The lead outcast here is Roary (John Savage), who attempts to end his life by jumping from a 10-story window. Through dumb luck he survives, but emerges months later from the hospital with a crippled leg and a broken spirit. Desperate for something to do, he heads over to the local bar, Max's, which looks like the kind of place that serves nothing but procrastination and broken dreams.
Continue reading: Inside Moves Review
A languorous single take opens the film, sweeping across verdant Mississippi countryside being traversed by a railcar carrying a chain gang and armed guards, before spying a couple of other prisoners rowing their way across a pond, chatting about things inconsequential. A third accomplice shows up with a car and some civilian clothes. The car breaks down, they take off on foot. Eventually the trio -- a couple of hard cases, T-Dub (Bert Remsen) and Chickamaw (John Schuck), and one fresh-faced young Ozark farmboy, Bowie (Keith Carradine) previously serving life for a murder committed at 16 -- wind up at a relative's place, where they hide out and plan their first robbery. Because the three, who continually refer to themselves as "thieves," never seem to consider even for a moment to do anything but just keeping on robbing and running. And so they do.
Continue reading: Thieves Like Us Review
Continue reading: McCabe & Mrs. Miller Review
Possibly the most celebrated film of the 1970s -- at least among film snob circles -- Robert Altman's sprawling case study of five days in the Tennessee city is self-absorbed, overwrought, and dismissive. Nor is it particularly well-made, with poor sound (even after being remastered for its DVD release) and washed-out photography, not to mention a running time (2:40) that's at least an hour too long.
Continue reading: Nashville Review
Every song you ever needed to hear by the legendary Chuck Berry.
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