 95," a collective of filmmakers who swear to adhere to certain rules in filmmaking: no studio shooting, location sound only, no music, hand-held camera only, natural light only, etc. The full manifesto has ten rules, none of which are commonly adhered to in Hollywood. It's a real surprise to see how magnificent these rules can be when put into the context of a good script and good acting.

Continue reading: The Celebration Review

Mifune Review


Excellent
In 1995, Danish directors Lars Von Trier and Thomas Vinterberg established a code of ethics for an alternative form of filmmaking. The two directors were fed up by the way in which movie making was "raped" by technology such as special effects, expensive gear, cranes, filters, dollies, and spotlights. They wisely knew that they could never measure up to the Americans in that area, so they decided that European filmmaking should head in an all-together different direction. The result was a vow of chastity complete with the ten commandments of what they called Dogme filmmaking. Some of these groundbreaking rules included: on location shooting without the ability to bring in props, the rule that music will not be used unless it occurs where the scene is being shot, the camera must be hand-held, optical work and filters are forbidden, and the films must not contain superficial action such as murders, weapons, etc. The purpose was to force a director to think along unconventional and imaginative lines in order to create a Dogme film, and the first two attempts, Vinterberg's The Celebration, and Von Trier's The Idiots, were both successful.

Director Soren Kragh-Jacobsen's Mifune, is the third film from the Danish Dogme Collective. Subtitled in English, it is the story of Kresten (Anders W. Berhelsen) who has become an overnight sensation as a businessman in Copenhagen. The morning after his wedding to the boss' daughter, he receives a phone call that his estranged father has just died. He has trouble explaining this to his wife, since he has told everyone in the city that he has no living relatives, in attempt to disguise his humble origins. Now he must return to the family's run down farm to bury his father and make arrangements to hide the truth of his mentally retarded brother from his new family and friends.

Continue reading: Mifune Review

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Birgitte Hald Movies

Mifune Movie Review

Mifune Movie Review

In 1995, Danish directors Lars Von Trier and Thomas Vinterberg established a code of ethics...

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Mifune Movie Review

Mifune Movie Review

In 1995, Danish directors Lars Von Trier and Thomas Vinterberg established a code of ethics...

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