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Deep Red Review


Good
Dario Argento pops out one of his more accessible yet still obtuse thrillers with Deep Red, in which a psychic is murdered (she shoulda seen it coming!) and the ensuing investigation ends up with body after body piling up. The inimitable David Hemmings steals much of the show, but it's Argento's trademark candy-red blood, appearing here in copious volumes, which really turns the stomach.

Continue reading: Deep Red Review

Spirits Of The Dead Review


Very Good
A rare '60s oddity, Spirits of the Dead takes a weird premise and makes it even weirder. How weird? Try classic Edgar Allen Poe stories given a 1960s spin -- one that lambasts the whole free love/no morals movement the way that only the Frenchies could do. And stars some of the biggest stars of the era -- Fonda! Bardot! Delon! -- and is told in three short pieces, courtesy of three big-time directors -- Fellini! Malle! Vadim!

Roger Vadim takes his Barbarella star Jane Fonda through a very loose interpretation of "Metzengerstein," with Fonda as an aristocrat bored of the constant orgies and swift executions of her enemies. She ends up falling for her cousin, but when he rejects her, she burns down his stable, taking him along with it. Strangely, the cousin ends up possessing the spirit of a horse, which the countess ends up fascinated with anew. It's the weakest of the three shorts, but it's worth seeing if for no other reason than to see Barbarella trot out her French. (To be honest, that might be the only reason -- the story just doesn't make much of an impact.)

Continue reading: Spirits Of The Dead Review

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