Bernadette Peters

Bernadette Peters

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Opening Night of 'Ruthless' - Arrivals

Bernadette Peters - Opening night for Ruthless at St. Luke's Theatre - Arrivals. at St. Luke's Theatre, - New York City, New York, United States - Monday 13th July 2015

Bernadette Peters

Broadway Barks 17

Beth Malone, Judy Kuhn, Michael Cerveris, Bernadette Peters and Andrew Rannells - Broadway Barks 17, an annual event to benefit NYC animal shelters and adoption agencies, held in Shubert Alley. at Shubert Alley, - New York City, New York, United States - Saturday 11th July 2015

Sydney Lucas, Beth Malone, Judy Kuhn and Michael Cerveris

Broadway Barks 17

Bernadette Peters and Bill Berloni - Broadway Barks 17, an annual event to benefit NYC animal shelters and adoption agencies, held in Shubert Alley. at Shubert Alley, - New York City, New York, United States - Sunday 12th July 2015

Bernadette Peters and Ross Bleckner
Bernadette Peters
Bernadette Peters
Bernadette Peters and Ross Bleckner
Bernadette Peters

2015 Tony Awards

Bernadette Peters - 2015 Tony Awards - Red Carpet Arrivals at Tony Awards - New York City, New York, United States - Sunday 7th June 2015

Bernadette Peters
Bernadette Peters, Zac Posen and Laura Michelle Kelly

American Theatre Wing's 69th Annual Tony Awards

Bernadette Peters - American Theatre Wing's 69th Annual Tony Awards at Radio City Music Hall - Red Carpet Arrivals at Radio City Music hall, Tony Awards - New York City, New York, United States - Sunday 7th June 2015

Bernadette Peters

Video - Anna Wintour Tones It Down At The 2014 CFDA Fashion Awards - Part 6


Vogue editor-in-chief Anna Wintour made her usual appearance at the 2014 Cfda Fashion Awards at Alice Tully Hall in New York in a pale, floral, A line dress teamed with a big pair of shades.

Continue: Video - Anna Wintour Tones It Down At The 2014 CFDA Fashion Awards - Part 6

Legends of Oz: Dorothy's Return Review


OK

Despite substandard animation, this brightly coloured sequel has a strong enough sense of both its story and characters to hold the audience's attention. And kids might not mind the quality, as they are re-introduced to classic characters in an all-new adventure based on the book Dorothy of Oz by Roger S Baum (great-grandson of L Frank).

It starts the morning after Dorothy (voiced by Lea Michele) gets back home to Kansas after her iconic adventure. Her panicky friends Scarecrow, Tinman and Lion (Dan Aykroyd, Kelsey Grammer and James Belushi) summon her back to Oz, where considerable time has passed while a crazed Jester (Martin Short) kidnaps good witch Glinda (Bernadette Peters) so he and his army of flying monkeys can launch their reign of terror. On her long journey back to Emerald City, Dorothy has a series of adventures with Wiser the owl (Oliver Platt), Marshal Mallow (Hugh Dancy), the China Princess (Megan Hilty) and the old tree Tugg (Patrick Stewart), who all help her take on the Jester.

Yes, the plot is rather simplistic (the Jester merely seems evil for evil's sake), but the real problem is that the animation is badly under-developed. Characters are painfully thin, with no gravity to them at all, which makes it impossible for them to properly interact visually. Fortunately there are some clever touches to the design work, such as the way everything in Oz looks battered and broken, which adds a badly needed dark edge to the otherwise sunny silliness.

Continue reading: Legends of Oz: Dorothy's Return Review

Legends Of Oz: Dorothy's Return - Teaser Trailer


Dorothy Gale is barely back in her Tornado-ravaged hometown in Kansas five minutes than she is whisked off over the rainbow back to the topsy-turvy land of Oz once more to rescue her friends, the Scarecrow, Tin Man, Cowardly Lion and Glinda, and the rest of Oz's innocent residents from a terrible peril. At the helm of this new evil is the Jester, more frightening than funny, who plans to turn the leaders of Oz into puppets controlled for his own nefarious means. Along the way Dorothy and her beloved dog Toto meets a string of new and unusual characters including Wiser the Owl, China Princess, Marshal Mallow and former tree Tugg the Tugboat, as she sets off on another exhilarating adventure to find her friends.

'Legends Of Oz: Dorothy's Return' is a new animated fantasy based on both L. Frank Baum's 'The Wonderful Wizard of Oz' and his great-grandson Roger Stanton Baum's sequel 'Dorothy of Oz'. It has been directed by Will Finn ('The Road to El Dorado') and Dan St. Pierre ('Quantum Quest: A Cassini Space Odyssey') and written by Adam Balsam, Randi Barnes ('Imagination Movers') and Barry Glasser ('Skateboy') with a film score by Oscar nominated singer Bryan Adams. This enchanting family movie with hit the US on May 9th 2014.

