Billy Campbell - Stars were snapped as they arrived at the 2014 Outfest Legacy Awards which were held at the events venue Vibiana in Los Angeles, California, United States - Wednesday 12th November 2014
National Geographic aren't dipping their toes into the scripted drama, rather plunging themselves in with 'Killing Lincoln', an adaptation of Fox News host Bill O'Reilly's bestselling book of the same.
Tony Scott was working on adapting the book when he committed suicide on August 19th, 2012. Production had already begun in Richmond, Virginia, and Ridley Scott also exec produces. "This is really the Lincoln story you've never seen before. Booth wanted to make his mark," Scott said in a statement. Actor Billy Campbell, who co-stars with Jesse Johnson, called the documentary, "amazingly detailed, accurate, exciting and immensely tragic."
The trailer - considering there are no real spoilers in this story - doesn't reveal much, other impeccably stylised depiction of the murder, with a Tarantino-esque cut away from the scenes crescendo. "Lincoln is so adored, so universally revered today that it's easy to forget he was a controversial president -- one with many enemies -- in fact he repeatedly dreamt of his own assassination," said Billy Campbell, who plays America's 16th president. "We felt it important to convey this hidden side of Lincoln, this sense of his almost wasting away with premonitions of death, even as he was outwardly so poised and steadfast through the closing of the war."
Continue reading: Excitement Builds For 'Killing Lincoln' As Trailer Is Released
If you want to make money, you go to David Koepp. Three of the 20 films he has written are on the top 25 highest-grossing American box office list and another two show up in the top 100. The man makes hits and, most of the time anyways, they are well-written and focused scripts that attempt to keep exposition to a minimum. These are the traits of a very talented screenwriter... but unfortunately they do not necessarily translate into a positive resume for a feature film director.
Ghost Town is Koepp's fourth film as a director and it is the first film to feature UK comedian Ricky Gervais in a starring role. It tells the story of a dentist named Bertram Pincus (Gervais) who wakes from a friendly colonoscopy with the ability to see and hear the dead. It is inferred that this Shyamalanian gift was caused by a seven-minute interval during his operation where he died due to a two-strikes-already anesthesiologist. Ghosts of every color and creed begin hassling the chronically-introverted Pincus for favors, the leader of which seems to be Frank (Greg Kinnear).
A tux-donning victim of a high-speed Manhattan bus, Frank promises to get the other ghosts to leave if Bertram will help him derail his widow's pending nuptials. Turns out Frank's widow, Gwen (Téa Leoni), has been snubbed by Pincus on a dozen occasions (they live in the same apartment building), and her fiancé (Billy Campbell) is a civil-rights attorney. Not the easiest assignment for Pincus. But when the dentist helps crack the autopsy of a long-dead Egyptian king that Gwen is studying, she invites him to dinner, Pincus makes her laugh, and the end is already in sight. Morals are dished out on the side when Pincus agrees to help some other ghosts settle their unfinished business and there's also some stuff about "a life lived for others" passed on by a fellow dentist (Aasif Mandvi).
Much like the recent Hamlet 2, most of the film's success rides on the comic inventiveness of its star, and in this he is given little support from his director/screenwriter. At first, Gervais seems completely up to the task, employing the cracker-dry wit that made him such a phenomenon on the BBC version of The Office, the show he created and wrote with partner Stephen Merchant. There is a bright moment of hope as he has a particularly sharp exchange with Kristen Wiig of Saturday Night Live fame, who plays his surgeon. But then he script quickly shifts into standard operating procedure and comedy is swallowed by template.
Ghost Town has a smidgen more class than most contemporary romantic comedies but it is seemingly unaware of its strengths. Gervais' interplay with Leoni has a brisk charm to it but it seems too-often rushed and stuffed with jokes about dog poop, Chinese names, and naked ghosts, all of which seem out of place and drawn out. Egregiously over-sentimentalized, the last 30 minutes of the film rush through a half-dozen major conflicts in a mad dash to build to a predictable emotional climax. It's a total con and it sells Gervais' tremendous abilities up the river. Koepp's talents at structure falter slightly here, adding a few too many storylines than he seems capable of handling. Will Ghost Town make money? Probably, but it's the kind of film that gives box-office rankings a bad name.
Sington employs previously unseen footage of the Apollo missions (re-mastered from archival 16mm footage and turbo-charged with a surround sound mix), along with television clips from the era and head shot interviews with 10 surviving Apollo astronauts, all larded over with Philip Sheppard's intrusive Copland-inspired score, giving the film the sheen of a very well made industrial flick exhibited at a Republican rotary club event.
Continue reading: In The Shadow Of The Moon Review
Timothy Treadwell, the title subject, spent 13 summers frolicking with Alaska's grizzly bears and other wildlife. As far removed from reality as he was from civilization, he believed himself to be a student and protector of the bears. But late one season, he and his girlfriend became a grisly lunch.
Continue reading: Grizzly Man Review
Working class waitress Slim (Lopez) finds herself living a dream when she marries a loving, wealthy contractor named Mitch (Campbell). They settle into a flawless suburban life and eventually give birth to an adorable daughter, Gracie. Everything seems to be perfect for Slim.
Continue reading: Enough Review