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Benicio Del Toro - 19th Annual Hollywood Film Awards at The Beverly Hilton Hotel, Hollywood Film Awards - Beverly Hills, California, United States - Monday 2nd November 2015

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Benicio Del Toro - 19th Annual Hollywood Film Awards at The Beverly Hilton Hotel at The Beverly Hilton Hotel, Hollywood Film Awards, Beverly Hilton Hotel - Los Angeles, California, United States - Sunday 1st November 2015

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Benicio Del Toro - Sicario screening and Q&A with Benicio Del Toro at ArcLight Cinemas - Hollywood, California, United States - Friday 2nd October 2015

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Benicio Del Toro and Guest
Benicio Del Toro and Guest

Benicio Del Toro - The UK Premiere of 'Sicario' held at the Empire Leicester Square - Arrivals at Empire Leicester Square - London, United Kingdom - Monday 21st September 2015

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Benicio Del Toro - The UK premiere of 'Sicario' at Empire Leicester Square - Arrivals at Empire Leicester Square - London, United Kingdom - Monday 21st September 2015

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Benicio Del Toro, Fernando Leon de Aranoa , Tim Robbins - 'A Perfect Day' premiere at the Palafox cinema in Madrid - Arrivals - Madrid, Spain - Tuesday 25th August 2015

Benicio Del Toro, Fernando Leon De Aranoa and Tim Robbins
Benicio Del Toro, Fernando Leon De Aranoa and Tim Robbins
Benicio Del Toro, Fernando Leon De Aranoa and Tim Robbins
Benicio Del Toro, Fernando Leon De Aranoa and Tim Robbins
Benicio Del Toro, Fernando Leon De Aranoa and Tim Robbins
Benicio Del Toro

Fernando Leon de Aranoa, Benicio Del Toro , Tim Robbins - Photocall for 'Un Dia Perfecto' (A Perfect Day) held at Villamagna Hotel - Madrid, Spain - Tuesday 25th August 2015

Fernando Leon De Aranoa, Benicio Del Toro and Tim Robbins
Fernando Leon De Aranoa
Fernando Leon De Aranoa
Fernando Leon De Aranoa
Fernando Leon De Aranoa

Benicio Del Toro - Benicio del Toro attends a photocall for 'Un Dia Perfecto' at Villamagna Hotel - Madrid, Spain - Tuesday 25th August 2015

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Benicio Del Toro - The Hollywood Foreign Press Association's Grants Banquet at The Beverly Wilshire Hotel - Arrivals at The Beverly Wilshire - Beverly Hills, California, United States - Thursday 13th August 2015

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Benicio Del Toro - Wood & Vine Presents the Los Angeles Premiere of Escobar: Paradise Lost - Arrivals at ArcLight Hollywood - Hollywood, California, United States - Tuesday 23rd June 2015

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Benicio Del Toro - Benicio del Toro at Los Angeles International Airport (LAX) at LAX - Los Angeles, California, United States - Thursday 21st May 2015

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Benicio Del Toro - The 30th Film Independent Spirit Awards - Outside Arrivals at Santa Monica, Independent Spirit Awards - Los Angeles, California, United States - Saturday 21st February 2015

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Benicio Del Toro - 2015 Film Independent Spirit Awards - Outside Arrivals at Independent Spirit Awards - Hollywood, California, United States - Saturday 21st February 2015

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Benecio Del Toro - Inherent Vice LA Premiere at TCL Chinese Theater - Los Angeles, California, United States - Wednesday 10th December 2014

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Benicio Del Toro, Jena Malone, Joanna Newsom, Maya Rudolph, Sasha Pieterse, Jordan Christian Hearn, Reese Witherspoon and Joaquin Phoenix - Los Angeles premiere of 'Inherent Vice' - Arrivals at TCL Chinese Theatre - Hollywood, California, United States - Wednesday 10th December 2014

Benicio Del Toro, Jena Malone, Joanna Newsom, Maya Rudolph, Sasha Pieterse, Jordan Christian Hearn, Reese Witherspoon and Joaquin Phoenix
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Benicio Del Toro
Benicio Del Toro, Jena Malone, Joanna Newsom, Maya Rudolph, Sasha Pieterse, Jordan Christian Hearn, Reese Witherspoon and Joaquin Phoenix
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Benicio Del Toro

