The planet is in turmoil. Superman is apparently dead and crime rates have surged around the world as a result. But there's more than just petty theft and random assaults out there; mankind are under threat from an alien general named Steppenwolf who, with his terrible army of Parademons, are causing devastation as they search far and wide for three mysterious Mother Boxes hidden on Earth. The people need help, and so Bruce Wayne brings back Gotham's hero - Batman - and enlists the assistance of Wonder Woman to form a new legion of heroes. They, along with Aquaman, Cyborg and The Flash, must protect the world from total destruction at the hands of Steppenwolf and, ultimately, his boss Darkseid. They're all very different heroes, with very different ideas about fighting villains, but there's one thing they all have in common - a desire for justice.
Continue: Justice League Trailer
Billy Crudup is a ''big fan'' of Naomi Watts and has hailed his 'Gypsy' co-star as a ''specularly talented''.
Billy Crudup is a ''big fan'' of Naomi Watts.
The 48-year-old actor has admitted he has a huge soft spot for his 48-year-old 'Gypsy' co-star and has praised her as ''spectacularly talented'' star who boasts an ''ambitious'' career.
Speaking about the 'The Impossible' star to the Metro newspaper, he said: ''I am a big fan of Naomi Watts. I think she is spectacularly talented and she has sustained a career doing ambitious things in film for a number of years, which is really hard to do.''
Continue reading: Billy Crudup Is A 'big Fan' Of Naomi Watts
Master filmmaker Ridley Scott is back to continue the story 10 years after the events of 2012's Prometheus. And while this film carries on with the bigger themes about creation and identity, at its heart it actually has much more in common with the film in which he kicked off the franchise, 1979's Alien. Yes, this is a horror movie. It's slickly made and packed with engaging characters, and it gets gruesomely scary too.
The setting is somewhere in space in 2104, as the colonising ship Covenant carries a few thousand sleeping earthlings to a new world, tended to by the android Walter (Michael Fassbender). Then a space flare awakens the 15-person crew, and they hear a rogue radio transmission from a nearby planet that's eerily perfect for colonisation. Captain Oran (Billy Crudup) thinks it's worth checking out, potentially shaving seven years off their journey. First officer Daniels (Katherine Waterston) isn't so sure. But off they go, exploring the spectacular mountainous terrain, where they find a crashed ship and a city populated only by the Prometheus' android David (also Fassbender) and some creepy, acid-salivating creatures that he has something to do with.
The plot plays out like a slasher movie, as the crew members are picked off one by one, starting with the ones we don't know and building up to the starrier cast members. Each main actor gets to invest some back-story into his or her role, establishing relationships and personality quirks that hold the interest. Waterston is clearly the protagonist from the start, grieving over the death of her husband (James Franco in video clips) and showing natural leadership skills. Crudup is the impulsive captain who mellows into someone much more intriguing as the story progresses. And McBride has the other standout role as a tenacious pilot. But of course it's Fassbender who walks off with the film, excelling in scenes in which Walter and David engage in a kind of twisted bromance with nasty sibling-rivalry undertones.
Continue reading: Alien: Covenant Review
Ten years after the disastrous expedition that was Prometheus, another group of space explorers band together on the ship Covenant, hoping to uncover a previously untrodden paradise. Among them are Daniels, an expert in terraforming, and Walter, a synthetic android who looks like a replica of David though much more advanced. Unfortunately, the paradise they hoped for doesn't exist and instead they bump into David himself who is 'living' in a world full of terrifying creatures. The face huggers are back, the xenomorph is definitely back, and there is a sickness that threatens to engulf them all.
Perhaps a dark prophecy of what's to come lies in the 'Last Supper' clip, where one of the crew members, Faris, starts apparently choking on her food as the pilot jokes, 'The food's not that bad'. The scene and the words themselves hearken back to the famous chestburster scene from the original 1979 film, where Kane suffers a grisly alien attack during the final meal before cryostasis. Thankfully, this time was just a minor choking incident, and Walter was on hand to save his team member.
'Alien: Covenant' is the second part in the new prequel series for the franchise, and the sequel to 2012's 'Prometheus'. Directed by the Oscar nominated Ridley Scott ('Blade Runner', 'The Martian') with a screenplay by John Logan ('Penny Dreadful', 'Spectre'), it has already made 7th place in the Most Anticipated Films of 2017 in the Indiewire Critics' Poll. The trailer features a sensationally eerie cover of Nat King Cole's 'Nature Boy' by Norwegian singer-songwriter Aurora, and the film is set to be released on May 19th 2017.
Billy Crudup, Ridley Scott and Michael Fassbender in the press room at the 69th Annual Director Guild Awards held at the Beverly Hilton, Beverly Hills, California, United States - Saturday 4th February 2017
Based on real events, this sharply well-made film shifts from a rather light-hearted comedy into a horrific thriller. And it feels unnervingly natural as it does so. Where this goes is a bit relentless in its exploration of the darkest aspects of human capabilities, but it's also bracingly truthful. At the same time, it shows the enduring value of an experiment that seemed to go perilously wrong.
In Northern California in 1971, a group of 24 university students respond to a newspaper advert asking for participants in a psychological experiment. On the toss of a coin, organiser Dr Zimbardo (Billy Crudup) divides the young men into guards and inmates, and places them in a makeshift prison where they can be observed. And things start to turn nasty very quickly, as guard Christopher (Michael Angarano) targets snarky prisoner 8612 (Ezra Miller) for extra punishment. The guards also turn on the especially vulnerable 819 (Tye Sheridan). And when the inmates revolt, Zimbardo allows the guards to carry on with their increasingly harsh discipline. But Zimbardo's girlfriend Christina (Olivia Thirlby), herself a psychologist, worries that the situation has gone too far.
