Bertrand Tavernier

Bertrand Tavernier

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Champs-Élysées Film Festival

Bertrand Tavernier - Champs-Élysées Film Festival - 'Man of Tai Chi' - Premiere - Paris, France - Saturday 14th June 2014

The Princess of Montpensier Review


Excellent
Veteran filmmaker Tavernier approaches this 16th century drama with a fresh touch. It has everything you hope for: swashbuckling, romantic intrigue, heaving bosoms. But a blast of realism continually catches us off guard.

The Marquis of Mezieres (Magnan) is only mildly annoyed that his daughter Marie (Thierry) has fallen for suave warrior Henri (Ulliel), even though she's promised to his brother (Domboy). Then a better offer comes along, and the Marquis offers her to Prince Philippe (Leprince-Ringuet), son of the Duke of Montpensier (Vuillermoz). Leaving Marie with his loyal mentor Chabannes (Wilson), Philippe rejoins battle alongside his old friend Henri in the war between the Catholics and the Huguenots. But Philippe soon becomes jealous of Henri, as well as the flirtatious Duke of Anjou (Personnaz).

Continue reading: The Princess of Montpensier Review

The Princess Of Montpensier Trailer


In 16th century France, wars were raging between the Catholics and the Protestants. Heiress Marie de M'ziSres is forced into marriage by her father, the Marquis de M'ziSres to a man she has never met, Prince Philippe de Montpesier. Marie refuses at first, because she's in love with her handsome childhood friend, Henri de Guise.

Continue: The Princess Of Montpensier Trailer

Picture - Bertrand Tavernier New York City, USA, Thursday 3rd March 2011

Bertrand Tavernier Thursday 3rd March 2011 Opening Night of Rendez-Vous with French Cinema at Paris Theater New York City, USA

Picture - Bertrand Tavernier and Gaspard Ulliel New York City, USA, Thursday 3rd March 2011

Bertrand Tavernier and Gaspard Ulliel - Bertrand Tavernier and Gaspard Ulliel New York City, USA - Opening Night of Rendez-Vous with French Cinema at Paris Theater Thursday 3rd March 2011

Bertrand Tavernier and Gaspard Ulliel

'Round Midnight Review


Excellent
In 1986, director Bertrand Tavernier turned his attention to... the growth of jazz in 1950s France, courtesy of black American expatriates? An odd choice for the director of Coup de torchon -- and featuring Martin Scorsese in a supporting role no less -- but Tavernier could write his own ticket at the time, and write it he did.

The story is as threadbare as something that might have been conceived over bottomless goblets of wine at 3am in a smoke-filled Montmartre jazz club. Francis Borler (François Cluzet) is absolutely obsessed with sax player Dale Turner (real-lilfe musician Dexter Gordon), to the point where he leaves his pre-teen daughter at home and spends his nights sitting outside clubs in the rain while Dale plays his sax inside.

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Fresh Bait Review


OK
French sophisticates cringed in horror, I'm sure, when news of this (true) 1993 crime came to light: A girl and her two friends tortured and murdered a pair of wealthy men. Why? Because they wanted to raise money to open an upscale clothing boutique in the United States.

Well, it's easier than venture capital. And it helps if you're a psychopath. The movie belongs to ingenue Marie Gillain (best known as the daughter in My Father the Hero), who just so happens to appear naked pretty much throughout the entire film. Nothing wrong with that, and in fact it's not totally gratuitous: You'd have to be a nut to strip this often in front of this many people.

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It All Starts Today Review


Unbearable
Ya know, if you'd told me someone made a movie about a poor region in northern France, where a harried schoolmaster runs a kindergarten the best he can, well, I would have told you that was a stupid idea for a movie.

And I would have been right again!

Continue reading: It All Starts Today Review

Safe Conduct Review


Weak
French director (and cineaste favorite) Bertrand Tavernier is 20 years out from his masterpiece, Coup de torchon. Since then, most of his work has been forgettable, if not awful ('Round Midnight being the exception), and Tavernier seemed to be scraping bottom in 1999 with his oh-my-God-how-uninteresting-can-one-movie-be It All Starts Today.

Tavernier's 2002 entry, Safe Conduct, starts out with considerable promise, but it's ultimately a squandered effort.

Continue reading: Safe Conduct Review

Bertrand Tavernier

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