Rome Film Festival - 'Escobar: Paradise Lost' - Photocall

Benicio Del Toro, Claudia Traisac, Josh Hutcherson and Andrea Di Stefano
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Benicio Del Toro, Claudia Traisac, Josh Hutcherson and Andrea Di Stefano

Benicio Del Toro departs from Los Angeles International Airport (LAX)

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Benicio Del Toro - Many stars attended and were photographed at the 52nd New York Film Festival in New York, United States - Saturday 4th October 2014

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Benicio Del Toro

Benicio Del Toro - Many stars attended and were photographed at the 52nd New York Film Festival in New York, United States - Sunday 5th October 2014

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Benicio Del Toro - Stars attend the premiere of romantic thriller 'Paradise Lost' Toronto International Film Festival in Toronto, Canada - Thursday 11th September 2014

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Benicio Del Toro - The premiere of Marvel's 'Guardians Of The Galaxy' at the Dolby Theatre in Hollywood - Arrivals - Los Angeles, California, United States - Monday 21st July 2014

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Jaume Roures, Tim Robbins, Melanie Thierry, Fernando Leon de Aranoa, Olga Kurylenko, Benicio Del Toro and Fedja Stukan - 'A Perfect Day' Madrid photocall at Casa de America - Madrid, Spain - Friday 14th March 2014

Jaume Roures, Tim Robbins, Melanie Thierry, Fernando Leon De Aranoa, Olga Kurylenko, Benicio Del Toro and Fedja Stukan

Benicio Del Toro - 66th Cannes Film Festival - 'Jimmy P. Psychotherapy of a Plains Indian' - Premiere - Cannes, France - Saturday 18th May 2013

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Benicio Del Toro - Celebrities arrive at Nice airport during the 66th Annual Cannes Film Festival - Nice, France - Friday 17th May 2013

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Benicio Del Toro and Delilah del Toro - Benicio del Toro takes his daughter Delilah del Toro for a walk - Los Angeles, CA, United States - Tuesday 14th May 2013

Benicio Del Toro and Delilah Del Toro
Benicio Del Toro and Delilah Del Toro
Benicio Del Toro and Delilah Del Toro
Benicio Del Toro and Delilah Del Toro
Benicio Del Toro and Delilah Del Toro
Benicio Del Toro and Delilah Del Toro

Hands Off! Salma Hayek Wows Oliver Stone At ‘Savages’ Photo-call


Salma Hayek Oliver Stone Benicio Del Toro John Travolta Blake Lively Ryan Reynolds

Salma Hayek certainly stole the spotlight at a London photo-call for her new movie ‘Savages’ this week. The actress wore a hugely revealing dress, leading director Oliver Stone to jokingly try cop a feel of the star.

Photographs published on the Mail Online website show the Oscar-winning director getting a little too touch-feely with Hayek as the stars posed on the red carpet at London’s Mandarin Oriental hotel. The 46-year-old actress seemed to laugh off the unwanted attention, and Stone has been happily married to his wife Sun-Jung Jung since 1997! To be fair to the legendary auteur, Hayek was looking stunning in a fitted aubergine and teal dress, with a trim belt, accentuating her famous curves. The brunette star – who is married to the French multi-billionaire Francois-Henri Pinault – was joined by co-stars Benicio Del Toro and John Travolta, who both looked pretty dapper.

Blake Lively – another star of the new violent drama – skipped the promotional duties as she has begun work on Gossip Girl in New York. The actress recently tied the knot with Ryan Reynolds in a secret South Carolina ceremony.


Somewhere Review


Very Good
With a premise that's extremely similar to Lost in Translation, Coppola again takes an atmospheric look at celebrity that's heavier on internal mood than actual plot. But this film's more intriguing than engaging.

