In the 1949 musical On the Town, you'll find a lot of things that might seem familiar from other musicals - big set pieces and a whimsical, can-do attitude - but at least one or two that will seem completely foreign. Top of the list: Frank Sinatra himself playing a detail-oriented nerd of a guy more interested in seeing the sights than he is scoring with a big-city dame. Also up there: the women in the film are much brassier than just about any actresses you'd see on screen these days, but more on that later.

Starting with the beyond-iconic framing number "New York, New York," which blasts out with unalloyed gusto just as the film's three sailors come tumbling off their boat with a mere 24 hours' shore leave to take in all the sights and sounds of New York, the film is an unapologetically muscular toe-tapper of a show. This is most clearly due to Adolph Green and Betty Comden's script and songs that come piling out in quick succession, practically elbowing each other out of the way with the help of Leonard Bernstein's score. The intended effect is to convey the feel of a bustling American city during all its phases (from the quiet, just waking-up opener "I Feel Like I'm Not Out of Bed Yet" to the nightlife epic "On the Town"), and it's nearly perfectly conveyed.

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