In 1962 Paris, wealthy broker Jean-Louis (Luchini) and his wife Suzanne (Kiberlain) live in his family flat, oblivious to the Spanish maids who occupy tiny rooms on the top floor and gather in the park to gossip about their bosses. It's not until Jean-Louis and Suzanne hire new arrival Maria (Verbeke) to work for them that they discover this world of labourers. And Jean-Louis embraces it, finding new satisfaction in helping to make their lives better while flirting quietly with Maria. But Suzanne suspects something else entirely.
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Sublimely atmospheric but erratically chilling, "The Devil's Backbone" is a promising Spanish spooker about a haunted orphanage, but it's too hung up on being more than just a ghost story.
Taking place during the Spanish Civil War, the film opens during a nighttime bombing raid in which a huge ordnance slams the building's courtyard but doesn't explode.
Months later when a war orphan named Carlos (Fernando Tielve) is abandoned at the remote, dilapidated institution, the rusting hulk of the bomb still sticks straight up out of the ground, looming over the day-to-day lives of the children and their caretakers.
Continue reading: The Devil's Backbone Review
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