Bill Pullman, Jenna Elfman and Josh Gad - Bill Pullman, Jenna Elfman, Josh Gad Pasadena, California, United States NBC Universal's '2013 Winter TCA Tour' Day 1 at Langham Hotel Saturday 5th January 2013
Bill Pullman and Palm Springs International Film Festival Awards Gala Palm Springs, California, United States 24th Annual Palm Springs International Film Festival Awards Gala - Red Carpet Saturday 5th January 2013
Robert Loggia, Pell James and Bill Pullman - Robert Loggia, Pell James and Bill Pullman Los Angeles, California - Los Angeles premiere of 'Surveillance' held at the Landmark Theater Monday 15th June 2009
On the day he leaves for Sweden to pick up his Nobel Prize in chemistry, Dr. Eli Michaelson (Alan Rickman) finds out that his PhD-candidate son Barkley (Bryan Greenberg) has been kidnapped. While his FBI forensics psychologist wife Sarah (Mary Steenburgen) worries, a $2 million ransom is demanded. With the help of Detective Max Mariner (Bill Pullman), and neurotic neighbor Mr. Gastner (Danny Devito), they hope to find the boy alive. What they don't know is that Barkley has befriended his captor, a man named Thaddeus James (Shawn Hatosy) who has a DNA-sized bone to pick with the good doctor. Armed with proof that Michaelson doesn't deserve science's highest honor, the duo will create an elaborate plot to get the cash, clear up the crime, and go their separate ways. So imagine Barkley's surprise when Thaddeus ends up at his front door, with former, improbably-named fling City Hall (Eliza Dushku) on his arm.
Continue reading: Nobel Son Review
In 1976, all that changed. During the year of America's Bicentennial, a British merchant working in Paris came to California looking for participants for his exclusive tasting competition. He hoped to raise awareness of his failing shop and solidify his place in the snobbish wine society. Instead, winemonger Stephen Spurrier made history, and his accidental discoveries sent international palettes into something akin to Bottle Shock. Now, decades since the U.S. became part of cultured world cuisine, director Randall Miller offers up a serio-comic take on the event, and for the most part, it's as tasty as a well-aged Burgundy.
Continue reading: Bottle Shock Review
Johanna Day and Bill Pullman - Johanna Day, Bill Pullman and wife Carol at Fiorello H. LaGuardia High School of Music & Art and Performing Arts Concert Hall at Lincoln Center - Press Room New York City, USA - 53rd Drama Desk Awards Sunday 18th May 2008
As Polish-mob hit-man Frank Falenczyk (pronounced Fail-an-chik), Kingsley has the most fun he's had onscreen since he muttered a red-streak as the frenzied madman Don Logan in Jonathan Glazer's superb Sexy Beast. This time, his gangster-take has a more reserved and subdued nature, playing more for deadpan hilarity than ballistic scares. That deadpan ability serves Frank best when he's banished from his New York home to San Francisco for botching a job after too many drinks. His boss (Philip Baker Hall) has had enough of his alcoholism, and his best friend (Marcus Thomas) can't help him any more. So, it's off to the Bay for him.
Continue reading: You Kill Me Review
The dumb jokes are, of course, framed in send-ups of other box office hits from the last couple of years - Anna Faris's spectacularly inept and oblivious Cindy Campbell, who appeared in all the previous films, moves into the house from The Grudge, next door to Tom Cruise's - oh, sorry, Tom Ryan's - house from War of the Worlds. The plot, such as it is, somewhat follows the Worlds story, but is really a cobbled-together excuse to veer from spoof to spoof like a sketch comedy, and the dialogue, such as it is, is almost entirely forgettable. Actually, it's largely a time killer, something for the actors to do while carefully oblivious to the antics around them and not really meant to be heard over the guffaws of the audience.
Continue reading: Scary Movie 4 Review
Set in the unidentifiable town known as Estherslope in some unknown time (confusing since there is a huge Axe deodorant spray advertisement in one scene), Dick (Jamie Bell) lives with his miner father and Clarabelle (Novella Nelson), the family maid. He takes a job at a supermarket and generally acts lonely constantly, especially when his father dies in the mines. At the supermarket, he meets Steven (Mark Webber), a young man exactly like him. Things light up between them when Steven sees Dick with a small gun that Dick thinks is a toy; it isn't. They begin to meet, and slowly form the Dandies, a gang of people who love guns but never use them. All is well in their lives until the sheriff (Bill Pullman) puts Dick in charge of checking in on Clarabelle's grandson, Sebastian (Danso Gordon), a small-time murderer. Sebastian takes liberties with Dick's gun (the titular Wendy) and, well, things don't end well.
Continue reading: Dear Wendy Review
This is the story of two lovers. Well, except that they don't really love each other, but isn't that always the way? Russ Richards (John Travolta) and Crystal Latroy (Lisa Kudrow) are two self-absorbed local television celebrities looking for a little respect. And money. You see, Richards is more than just a locally renowned weatherman with his own private booth at Denny's. He's also a snowmobile dealer. Or would be, if only it would snow.
