Benicio del Toro (born Benicio Monserrate Rafael Del Toro Sánchez 19.02.66)
Benicio del Toro is a Puerto Rican actor best known for his work in 'Snatch', 'The Usual Suspects' and 'Sin City'.
Net Worth: According to Celebrity Net Worth in 2013, Benicio del Toro has a net worth of 45 million USD.
Childhood: Del Toro was born in San German, Puerto Rico, to Gustavo Adolfo Del Toro Bermudez and Fausta Genoveva Sanchez Rivera. He attended Academia del Perpetuo Socorro (The Academy of Our Lady of Perpetual Help) in Miramar, Puerto Rico. His mother died of hepatitis when he was nine years old, and at twelve he moved with his father and brother to Mercersburg, Pennsylvania. Here, del Toro attended Mercersburg Academy. After graduating, del Toro enrolled at the University of California, San Diego, to study a degree in business. While here, he took part in a drama course, and after seeing success in the field of acting, he dropped out of university to study at the Circle in the Square Theatre School, in New York City.
Career: Del Toro began his career with a part on the CBS show, 'Shell Game' in 1987. He followed this up with an appearance in 'Miami Vice' and the James Bond film, 'Licence to Kill' which was released in 1989. He continued to work in a stream of movies in small parts, like 'The Indian Runner', 'China Moon', 'Christopher Columbus: The Discovery', 'Money for Nothing', 'Fearless' and 'Swimming with Sharks'. In 1995, del Toro appeared beside Kevin Spacey in 'The Usual Suspects', earning him an Independent Spirit Award for Best Supporting Actor, as well as public esteem. The performance led to his casting in better roles in films like 'The Funeral', 'Basquiat' and 'The Fan'. In 1997, he starred alongside Alicia Silverstone in the film 'Excess Baggage', which she produced. The following year, del Toro gained a great cult following for his work in Terry Gilliam's adaptation of 'Fear and Loathing in Las Vegas' by Hunter S. Thompson, where he starred alongside Johnny Depp. Del Toro then took a two year hiatus from acting, before returning to star in the film 'The Way of the Gun', directed by 'The Usual Suspects' screenwriter, Christopher McQuarrie, in a directorial debut. He then appeared in Steven Soderbergh's 'Traffic', winning an Academy Award for Best Supporting Actor, as well as the Golden Globe Award and the Screen Actors Guild award for Best Actor. He was then nominated again for Best Supporting Actor for his work on the film '21 Grams'. In 2005, he appeared in Robert Rodriguez' adaptation of Frank Miller's 'Sin City'. In 2008, he earned award nominations for his portrayal of Che Guevara in the biopic 'Che'. In 2010, he produced and starred in 'The Wolfman', before receiving a small role in the Marvel Studios films, 'Thor: The Dark World' and 'Guardians of the Galaxy' - the latter showed his character's role slightly extended.
Personal Life: Del Toro has often stated that he does not wish to be married, and prefers to live alone in his New York apartment. In August, 2011, he had a daughter with Kimberly Stewart (daughter of Rod Stewart), despite the couple not being in a relationship.
Stefano Sollima regards the 'Sicario' films as stand-alones, and wouldn't want to be involved in a third one.
Although the sequel to the acclaimed thriller Sicario, titled Day of the Soldado, is currently doing brisk business at box offices right now, its director Stefano Sollima has already ruled himself out of any involvement in a third movie in the series.
Speaking with Variety this week, Sollima explained that he had always regarded the Sicario movies as an anthology rather than a linear franchise, and therefore they should all be directed by different people.
“Every movie in these series needs to be a standalone that stays in the same world,” he said. “I'd love to watch another chapter of Sicario, but it should be from a different director who has their own specific style. You shouldn't have more than one film from the same director. Then it would be too much like a real franchise.”
Continue reading: 'Sicario: Day Of The Soldado' Director Rules Himself Out Of More Films
Benicio Del Toro at the premiere of 'Solo: A Star Wars Story' held at the 71st annual Cannes Film Festival at Festival de Palais. It's the latest stand-alone addition to the 'Star Wars' franchise which focuses on the origin story of Han Solo - Cannes, France - Tuesday 15th May 2018
Benicio Del Toro at the 2018 CinemaCon Big Screen Achievement Awards, this year held at The Colosseum in Caesars Palace Hotel & Casino Las Vegas. Honorees included Dakota Johnson, Benicio del Toro and Anna Kendrick - Las Vegas, Nevada, United States - Thursday 26th April 2018
Phase Three of the Marvel Cinematic Universe prepares to come to a climax as ‘The Avengers’ unite with ‘The Guardians of the Galaxy’ to stop the evil Thanos. Directed by The Russo Brothers, ‘Avengers: Infinity War’ hits cinemas this spring.