Johnny Marco (Dorff) is a top movie star who lives in Hollywood's secluded Chateau Marmont. He's promoting his action movie, Berlin Agenda, with his costar (Monaghan) while preparing for his next project. And he's also taking care of his 11-year-old daughter Cleo (Fanning). Their life consists mainly of sitting around, travelling to Italy for a junket and then to Las Vegas for Cleo's summer camp. All of which gives Johnny a chance to seduce various women and ponder his own existence.

Continue reading: Somewhere Review

Somewhere Trailer


Johnny Marco is content living the rock'n'roll dream, he lives at Chateau Marmont, is entertained by lots of ladies, his bathroom cabinets are filled with a selection of pills and he drives his Ferrari without much concern. He's one of the bad boys of Hollywood and the press love it.

Continue: Somewhere Trailer

The Wolfman Review


OK
This B-movie made on an epic budget is so over-the-top that the earlier you start giggling the better. Even though it's played dead straight, it's an old-style monster romp that couldn't be any more camp if it tried.

American-raised actor Lawrence (Del Toro) returns to his family manor on an English moor, where his wild-haired father Sir John (Hopkins) lives with his Sikh servant (Malik). Lawrence discovers that his brother has just been killed in the woods by a vicious creature, which later wounds him as well, turning him into a werewolf. And on the first full moon, he finds himself on the hunt as well as chased by a Scotland Yard detective (Weaving). But maybe a gypsy woman (Chaplin) and his brother's ex-fiancee (Blunt) hold the key to his salvation.

Continue reading: The Wolfman Review

Che Review


OK
Benicio Del Toro dons the insurrectionist garb and machetes his way through jungles and mud as the revolutionary icon Ernesto "Che" Guevara in Steven Soderbergh's massive biographical homage. Del Toro pulls out all the stops in portraying the revolutionary icon and, if anything, Che is a tribute to Del Toro's perseverance. But Soderbergh's version of Che is too good to be true: Movie Che is a towering idealist who just keeps on coming, but he lacks any sense of character. He is heartless, all computer chips and wires inside. He's the Revolutionator.

Soderbergh's relentlessly uncommercial enterprise logs in at 268 minutes and is split into two parts. Part One charts Che's involvement with Fidel Castro in overthrowing Cuban dictator Fulgencio Batista, concentrating on the popular grassroots campaign that began with 80 peasants. Part Two jumps to Guevara's final revolutionary sprint, the failed uprising in Bolivia, the antithesis of the Cuban campaign, where the Bolivian peasants abandon him and betray him to the Bolivian army. Che is then hunted down like a junkyard dog and murdered.

Continue reading: Che Review

Things We Lost In The Fire Review


Good
Complicated and raw, Things We Lost in the Fire observes those we lean on in times of loss. Because the story attracted acclaimed Danish director Susanne Bier, we assume that fate's cruel nature plays a part in the narrative -- Bier loves to burrow under the skin of suffering characters whose lives are destroyed by chance.

In this instance, suburban father and all-around good guy Brian (David Duchovny) heads to the store to grab ice cream for wife Audrey (Halle Berry) and their two children. In the parking lot, he encounters a distraught husband beating the tar out of his defenseless spouse. Brian intervenes, and the Good Samaritan is rewarded with a fatal bullet to the chest.

Continue reading: Things We Lost In The Fire Review

Licence To Kill Review


Bad
Timothy Dalton's second (and final) Bond outing is mainly memorable for nothing in the film itself. The title, Licence to Kill, was a change from the original Bond story, Licence Revoked, when it was revealed that a large percentage of Americans didn't know what "revoked" meant. And then there was the issue of whether to spell the first word "licence" or "license." Ultimately less was said about the film, which is one of the least successful Bond movies ever at the box office, especially in adjusted dollars. The problem? The story isn't very Bond-like: He leaves MI-6 for most of the film to avenge best bud Felix Leiter's death at the hands of a drug kingpin while canoodling with Carey Lowell, a poor Bond girl choice if ever there was one. A cameo by Wayne Newton pushes the film into full-on kitsch, and many feared the series was dead after Licence's poor showing. It would be six years until the next film, GoldenEye, the longest period without a Bond release since the series began in 1963.

Aka License to Kill.