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By this roundabout logic, Gellar seems a natural fit for The Grudge, Takashi Shimizu's sufficiently creepy remake of his own cult Japanese horror flick Ju-on, a film he's made versions of a shocking five times now. Americanized and aimed squarely at the people who turned The Ring into a surprise hit, Grudge should satisfy audiences seeking a few cheap jolts for their dollar this Halloween season.
Continue reading: The Grudge Review
So there's some promise here. But does this monster movie rise above recent crap like Anaconda or Jaws 3-D? A little. It's better than Anaconda, anyway.
Continue reading: Lake Placid Review
I don't doubt this is the case for many fans of the best Brooks films--how many kids of the seventies saw Blazing Saddles before laying eyes on a real western, or Young Frankenstein before the bride of same? I point this out to place Spaceballs with those other, more acknowledged Brooks classics.
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Igby Goes Down tells the tale of one boy's rebellion against the 'old money' ways in which he was born. Igby Slocumb (Culkin) lives within a quirky family unit complete with a schizophrenic father (Bill Pullman) - whose last episode earned him a one-way ticket to the funny farm years back, a self-absorbed, Mommie Dearest of a mother (Susan Sarandon), and a repugnant Young Republican reptile of a brother (Ryan Phillippe). His constant attempts at searching out a better life away from his family's stifling dysfunction lead to a number of high school expulsions and an abnormal amount of prescription sedatives for his mother.
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Matt Damon's voice stars as Cale, an eager-beaver twentysomething in the year 3028 who would be just like any other next-millennium Gen X-er if not for one thing: A race of evil beings called the Drej -- made of pure energy, natch -- have blown up the earth.
Continue reading: Titan A.E. Review
To celebrate high school graduation, Alice Mareno (Claire Daines) and Darlene Davis (Kate Beckinsale) plan an eleven day sojourn to Bangkok. ("Las Vegas without parents and laws," Alice proclaims to the more cautious Arlene) After a few days of fun in the sun, the two get a little more than they bargained for after they meet the seductive and alluring Nick Parks (Daniel Lapaine) who invites them on a weekend excursion to Hong Kong. In their rush to get to the airport, they fail to realize that Nick has planted over a kilo of heroin in Darlene's backpack. They both are arrested in the airport and once in prison, Darlene is tricked into signing a confession. They are each convicted of drug trafficking and given 33 years apiece in a hideous prison ruefully described by it's inmates as "The Brokedown Palace." Desperate for help and down to their last hope, the girls turn to "Yankee Hank" (Bill Pullman) a maverick American lawyer who takes up the daunting challenge of defending them. Together the three attempt to salvage their lives and their freedom against the tyrannical Thai government and outlandish justice system.
Continue reading: Brokedown Palace Review
But watching my home town be blown away is only one of the charms of ID4 (the film's hip moniker). First there's the War of the Worlds meets Star Wars meets The Right Stuff story, about a superior, marauding alien force threatening to annihilate the human race (and almost succeeding). And an all-star cast of freedom fighters (more on them later). Director Roland Emmerich, who redeems himself for the idiocy of Stargate, and who isn't afraid to kill off the good guys. Some dazzling visuals. Loud sound effects. Plus every Star Trek and X-Files fan in town in the audience. What more do you want?
Continue reading: Independence Day Review
As heavily promoted as it's been, you should know the plot by know. Sandra Bullock is Lucy, a goofy, salt-of-the-earth Chicago Transit Authority toll booth attendant who falls in love (at first sight) with Peter (Peter Gallagher), a yuppie lawyer. Almost immediately after Lucy swoons, Peter gets pushed onto the train tracks, whereupon Lucy comes to the rescue. Then the obligatory "misunderstanding" occurs: Peter's concerned parents think Lucy is Peter's fiancee, pulling Lucy into the family as a new member. But when Peter's brother Jack (Bill Pullman) arrives on the scene, Lucy and Jack begin to fall in love and, well...you get the picture.
Continue reading: While You Were Sleeping Review
Well, now telemarketers sell papes, and I sure as hell wouldn't want to see a movie about that. Especially if they were singing all the time. But back in 1899, when Joseph Pulitzer (played by Robert Duvall) and William Randolph Hearst raised newspaper prices, that meant the newsies had to pay more for their copies, and they couldn't pass that along to the consumer. So the newsies organized a union and went on strike. And the strike failed.
Continue reading: Newsies Review
Unfortunately, there have been many, many successors since 1989, and most of them don't have as much right to exist. Sleepless in Seattle was one of the first and most obvious. It reteamed cute, perky actress Meg Ryan with writer/director Nora Ephron and even included some of the more annoying aspects of When Harry Met Sally... -- the plot coincidences, the unappealing friends, etc.