Click here to read - Legends Of Oz: Dorothy's Return movie review

Anastasia (1997) Review


OK
20th Century Fox tried to break the Disney stranglehold on kiddie animation with a retelling of the tragic story of Anastasia, the lost daughter of the Russian czar who some believed survived the family's assassination. I'm not sure there was this much singing in Mother Russia, but the film isn't overly wretched. Still, the Disney formula is aped to perfection here, even spawning a solo career for singing bat Bartok, in Bartok the Magnificent. Protect your children.

Silent Movie Review


OK
Mel Brooks has never exactly been a master of subtlety. He's also never known when a joke is worthy of a five-minute bit and when it's something you can flesh out into a full length feature.

Silent Movie is exactly what it says in the title: An honest to God silent film. In fact, it's a silent film about the making of a silent film. Brooks plays, basically, himself, a movie producer who's trying to get funding for the first silent film in 40 years. The studio is on the verge of bankruptcy, and our hero attempts to save the studio by rustling up Hollywood's biggest stars to appear in the show. They play themselves and, indeed, represent some of Hollywood's biggest stars.

Continue reading: Silent Movie Review

Alice (1990) Review


Good
Alice in Wonderland gets a Woody Allen update and makeover in this oddball story of a woman (Mia Farrow) who is stricken with a backache and seeks the advice of a Chinese herbalist/hypnotist, who diagnoses her with emotional problems instead. Soon she's hallucinating, invisibly eavesdropping, communicating with the dead, and otherwise curing herself, all while navigating the waters of her heart. Allen earned a screenwriting nomination, but Farrow is charming in her red hat, and William Hurt is memorable as her straying husband.

Silent Movie Review


OK
Mel Brooks has never exactly been a master of subtlety. He's also never known when a joke is worthy of a five-minute bit and when it's something you can flesh out into a full length feature.

Silent Movie is exactly what it says in the title: An honest to God silent film. In fact, it's a silent film about the making of a silent film. Brooks plays, basically, himself, a movie producer who's trying to get funding for the first silent film in 40 years. The studio is on the verge of bankruptcy, and our hero attempts to save the studio by rustling up Hollywood's biggest stars to appear in the show. They play themselves and, indeed, represent some of Hollywood's biggest stars.

Continue reading: Silent Movie Review

It Runs in the Family (2003) Review


OK
Someone once said of nepotism, "It does a family good." And occasionally, it does a movie good, as well. It Runs in the Family might not have worked so well with, say, Martin and Charlie Sheen, or Tom and Colin Hanks. But with three generations of Douglas actors on hand, the sentimental yet familiar family affair coasts along smoothly and generates enough heat to warm the heart.

The Grombergs are typical urban dwellers who confront extramatal temptations, medical dilemmas and general household turmoil on a daily basis. Alex (Michael Douglas) and his wife, Rebecca (Bernadette Peters), hardly have time for each other, let alone for their two children (Cameron Douglas, Rory Culkin) and Alex's parents (Kirk and Diana Douglas). Though largely independent, the group learns to lean on each other to pull through a sees of emotional challenges.

Continue reading: It Runs in the Family (2003) Review

Anastasia (1997) Review


OK
20th Century Fox tried to break the Disney stranglehold on kiddie animation with a retelling of the tragic story of Anastasia, the lost daughter of the Russian czar who some believed survived the family's assassination. I'm not sure there was this much singing in Mother Russia, but the film isn't overly wretched. Still, the Disney formula is aped to perfection here, even spawning a solo career for singing bat Bartok, in Bartok the Magnificent. Protect your children.

Continue reading: Anastasia (1997) Review

Pennies from Heaven Review


Excellent
From the start of his career, Steve Martin was eager to kill his image as the man with the arrow through his head, the wild and crazy guy, the Jerk. But in 1981, when he took on the lead role in this quirky, somber and elegant musical set in Great Depression Chicago, both critics and audiences balked. After a decade of tough-guy '70s flicks, a sepia-toned melodrama with strange casting - Christopher Walken dances! -- wasn't anybody's idea of a good time. Two decades after its flop, though, it's worth discovering, or re-discovering - a charming first glimpse of the gravitas that Martin fought hard for as an actor.

Martin plays Arthur, a down-on-his luck sheet-music salesman worn out by his loveless marriage to Joan (Jessica Harper) - loveless, in part, because his life with Joan can't match the fantasies produced by the lyrics he sells. Hitting the road, he meets Eileen (Bernadette Peters), a mousy but sweet school teacher. Together, they fall in love, and express that love in dance and song. Sort of: They're actually lip-synching to songs of the '30s, riffing on old music the same way that Martin would riff on old films less successfully a few years later in Dead Men Don't Wear Plaid. After Arthur gets cold feet about the relationship - not before dancing quite well - Eileen falls into the dastardly clutches of Tom (Walken), a pimp. It's Walken's performance that makes the film - a dowdy but charming tap-dance striptease to Cole Porter's "Let's Misbehave." With a pencil-thin mustache and a lecherous leer, he has all the fearfulness he showed in The Deer Hunter with a sophistication he never showed off often enough.

Continue reading: Pennies from Heaven Review

Bernadette Peters

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