Continue reading: Licence To Kill Review

The Way Of The Gun Review


Good
In case you're utterly dense and stupid (and some of my hate mail indicates that if you're reading this, you just might be), know that with a title like The Way of the Gun you are getting yourself into a very, very violent film. I do not mean a couple of cap guns and a blood pack under someone's shirt. I mean more shots fired per foot of film this side of a Rambo movie. Bring your earplugs.

This is not to say that violence can't be stylish or clever. Movies like Pulp Fiction have proven that a gun can be poetry. Or it can just be a gun. Writer/director Christopher McQuarrie (best known for writing The Usual Suspects; Gun is his directorial debut) has set out to make a Butch Cassidy and the Sundance Kid for the millennium. From its all-bad-guys cast (except for the girl) to the arch, black comedy to a south of the border shootout, the homage is pretty sincere. Too bad it didn't quite work out.

Continue reading: The Way Of The Gun Review

21 Grams Review


Extraordinary
Following the funeral of his son-in-law, a father empathizes with his daughter by relating how he moved past the death of his wife, her mother. He reassures her that in spite of the hard times ahead, "life goes on." She retorts, "That's a lie. Life doesn't go on."

Welcome to everyone's life. Death is a ubiquitous occurrence, dumped upon us daily by CNN and more occasionally - yet still inevitably - in our own intimate moments. But when death strikes our lives, it invariably shatters our psyches and changes us for the darker, no matter how we try to prepare to accept it.

Continue reading: 21 Grams Review

Traffic Review


Essential
How do you fight a war when the people that you love are the enemy? When the conflict is in your own neighborhood, or your own house? Such is the dilemma in the exceptional new film about the drug trade in the United States and Mexico, Traffic.

A harrowing and thought-provoking film, Traffic revolves around three intertwining stories of cops, thugs, victims, enforcers, politicians, and the judicial system. The film is based on a British Channel 4 miniseries called Traffik, which traced a drug route from Pakistan through Europe and to Great Britain. Laura Bickford, one of the producers for Traffic, was attracted to the original miniseries because of the intersecting stories, the social commentary on drug usage, and the implication of The System itself being the major perpetrator of drug addiction.

Continue reading: Traffic Review

The Way Of The Gun Review


Good
In case you're utterly dense and stupid (and some of my hate mail indicates that if you're reading this, you just might be), know that with a title like The Way of the Gun you are getting yourself into a very, very violent film. I do not mean a couple of cap guns and a blood pack under someone's shirt. I mean more shots fired per foot of film this side of a Rambo movie. Bring your earplugs.

This is not to say that violence can't be stylish or clever. Movies like Pulp Fiction have proven that a gun can be poetry. Or it can just be a gun. Writer/director Christopher McQuarrie (best known for writing The Usual Suspects; Gun is his directorial debut) has set out to make a Butch Cassidy and the Sundance Kid for the millennium. From its all-bad-guys cast (except for the girl) to the arch, black comedy to a south of the border shootout, the homage is pretty sincere. Too bad it didn't quite work out.

Continue reading: The Way Of The Gun Review

The Pledge Review


Excellent
An early note to parents with young, blonde daughters: Think twice about seeing The Pledge, and if you must go -- if you're eager to see Jack Nicholson give one of his best cinematic performances ever -- then take a Valium before entering the theater and practice saying, "This won't happen to my family! This won't happen to my family!"

From the opening shot, where we see the top of Nicholson's half-bald, hair-transplanted head, The Pledge is an exercise in stomaching an ugly truth. Body parts, pony-tailed girls splotched with blood and bruises -- this isn't a film about happy endings and human triumph. Suspected sex perverts lurk down every road in The Pledge, causing Nicholson's character, a retired homicide detective, so much angst that he becomes his own worst enemy.

Continue reading: The Pledge Review

The Usual Suspects Review


Excellent
The Usual Suspects, the heavily hyped new film from Bryan Singer, is finally here, and with it comes the answer to the riddle posed in its high-powered ad campaign, "Who is Keyser Soze?"

