Jane Fonda strikes what often seems to be Barbarella redux, though that film was still two years away for her. This collaboration with then-husband Roger Vadim (in French) is very bad any way you look at it, although it does offer copious shots of Jane in various stages of undress (for about the first hour of the film, that's all there is, really) and a Graduate-esque ending that sort of makes the exercise worthwhile.
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