After the events of ‘Captain America: Civil War’, ‘Infinity War’ sees The Avengers left broken and divided. Some of them even look different, with Captain America (Chris Evans) sporting a beard and the Black Widow (Scarlett Johansson) with newly blonde hair.
The Avengers face their biggest threat year in ‘Infinity War’
The most exciting movies set to drop in the coming months.
As always, there are far too many sequels, spin-offs, remakes and reboots clogging the cinemas, but surely some will be worth the effort. Release dates are subject to change, of course, but there's still an exciting bunch spread throughout the year. Here are our most highly-anticipated films (not in chronological order).
1. Solo: A Star Wars Story (May) - This film may have been mired in production chaos, but we still want to see this origin story about Han, Chewie and Lando. And that cast is superb.
2. Widows (Nov) - Steve McQueen directs this female heist thriller starring Viola Davis and Michelle Rodriguez. More girl power: Red Sparrow (Mar), Ocean's 8 (Jun), Mamma Mia! Here We Go Again (Jul), Mary Poppins Returns (Nov).
Continue reading: 10 Most Anticipated Films Of 2018
After the thunderous reception for J.J. Abrams' Episode VII: The Force Awakens two years ago, writer-director Rian Johnson had a lot to live up to with Episode VIII. And he delivers more than anyone expected: a lucid, entertaining film that operates on four distinct planes, deepens all of its characters, enriches the mythology and constantly surprises the audience with twists and turns. It's a little overwhelming, a nonstop two and a half hours of action and intensity without any time to catch your breath. But there's also a steady stream of sharp humour to help keep things in perspective.
The story picks up straight away, as the First Order led by Supreme Leader Snoke (Andy Serkis) presses its advantage to wipe out the rebellion for good. Snoke is playing his apprentice Kylo Ren (Adam Driver) off against General Hux (Domhnall Gleeson) for maximum effect as they launch an attack. Rebel General Leia (Carrie Fisher) is trying to protect her scrappy army, with pilot Poe (Oscar Isaac) trying against the odds to find a way to get them to safety. He sends rebel hero Finn (John Boyega) and mechanic Rose (Kelly Marie Tran) on a mission to track down a hacker who can give them a chance against the First Order. Meanwhile, Rey (Daisy Ridley) has tracked down Leia's brother, jaded Jedi master Luke (Mark Hamill), who is trying to teach her hard truths about the Force.
Each of these characters finds a surprising connection to others, derailing plans and sending each person on an unexpected journey. The way Johnson orchestrates all of this is remarkable because it's both coherent and compelling. And the actors beautifully inhabit the characters, offering telling glimpses beneath the surface. Driver has the strongest role, grappling with three other main characters to understand his destiny. It's dark and complex, and unnervingly moving. Ridley and Hamill also have powerfully gripping moments, while Isaac gets to make good on his scallywag promise in the previous film. And in her final role, the late Fisher brings a wonderfully knowing, sassy edge to Leia.
Continue reading: Star Wars: The Last Jedi Review
Benicio Del Toro at the European premiere of 'Star Wars: The Last Jedi' held at the Royal Albert Hall. The film is the second installment of the new trilogy, and it has been directed by Rian Johnson - London, United Kingdom - Tuesday 12th December 2017
Benicio Del Toro at the LA premiere of 'Star Wars: The Last Jedi'. Directed by Rian Johnson, the movie is the second film in the new 'Star Wars' sequel trilogy, following 2015's 'Star Wars: The Force Awakens', and eighth film in the series altogether - Los Angeles, California, United States - Sunday 10th December 2017
A rare film that adds up to much more than the sum of its parts, this works as both a dramatic character study and a tense thriller. The title is Mexican slang for "hitman". And with fierce direction, razor-sharp writing and breathtakingly layered performances, this is one of the most involving, thrilling movies of the year. It also has something urgent to say about the political world we live in.
Kate (Emily Blunt) is the leader of an FBI unit in Phoenix, and is taken aback when offbeat Homeland Security agent Matt (Josh Brolin) asks her to join his team tracking a Mexican drug cartel kingpin. She brings her partner (Daniel Kaluuya) along, and they struggle to make sense of their new mission, especially the shady operative Alejandro (Benicio Del Toro) who's working alongside them. The question is which organisation is actually running this operation, and what the real goal is. Clearly international laws are being bent at every step, and Kate is worried that she might also be compromising her moral and ethical principles. Meanwhile over the border, a local cop (Maximiliano Hernandez) is involved in activities that may cause trouble for his family and community.
