It's rare for an American remake to be scruffier than the original, but this film is an intriguingly messier take on the super-slick, hugely engaging 2009 Oscar winner from Argentina. Filmmaker Billy Ray (Captain Phillips) has stripped down the tone and revamped the plot considerably, replacing the original film's big emotional surges with grittier intrigue and subtle intelligence.
The story begins as New York security expert Ray (Chiwetel Ejiofor) returns to Los Angeles, picking up the trail of an unsolved murder he worked on 13 years earlier when he was an FBI agent. His former colleague Jess (Julia Roberts) is still in the FBI, while Claire (Nicole Kidman) is now the city's district attorney. Together, they secretly begin looking into the case again, tracking the suspect (Joe Cole) through the city and dodging interference from fellow agent Reg (Michael Kelly). But the investigation doesn't go as planned, jeopardising all of them in their current jobs. And Ray is having trouble sorting out his relational history with both Jess and Claire.
These three fine actors cleverly play with the delicate tensions both between them and in the larger picture. At the centre, Ejiofor is gripping as a man of conscience who is tenaciously hoping for justice in a seriously murky situation. Kidman adds a slightly cheeky tone as a woman who has achieved professional success but never forgets the dodgy choices she has made. And Roberts gets the showier role, losing all of her Hollywood glamour as the tomboyish Jess, a woman with layer after layer of emotional turmoil. The chemistry between them is fascinating, even if the filmmaking approach feels dry and aloof. But there's so much going on in both the story and characters that it's impossible to look away. Nothing that happens is quite what it seems to be, and the big ideas linger in the background, leaving plenty for us to chew on.
Continue reading: Secret In Their Eyes Review
Braison Cyrus, Noah Cyrus, Billy Ray Cyrus Tish Cyrus , Brandi Glenn Cyrus - Celebrities attend 2015 MTV Video Music Awards at Microsoft Theater. at Microsoft Theater - Los Angeles, California, United States - Sunday 30th August 2015
Ray is a dedicated FBI investigator with a crush on his District Attorney supervisor Claire and a close friendship with his partner Jess. However, all those whimsical circumstances are thrown out of the window when a corpse is discovered in a dumpster in LA. Ray discovers that it's the mutilated body of Jess' teenage daughter, and the devastated pair set out on a vengeful mission to find the perpetrator. Unfortunately, the suspect they pick up - of whose guilt they are convinced - they are forced to let go when no solid evidence is found. Thirteen years later, Ray returns with a new lead, having spent every evening since searching through the US prison system for their murderer. But this time, they're thinking of bringing him down their own way.
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With an attention to documentary detail that makes everything viscerally realistic, this film grabs hold and never lets go, cranking the suspense to nearly unbearable levels and then tightening its grip even further. Like director Greengrass' United 93, this is a film that makes us forget our daily routine, sending us on a harrowing journey that feels more like a life experience than watching a movie.
It's based on true events from March 2009, when Richard Phillips (Hanks) took a routine job captaining a cargo ship filled with food aid from Oman to Kenya. Then off the coast of Somalia, they're attacked by the tenacious pirate Muse (Abdi) and his three cohorts (Abdirahman, Ahmed and Ali). These aren't terrorists, they're desperate young men who take violent action only because they have to. But their demands for money go unmet, and the stand-off escalates as Phillips' crew fights back against the armed intruders. Then the American Navy responds with overwhelming force, trying to calm the situation without getting Phillips killed.
Aside from one background sequence in Somalia, we watch the entire story through Phillips' eyes, which makes us feel like we are right in the middle of it. Greengrass insists on realism, refusing to indulge in digital trickery when he can get real ships and helicopters out on the ocean instead. This gives the film a jolt of authenticity that's impossible to re-create in a studio, as we can feel the isolation of the expansive sea as well as the dangerous claustrophobia in the pod-like lifeboat where the climactic scenes play out. And there isn't a false note. Even with a well-known actor like Hanks in the central role, we are completely drawn in.
Continue reading: Captain Phillips Review
The cast and crew of biopic thriller 'Captain Phillips' discuss the realistic nature of the heart-stopping flick on the red carpet at the US premiere. Among them were stars Tom Hanks, Faysal Ahmed and Barkhad Abdi, as well as director Paul Greengrass, producer Michael De Luca and screenwriter Billy Ray.