It's intriguing, and perhaps obvious, that it had to be a woman who saw through a scenario that had become little more than an out-of-control expression of masculinity. Even more telling, Zimbardo and his team became part of the experiment themselves, as they allowed and were fascinated by the abuse heaped on the prisoners by play-acting guards who let the power go to their heads. Director Kyle Patrick Alvarez (C.O.G.) shoots this in an unusually stripped-down style that gives the film a documentary tone. This low key approach means that the pacing sometimes feels draggy, as the intensely internalised suspense cycles around and around again. But what this is revealing about human behaviour is invaluable, and seriously terrifying.
Continue reading: The Stanford Prison Experiment Review
It's 1971 and University professor Dr. Philip Zimbardo wants to try a new social and psychological experiment. The idea was to take 18 young, well-adjusted males and put half in the role of a prison guard and half in the role of a prison inmate. It quickly became apparent that the guards would dominate this situation and take their new job roles to the extreme.
Though all the volunteers know they're being watch by Zimbardo and his colleagues, this didn't seem to make much difference to how the guards react. Not willing to put up with the actions of the guards, soon the submissive prisoners decide to rebel and take matters into their own hands. As the volunteers fall deeper into their new lives, Zimbardo becomes fascinated by the results and how quickly the situation escalates. When rules start to get broken, when should enough be enough?
The Stanford Prison Experiment is a psychological thriller based on true events. The results of Zimbardo's test were published in a book named The Lucifer Effect.
The Stanford Prison Experiment was directed by Kyle Patrick Alvarez and stars a number of young actors including Michael Angarano, Moises Arias & Ezra Miller.
Michael Rezendes is a dedicted reporter for the Boston Globe and part of their Spotlight Team; an investigative division focused on justice and whistle-blowing. When accusations of child sex abuse by members of the Catholic Church arise, he leads the team into their latest case, determined to uncover the truth about a morally questionable priest and his scandalous activities across six different parishes over the course of several decades. It is alleged that the church knew what was going on, but chose not to act and hold their reputation above the welfare of their children. Not only that, but past statements from attorneys don't appear to add up and a delicate battle ensues with the government and police all getting involved as the Boston Globe take on the church. There's a large team at the newspaper working on bringing this case into the open once and for all, and they refuse to let these atrocities be swept under the rug another time.
Continue: Spotlight Trailer
While the story centres on twisted moral dilemmas, this 1970s-set thriller takes such a hesitant, internalised approach that if never lets viewers under the characters' skin. As a result, there's virtually no spark of real life here, despite the presence of several fine actors and a twisty plot that focusses on how decisions affect relationships. It's an oddly muted approach to events that really should have a much stronger emotional jolt.
It's 1974 Brooklyn, where Chris (Clive Owen) has just been released after 10 years in prison. His police detective brother Frank (Billy Crudup) offers help with finding a place to stay, getting a job and escaping his former life of crime, but the options are limited. While trying to reconnect with his junkie-prostitute ex Monica (Marion Cotillard), Chris also begins dating the younger Natalie (Mila Kunis). And he finds himself drifting back into his old gangster role. This causes a conflict of interest for Frank in his work as a cop, especially since he's further compromised by having an affair with Vanessa (Zoe Saldana), whose boyfriend (Matthias Schoenaerts) he's just put in jail.
Filmmaker Guillaume Canet is remaking the 2008 French thriller Rivals (in which he played the Frank character), and he recreates the period beautifully, shooting the film in a grainy 1970s style that emphasises character over action. So it's odd that the characters feel so thinly written, with most of the ambiguity drained from each moral issue they face. Much of this is because everyone is pushing their emotions away and internalising their thought processes so no one else can see them. But this leaves the audience out in the cold. And as a result, everything feels obvious and inevitable, which makes it impossible to get involved as events escalate. It's as if these people are tragic losers, so no amount of sympathy will save them.
Continue reading: Blood Ties Review
Frank is a remarkable cop with a lot to look forward to in his life, but as happy as he is, he still has major worries for the people around him. His brother Chris has just been released from prison after a gang-related murder several years ago. Frank wants to make sure Chris stays on the straight and narrow as he rebuilds his shattered life, and offers him shelter, a job and an opportunity to restore his relationships with his former wife Monica and his children. However, Chris also finds himself reconnecting with some old 'friends' and it soon becomes clear that he has no intention of living straight. All Frank wants is a happy and secure family, but if he keeps trying to save his wayward brother's back from the law, he could find himself facing an uncertain future in the force.
'Blood Ties' is the Hollywood re-make of Jacques Maillot's 2008 French film 'Les liens du sang' which is also adapted from the novel by Bruno and Michel Papet. It has been directed by Guillaume Canet ('Little White Lies', 'Tell No One', 'Whatever You Say') and co-written by James Gray ('Two Lovers', 'We Own the Night', 'The Yards') and is due to appear in theatres on March 21st 2014.
Stiller stars as Evan, an overachiever who can't bring himself to tell his loving wife (DeWitt) that he's sterile. When there's a murder in the super-store he manages, he forms a neighbourhood watch group with three losers: Bob (Vaughn) is struggling to cope with his teen daughter, Franklin (Hill) has an unhealthy obsession with guns, and Jemarcus (Ayoade) is a goofy sex addict.
All three would rather drink beer and play stupid games than keep their community safe. But then they discover that the killer was actually an alien who is leading an invasion of Earth.
Continue reading: The Watch Review
Date of birth
8th July, 1968
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