Keyser Soze is a semi-mythical crime kingpin who ultimately directs the actions of five small-time hoods. With the promise of $91 million and the opportunity to keep their lives, the enigmatic Keyser sends the quintet on a fool's errand in San Pedro harbor: to stop a competitor's huge cocaine sale that would interfere with Keyser's own drug operation. As the film opens, we see the catastrophic results of the mission.

Continue reading: The Usual Suspects Review

Fear And Loathing In Las Vegas Review


Very Good
You might be tempted to dismiss Fear and Loathing in Las Vegas as a curiosity, an attempt to exploit the pockets of fame enjoyed by Hunter S. Thompson and director Terry Gilliam.

When I first saw the film in 1998, that's what I did.

Continue reading: Fear And Loathing In Las Vegas Review

The Fan Review


Good
My my my, what a mess to wade through in writing a review about The Fan, Robert De Niro and Wesley Snipes' hotly awaited new thriller set in the obsession-filled world of baseball.

The film is essentially one long study of dysfunction. Knife salesman(!) Gil (De Niro) is divorced, is on the verge of losing his job, doesn't know how to relate to his kid, shouts obscenities at his clients -- your every day run-of-the-mill psycho -- and is obsessed with the San Francisco Giants.

Continue reading: The Fan Review

Swimming With Sharks Review


Very Good
In 1994, the indie revolution was well underway, bolstered by the recent successes of icons like Steven Soderbergh, Robert Rodriguez, and Richard Linklater. George Huang hit the scene out of nowhere and with a fascinating story: He had been drudging his way as an assistant in Hollywood (for Columbia Pictures, as it turned out), and he somehow scraped together the money and the talent to make a movie inspired by his awful experiences there.

Swimming With Sharks rapidly became a cult favorite, a mean and unsparing indictment of the Hollywood ego trip, as seen through its evil villain (Kevin Spacey in one of his first standout roles) and his nebbish assistant (Frank Whaley, playing the Huang character). Whaley's Guy suffers the abuse of Spacey's power broker, Buddy Ackerman until it hits a breaking point. (Sample dialogue: "You have no brain. No judgement calls are necessary. What you think means nothing. What you feel means nothing. You are here for me. You are here to protect my interests and to serve my needs.") Finally, when Buddy makes a move on Guy's new girlfriend, a studio producer named Dawn (Michelle Forbes) who has inexplicably latched on to Guy, Guy goes bananas and takes Buddy hostage in his own home. It's a come to Jesus moment, and the entire film is cast as a series of flashbacks from that night in his house.

Continue reading: Swimming With Sharks Review

The Hunted Review


Weak
Director William Friedkin has a great track record for examining his characters' inner turmoil as they battle the forces of good and evil. Friedkin is best known for pitting a mother, a detective, and a priest against the devil inside the little body of Linda Blair in The Exorcist. But some of Friedkin's best work can be seen in the action thriller The French Connection, where he transcends the raw power of the action film genre into something highly sophisticated and thought provoking. Thematically, The Hunted is comparable to Connection. However, those expecting Friedkin to deliver another quality action picture like Connection will be sorely disappointed.

The film opens during the war in Kosovo as highly trained hand-to-hand combat assassin (or "tracker") Aaron Hallam (Benicio Del Toro) carries out his military assignment to murder a high-ranking official. He receives a silver star for his valor, but he is scarred and haunted by the widespread images of genocide. Like Rambo, his adjustment to civilian life is difficult as he finds himself unable to turn off his instinctual killing machine. He ends up hunting the forest outside Portland, Oregon looking for and killing in cold blood anyone betraying the credo of PETA.

Continue reading: The Hunted Review

Snatch Review


Excellent
Madonna's new husband, Guy Ritchie, couldn't have timed his recent marriage any better. Intentional or not, it came a mere week before the opening of his new film Snatch, the follow-up to his Lock, Stock & Two Smoking Barrels. With Madonna as a willing shill, you couldn't ask for better publicity.

Turns out you didn't need it, Guy. Snatch is a film that stands perfectly on its own merits while it shoots bullet holes in everything in sight.