Director Denis Villeneuve (Prisoners) keeps this story tightly under control, taking the audience along on Kate's odyssey into the dark side of international law enforcement, which has little regard for the law. Blunt brings a remarkable authenticity to her role as a steely, smart leader who is always on-edge, trying to find a way through an unpredictable situation. As she quietly reveals Kate's thought processes, the audience is able to identify with her at every step. Which makes every scene both riveting and emotionally wrenching. Opposite her, both Brolin and Del Toro are on top form, infusing the film with quirky details, black humour and challenging ideas. There's also an astonishing role for Jon Bernthal as a cowboy who flirts with Kate, and then some.
Continue reading: Sicario Review
Benicio Del Toro is reportedly in talks with Disney and Lucasfilm for a role in ‘Star Wars: Episode VIII’.
Benicio Del Toro has reportedly been offered the villain role in Star Wars: Episode VIII. A number of sources close to the casting process confirmed Del Toro’s possible involvement in the sequel to Star Wars: The Force Awakens on Monday (20th July).
Benicio Del Toro at the Los Angeles premiere of Escobar: Paradise Lost in June 2015.
Kate Macer is an FBI Agent who's about to undertake probably the most dangerous mission of her career so far. It's not her usual department, but she has been taken on to help in the ever swelling drug war along the border of the US and Mexico. There's a drug lord taking over the sprawling metropolis of El Paso, people are getting killed left right and centre. In order to take him down, a lot of people need to be executed along the way - but Kate's not so sure her task is an entirely moral one when she is forced to pull a gun on nearly everyone who gets in her way. As she doubts the mission and questions the history of Matt, the task force's leader, she starts to understand that they only real assignment she's being faced with is survival - even if that means breaking her own rules.
Continue: Sicario Trailer
A Little Girl's Mother has high expectations of her daughter, given her own career success, and thus takes it upon herself to plan out her entire life, complete with a rigorous study and exercise schedule. The Little Girl agrees to knuckle down at first, but soon finds herself distracted by her peculiar elderly neighbour, The Aviator, who wishes to tell her the story of his encounter with The Little Prince - an other worldly being who lived on an astronaut before landing in the middle of a desert on Earth. The Little Girl is fascinated by the tale, and starts to understand what the most important things are in life, such as friendship. She starts to lament the idea of growing up and the idea of forgetting the significant things she understands as a child; that only the heart can give her a true vision in life.
Continue: The Little Prince Trailer
Like the Thomas Pynchon novel it's based on, this film remains infuriatingly evasive as its central mystery deepens. Also like Pynchon, writer-director Paul Thomas Anderson is more interested in characters than plot, expertly orchestrating a lively cast in a series of raucous scenes. That these moments never quite add up to a coherent bigger story may feel unsatisfying, but the groovy 1970s vibe is infectious, and there's a lot of fun to be had in watching these actors play around with the rambling dialogue and nutty interaction.
It's set in 1970 Los Angeles, where private investigator Doc (Joaquin Phoenix) is a stoner who'd rather not work at all. Then he agrees to help his ex-girlfriend Shasta (Katherine Waterston) find her missing property developer boyfriend Mickey (Eric Roberts). But this immediately puts him on a collision course with his long-time nemesis, Detective Bjornsen (James Brolin), a frozen-banana loving tough-guy cop known as Bigfoot. And the deeper Doc gets into the case, the more confusing it gets. Not only is the presumed-dead Coy (Owen Wilson) very much alive, but it's unclear whether a key clue about Golden Fang refers to a boat or a secret dental society. And suspiciously, Doc's DA friend Penny (Reese Witherspoon) always seems to be one step ahead of him on the case.
Anderson opens the film with a blinding flood of information and then simply never allows us to catch up, so like Doc we can't quite get a grip on what's actually going on. This effectively makes us feel as stoned as he is, bewildered by the way even the simplest revelations seem to contradict each other. But even as everything gets increasingly confusing, Anderson writes and directs scenes with a vivid intensity that's both hilariously entertaining and darkly involving. Each sequence carries a powerful punch, giving the superb cast plenty of quirky details to work with.
Continue reading: Inherent Vice Review
With the imminent release of 'Inherent Vice', actor Benicio Del Toro has spoken out in praise of the film's director - Paul Thomas Anderson.
There are some movies that can be watched over and over again, without you getting bored. Sometimes, this is due to the intense and intricate work of directors, who hide all sorts of small things in the background, and with up upcoming release of 'Inherent Vice', actor Benicio Del Toro revealed that this film may just be one of those.
Benicio Del Toro in 'Inherent Vice'
"I feel that every time I see it, I see new things. And those movies I really respect - because they last", explained Del Toro, before adding "I think that this one is one of those." 'Inherent Vice' is the latest film from acclaimed director Paul Thomas Anderson, and follows the exploits of a Los Angeles detective (played by Joaquin Phoenix) during the 1970s.
Continue reading: Benicio Del Toro Had "A Lot Of Fun" Working With Paul Thomas Anderson
Date of birth
19th February, 1967
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