After a few badly received sci-fi blockbusters, M. Night Shyamalan returned to his earthier style of filmmaking with 2015's The Visit and now this edgy psychological horror romp. It's a genuinely freaky movie, packed with unsettling touches and wonderfully intense performances. And yet there's a nagging sense that the filmmaker is using a very real mental health issue for cheap thrills. Dissociative identity disorder, also known as split personality, is genuinely devastating, but here it's played for blackly comical chills.
The man suffering from this condition is Kevin (James McAvoy), and he has 23 identities battling for supremacy inside him. The ringleader is Dennis, a psychopath who is working in league with fellow alter-ego Patricia to kidnap three young women, the abused outcast Casey (Anya Taylor-Joy) and two classmates (Haley Lu Richardson and Jessica Sula). As these teens try to use his personalities against each other to escape, Kevin is also attending sessions with his psychiatrist Dr Fletcher (Betty Buckley), an expert on his condition. And she has no idea what he's actually up to. Or that all of his personalities are terrified of a menacing identity they call the Beast.
Shyamalan is an expert at dropping clues into each scene, packing the dialog with innuendo and encouraging the actors into giving performances that suggest at unexpected connections and histories. As the film progresses, both Kevin and Casey reveal the most telling details of their grim pasts, allowing Shyamalan to gleefully crank up the tension. And the result is enjoyably creepy, keeping the audience off-balance with a plot that's impossible to predict and plenty of shocking mayhem along the way. At the centre, the audience is able to identify with Taylor-Joy's thoughtful Casey, a girl who has survived a nasty childhood and is determined to get out of this situation before it turns even more horrific.
Continue reading: Split Review
When Casey and two of her friends go to the mall they're abducted by an unsuspecting and nervous looking man. When they awake the three girls find themselves locked away in a room, each with a camping mattress for a bed. The room is bare and they have no idea what's going on and they all fear for their lives.
Though they're free to roam in their room and bathroom, there's no windows and the only part of the world they can see from inside is through a small gap in the door which leads onto another room. As they peer through the small hole, they see a pair of high heeled shoes and immediately see the legs of a woman. Knowing that they were abducted by a man, the girls call out for help and what they find frightens and perplexes them all.
The person who comes to the room isn't a woman, it's their kidnapper and in a soft voice he tells the girls not to worry as 'he's not allowed to touch you' and goes on to say that the kidnapper 'listens' to her.
Continue: Split Trailer
Melle Powers, Adam LeFevre, Cotter Smith, Betty Buckley, Cuba Gooding Jr, Hallie Foote and Sean Lyons - Cuba Gooding, Jr. backstage at the Off-Broadway play The Old Friends at the Signature Theatre. - New York, NY, United States - Thursday 22nd August 2013
Lea Delaria and Betty Buckley - Lea DeLaria and Betty Buckley New York City, USA - Opening night after party for the Off-Broadway play 'White's Lies held at the Inc. Lounge in the Time Hotel. Thursday 6th May 2010
One beautiful fall morning, all activity in New York's Central Park suddenly stops. Soon, people are cutting their own throats and stabbing themselves to death. Downtown, workers at an office building throw themselves off in a lemming-like mass suicide. In Philadelphia, science teacher Elliot Moore (Mark Wahlberg), his wife Alma (Zooey Deschanel), their best friend Julian (John Leguizamo), and his daughter Jess (Ashlyn Sanchez) all decide to head to the countryside to avoid the city -- and the source of the so-called attack. Soon, rumors begin flying of terrorist involvement, while others think the local nuclear power plant may be responsible. All anyone really knows is that the psychological virus is spreading and no one appears immune... or safe.
Continue reading: The Happening Review
Sheesh, here we have one of those You've Got Mail-style romances, with dueling heroes (here, Gellar is the little bistro chef, doing battle with Flanery's shopping center epicurian palace). Gellar's little shop is headed south, so it's Flanery to the rescue, right? Well, the secret that makes movies like The Shop Around the Corner work is that the heroes hate each other at first, then grow to love one another. Here, it's love at first sight, courtesy of a magic crab.
Continue reading: Simply Irresistable Review
Carrie is the tale of a high school senior named Carrie White, aptly played by Sissy Spacek, who spends her days at school as the center of nearly every cruel ridicule and her hours at home with a constricting, sadistic, fanatically religious mother (Piper Laurie). Let's just say the mother is like a female version of Sergeant Hartman in Kubrick's Full Metal Jacket, and Carrie is the distressed Private Pyle.
Continue reading: Carrie (1976) Review
In "Simply Irresistible," Sarah Michelle Gellar(of the WB's "Buffy the Vampire Slayer") plays a restaurateurwith a gift for culinary creations that have a magical effect on anyonewho consumes them.
The concept -- while partially pilfered from an inventiveand spellbinding Mexican movie called "Like Water For Chocolate"-- has the potential to be a great catalyst for an enchanted romance, whichis where this picture is trying to go.
On some levels it succeeds. The inevitable recipe-relatedlove scenes are intrinsically sexy, what with all the licking of fingersand passionate meeting of lips that have just devoured delicious desserts.I mean, is there anyone out there whose two favorite things in the worldare not eating and sex?
Continue reading: Simply Irresistible Review
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