Continue reading: Snatch Review

Basquiat Review


Weak
Basquiat -- or "Sasquiatch," as I am becoming increasingly fond of calling this film -- may teach you a thing or two. Now you may not want to know any of the stuff you learn during its two long hours of running time, but like it or not, you will learn something.

That something is a base level of information about Jean Michel Basquiat, a Haitian artisté in the early '80s who became Andy Warhol's favorite son. (What is it with Warhol movies this year?) Basquiat rose from living in a cardboard box and decorating the streets of New York with cryptic graffiti to a high-profile yet short-lived career in the highest of art circles. All before his not-too-untimely death at the age of 27 from a (take a guess) heroin overdose.

Continue reading: Basquiat Review

Sin City Review


Good
Innovative and dazzling in its absolute loyalty to thevisual style of its inspiration, "Sin City" brings comic bookpages alive to a degree that is unprecedented in movie history.

A triptych of dark, violent tales set in a fallen cityof corruption and grime, the film is a collaboration between film directorRobert Rodriguez (of "Desperado" and "SpyKids" fame) and graphic novelist FrankMiller (responsible for the gritty reinventions of Batman and Daredevil),whose unique touch in the unusual role of co-director is unmistakable.

Pages from the "Sin City" books were clearlyused as storyboards for the stunning, stark black-and-white cinematography,which features exclamation points of illustrative color: the golden tressesof a beautiful femme fatale, white-on-black silhouettes, red splashes ofblood from brutal murders that occur just out of frame.

His influence can also be felt (along with that of Rodriguezpal Quentin Tarantino, who is curiously credited as a "special guestdirector") in the "Pulp Fiction"-like plot structure thatlends itself well to the interconnected short stories, each of which makeup in atmosphere what they sometimes lack in profundity.

Continue reading: Sin City Review

The Way Of The Gun Review


Weak

A belated, Tarantino-spawn crime caper picture packed with highly contrived, high-caliber gunplay and other bursts of meaningless creativity, "The Way of the Gun" is the gritty and stylish, but hollow and hyperbolic, directorial debut of "The Usual Suspects" screenwriter Christopher McQuarrie.

A tangled and twisty yarn of dastardly deeds and double-crosses, the plot begins with a conversation between two bodyguards charged with protecting a surrogate mother (Juliette Lewis), who is carrying a baby for a crooked L.A. millionaire and his frigid, disinterested trophy wife.

Eavesdropping are a pair of glum petty thugs (Ryan Phillippe and Benicio Del Toro) who concoct, on the spot, a scheme to kidnap the woman and ransom the unborn kid for the kind of money they always thought they deserved but could never procure with their small-time villainy.

Continue reading: The Way Of The Gun Review

The Hunted Review


Bad

If I had only one sentence to explain how badly director William Friedkin has bungled "The Hunted," it would be this: 15-year-old Frankie Muniz, starring in this week's "Agent Cody Banks," is a more convincing covert operative as a kiddie spy than Benicio Del Toro is as the Special Forces assassin gone rogue in this movie.

In the unrelentingly violent Kosovo-war prologue -- which is supposed to establish why Del Toro went bonkers and can now be spotted filleting unsuspecting hunters like some vigilante vegan in the woods outside Portland, Oregon -- the star acts nothing like the stealthy, highly-trained, surgical-strike assassin he's supposed to be. In fact, he looks more like a clumsy little kid playing hide and seek (which is hardly suprising since he admits not training for the role).

It's almost laughable that he makes it all the way across an erupting urban battlefield and into a heavily guarded and fortified mosque to graphically slice-and-dice a cruel Serbian commander.

Continue reading: The Hunted Review

Snatch Review


Good

"I was a happy boxing promoter until about a week ago, and then -- what do I know about diamonds?"

What a great opening line for a plan-gone-awry crime caper comedy.

The picture is "Snatch," a fast-paced, multi-track corker with a nebulous English sense of humor, and the line is spoken by Turkish (Jason Statham), a small-time London tough who sees an opportunity to be something more but never imagines the trouble it will get him into.

Continue reading: Snatch Review

The Pledge Review


Weak

Director Sean Penn and star Jack Nicholson must have been drawn to the complexity of the haunted ex-detective character at the center of "The Pledge," because he's just about the only thing at all uncommon in this largely conventional serial killer suspense flick.