Continue reading: Sleepless In Seattle Review
A fatalistic allegory about the American adoration of guns and black-and-white morality, "Dear Wendy" centers on a band of teenage outcasts in a faded, one-street mining town who form a cult around their almost literal love affairs with vintage firearms.
Pacifists by temperament and timidity, the Dandies, as they call themselves, soon discover confidence and self-possession in carrying their concealed weapons, which they pledge never to brandish in daylight lest they "wake up and pursue their true nature." But as the club members spend their days on a make-shift shooting range (dubbed "The Temple") deep in the bowels of an abandoned mine building, practicing trick shots, obsessively studying famous killers, and watching graphic film of bullet wounds, they slip into fetish and fantasy, naming their guns, and assigning them personalities, emotions, and even imaginary votes in group decisions.
Written by Danish auteur Lars von Trier, with less supercilious socio-political ignorance than his 2003 American-culture morality play "Dogville," the story is overly dependent on the silly narrative contrivance of the Dandies' insecure leader (Jamie Bell from "Billy Elliot") writing love letters to his antique pistol. A few other absurdities rear their heads as well, like the notion of poor mine workers keeping African-American maids -- an impractical byproduct of the writer's never-ending desire to flog the American culture of denial (about race relations, violence, foreign policy or whatever bee is in his bonnet while banging out a particular screenplay).
Continue reading: Dear Wendy Review
Snarky, 17-year-old, silver-spoon-raised Igby Slocumb has been booted out of every prestigious (and not-so-prestigious) prep school on the East Coast -- and one military academy too. A bored, intelligent, resourceful and willful screw-up, he's almost proud of this record, even though he'd be the first to admit it's a cry for attention.
With a blue-blooded, pill-popping, self-absorbed mother (the hilariously dry Susan Sarandon) dying of breast cancer at home; a materialistically hollow, young Republican brother (a perfectly cast Ryan Phillippe) shining at Columbia University; and an asylum-committed, schizophrenic father (Bill Pullman) who haunts all his childhood memories, Igby (Kieran Culkin) seems to be the only Slocumb sagacious enough to emerge a better person from his sad yet comically dysfunctional family.
So despite the title of this tart black comedy -- "Igby Goes Down" -- its young hero is determined to stay on his feet. He's grown a sardonic, wry sense of humor (if not a tough skin) and become an expert at running away from home. Now, having escaped the limousine taking him to yet another upscale boarding school, he's on the loose in Manhattan, having resolved to get by on his own (or at least with the help of his mother's American Express card), even if he's not entirely sure what that entails.
Continue reading: Igby Goes Down Review
It would be a lot easier to take "Brokedown Palace" seriously as an Americans-imprisoned-abroad drama if the soundtrack wasn't peppered with chart-bound, pensive chick-pop. With empowering anthems from the likes of P.J. Harvey regularly laid down to illustrate its perceived depth of emotion, this movie makes being framed for drug smuggling and locked up in a dingy Thai prison play like little more than a vaguely deep, teen movie metaphor.
The teens in the case are Alice (Claire Danes) and Darlene (Kate Beckinsale), fresh out of high school and spiriting away to the Far East for one crazy summer before starting college.
Two apple-cheeked 18-year-olds, innocent in the ways of the Third World, their spontaneous Asian adventure (they told their parents they were going to Hawaii) begins with carefree cultural touristing at farmers markets and $6-a-night hotels. But it becomes a grim nightmare when a handsome young Australian (Daniel Lapaine) charms them both senseless, then hides heroin in their luggage after inviting them to visit him for a weekend in Hong Kong.
Continue reading: Brokedown Palace Review
Demonstrating that his unique creativity as a writer extends beyond darkly humorous kids' books, in "Rick," Daniel Handler of "Lemony Snicket" fame delves into something more dastardly and grown-up -- an extremely dark comedy adapted from Giuseppe Verdi's tragic opera "Rigoletto" and set in an almost surreal, cut-throat corporate world.
Bill Pullman, who always makes interesting choices when he makes independent films, stars as Rick O'Lette, an aging, career-stalled middle manager who "used to be a nice guy." Now a callous, seething sycophant -- whose own brashness is subservient to a cocky, serpentine young-gun executive (succulently sleazy Aaron Stanford) -- Rick is lured into a murder plot, designed to clear his path to a corner office. A mysteriously au fait old college classmate (charming, matter-of-factly malevolent Dylan Baker) approaches him in some tecnho-Orwellian bar and hints that he makes a seemingly respectable living (with business cards and everything) in the snuff trade and takes advantage of Rick's animosity and ambition.
Director Curtiss Clayton (an acclaimed editor making his helming debut) puts the weight of this strange world on Rick's shoulders, with the mahogany walls of his baroque office closing in on him, and long-dead bigwigs glaring down from musty oil paintings which now hang over desk cubicles and flat-screen computers. And yet Clayton has an ironically light touch with Handler's very black wit, giving the film an alluring pitch of unsettling laughs throughout the ill-fated events that soon unfold.
Continue reading: Rick Review
Date of birth
17th December, 1953
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