Billy Ray and Stephen Bishop - Celebrities attend Premiere of Columbia Pictures "Captain Phillips" at The Academy of Motion Picture Arts and Sciences. - Los Angeles, CA, United States - Monday 30th September 2013
In what was once North America, the ruling class demands an annual sacrifice of the 12 districts that once rebelled: each must select two teens, a boy and a girl, to battle in a wooded arena to the death, with the last one standing crowned victor. In the poor mining District 12, the tributes are ace archer Katniss (Lawrence) and muscly baker Peeta (Hutcherson), who forge an awkward friendship as they're thrust into the televised competition. Trained by Haymitch (Harrelson), promoted by Effie (Banks), groomed by Cinna (Kravitz), interviewed by Caesar (Tucci) - it's simply overwhelming.
Continue reading: The Hunger Games Review
When the research assistant to brash young House member Stephen Collins (Affleck) dies in a mysterious accident, the press has a field day with the politician's possible adultery. Naturally, the Washington Globe and its crack staff, including reporter Cal McCaffrey (Crowe), blogger Della Frye (Rachel McAdams), and editor Cameron Lynne (Mirren), are exploring every angle. But there's a catch. You see, McCaffrey and Collins were college roommates, and they've maintained a strong friendship ever since. They've even shared the affections of the Congressman's current wife Anne (Robin Wright Penn).
Continue reading: State Of Play Review
Following possible terrorists and their contacts, Eric O'Neil (Ryan Phillipe) eagerly tries to discuss bureau protocol with his team, only to be ignored and have his well-prepared report on the subject shoved back in his face. That is, until he is dragged into a bureau conference room on a Sunday to meet with his superior and head agent Kate Burroughs (Laura Linney). It's here that O'Neil is asked to shadow Russian intelligence specialist Robert Hanssen (Chris Cooper) for what is originally agreed to be sexually perverse activities. It isn't till O'Neil is taken under wing by the intelligence expert that Burroughs reveals that Hanssen has actually been selling information to the Russians for some time and has cost the government billions of dollars and uncountable agent lives.
Continue reading: Breach Review
The story resembles one of those studio pictures of the 1940s and 1950s made famous by the likes of William Holden and Gary Cooper. Willis plays Col. William McNamara, the highest-ranking officer in German prisoner camp Stalag IV during the tail end of the WWII. McNamara retains the dignity of his fellow American soldiers held captive and silently plans to strike back against the enemy under the suspicious eyes of German Col. Werner Visser (Marcel Iures). When a murder occurs in the camp, McNamara sets in motion a plan of attack against his German counterparts by orchestrating a court martial headed by Lt. Tommy Hart (Colin Farrell), an Army desk jockey with a senator for a father who was recently captured in Belgium. As the tensions mount and sides are taken, both friend and foe uncover duplicities within their own ranks, values of lives are weighed against the duties of soldiers, and the question of honor versus freedom plays out to the final whopper of an ending.
Continue reading: Hart's War Review
This is in essence what happened to The New Republic magazine in 1998 when a writer of theirs named Stephen Glass fabricated a story about a computer hacker to such an extent that nothing in it was true including - sorry to say - the allegation that the hacker left his mark with an appealingly humorous alliterative caption: "THE BIG BAD BIONIC BOY HAS BEEN HERE BABY." (This of course has been overshadowed by the recent Jayson Blair/New York Times scandal, which shook out nearly identically but with much greater fanfare earlier this year.)
Continue reading: Shattered Glass Review
Co-stars Anne Heche and Tommy Lee Jones prove more than able at evading not only the encroaching magma, but also the horde of bad actors that follow them throughout the movie. And while the film is full of creeping cheese, complete with death-defying leaps to safety, slow motion shots, and kitschy one-liners, I shock myself even by saying that, for the most part, it feels real. They even thought to include Dennis Woodruff's infamous car, the cheesiest of Hollywood landmarks, floating along in a river of fire. Where else would they think of that!? I really do love L.A...
Continue reading: Volcano Review
The first single from Interpol's eagerly anticipated sixth studio album 'The Rover' has dropped alongside a video.
'Jumpsuit' is just one of two singles, including 'Nico and the Niners', released ahead of Twenty One Pilots' latest album 'Trench'.
They unveiled a new video showing the making of the record.
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