Although, even calling him uncommon is a stretch. Reno homicide dick Jerry Black is pretty much an assembly-line character -- a freshly retired cop obsessed with finding the "real killer" in an officially closed murder case that was his last assignment. Having made a promise to the parents of the dead little girl, he's still following hunches on his own time because nobody in the precinct believes him.

Doesn't Jerry sound like a regulation Morgan Freeman character? But with Nicholson in the role, he's a bit more of a wildcard. Big Jack brings an element of instability to Jerry that leaves the audience concerned for his sanity when his ostensive retirement finds him buying a gas station at a High Sierra crossroads as his nest egg because it's at the center of a geographic pattern he's discovered for his suspect.

Continue reading: The Pledge Review

21 Grams Review


Good

The title of "21 Grams" is part of an unfortunate concept-packaging gimmick which serves as a sign that writer Guillermo Arriaga and director Alejandro Gonzáles Iñárritu (the team behind "Amores Perros") felt they needed some kind of hook to tie their otherwise inspired picture together.

Its only relevance comes in a somber, philosophical voice-over imparted by Sean Penn as he lies in a hospital room, awaiting death's call through what may be the last few beats of his failing heart: "They all say we lose 21 grams at the exact moment of death," he muses in a weakened whisper. "How much fits into 21 grams? How much is lost?"

And why did these guys feel so hard-pressed to come up with some vague, mythical, unifying notion for this otherwise spellbinding meditation on fate and redemption?

Continue reading: 21 Grams Review

Benicio Del Toro

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Benicio Del Toro

Date of birth

19th February, 1967

Occupation

Actor

Sex

Male

Height

1.88


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Benicio Del Toro Movies

The Avengers Must Unite For Their Biggest Battle Yet In 'Avengers: Infinity War'  Trailer

The Avengers Must Unite For Their Biggest Battle Yet In 'Avengers: Infinity War' Trailer

Phase Three of the Marvel Cinematic Universe prepares to come to a climax as ‘The...

Star Wars: The Last Jedi Movie Review

Star Wars: The Last Jedi Movie Review

After the thunderous reception for J.J. Abrams' Episode VII: The Force Awakens two years ago,...

Star Wars: The Last Jedi Trailer

Star Wars: The Last Jedi Trailer

After the release of The Force Awakens at the end of 2015, Disney and Lucas...

Song To Song Trailer

Song To Song Trailer

The music scene of Austin, Texas becomes tainted by lust and illict desires as two...

A Perfect Day Movie Review

A Perfect Day Movie Review

An irreverent comedy in the style of the original M.A.S.H., this wartime romp takes an...

Sicario Movie Review

Sicario Movie Review

A rare film that adds up to much more than the sum of its parts,...

Sicario Trailer

Sicario Trailer

Kate Macer is an FBI Agent who's about to undertake probably the most dangerous mission...

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The Little Prince Trailer

The Little Prince Trailer

A Little Girl's Mother has high expectations of her daughter, given her own career success,...

Inherent Vice Movie Review

Inherent Vice Movie Review

Like the Thomas Pynchon novel it's based on, this film remains infuriatingly evasive as its...

Inherent Vice Trailer

Inherent Vice Trailer

Larry "Doc" Sportello (Joaquin Phoenix) is a simple man. When he's not abusing illicit substances,...

Inherent Vice Trailer

Inherent Vice Trailer

Doc Sportello (Joaquin Phoenix) is a private investigator living in Los Angeles during the tail...

Guardians of the Galaxy Movie Review

Guardians of the Galaxy Movie Review

By refusing to follow the usual formula, filmmaker James Gunn has made Marvel's best-yet movie,...

Guardians of the Galaxy Trailer

Guardians of the Galaxy Trailer

The cast of forthcoming Marvel movie 'Guardians of the Galaxy'; Zoe Saldana, Dave Bautista, Chris...

Guardians Of The Galaxy Trailer

Guardians Of The Galaxy Trailer

Peter Quill runs into some trouble when he discovers an unusual looking orb that happens...

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