Kelli O'Hara, Bebe Neuwirth, Alan Cumming, Victor Garber and Brian Stokes Mitchell - The New York Pops 32nd Birthday Gala at Carnegie Hall - Performance. at Carnegie Hall, - New York City, New York, United States - Monday 4th May 2015
James Naughton, Ann Reinking, Walter Bobbie and Bebe Neuwirth - Photographs from a curtain call as the musical 'Chicago' became the second longest running Broadway show in history at the Ambassador Theatre in New York City, New York, United States - Sunday 23rd November 2014
Those familiar with Barry Levinson's other works, such as Diner and Tin Men, may find Liberty Heights disappointing. This picture strives to project a social consciousness but falls tragically short of the mark set in 1990 by Levinson's Academy Award-nominated Avalon. The powerful subject matter Liberty Heights attempts to address is never fully pursued, quickly falling away behind a glut of gimmicky coming-of-age scenes lacking both in sincerity and originality. At times the characters are so stereotypical, they border on offensive.
Continue reading: Liberty Heights Review
Jennifer Love Hewitt (who's making a cottage industry out of voicing animated heroines) and Elijah Wood (who's making a cottage industry out of playing smaller-than-normal characters) take center stage as the titular leads, ultra-short teens in search of destiny (and quite naturally, one another, though they don't know it yet).
Continue reading: The Adventures Of Tom Thumb & Thumbelina Review
The story begins some 26 years earlier, when young Alan (Robin Williams) and Sarah (Bonnie Hunt) unearth the game and start playing. On Alan's first move, he finds himself sucked into the game as a prisoner, only to be released when the game is continued in 1995 by Judy (Kirsten Dunst) and Peter (Bradley Michael Pierce). Unfortunately, the ill effects of the game disappear only when it is finished, so the three track down Sarah, who, after years of therapy, has finally come to grips with the shock of seeing Alan vanish, and they continue where they left off.
Continue reading: Jumanji Review
This spurious conjecture is sadly far more interesting than How to Lose a Guy in 10 Days, a film which effectively loses its audience inside of 10 minutes.
Continue reading: How To Lose A Guy In 10 Days Review
The further away director James Ivory and producer Ishmael Merchant get from their trademarked aristocratic period pieces, like "A Room With a View" and "Howard's End," the worse their movies get. At this point, I fully expect their next film to be a futuristic sci-fi chamber drama, because that's the only way they could sink lower than "Le Divorce."
A pseudo-sophisticated sexual roundelay full of trivial characters so selfish it's a chore to spend two hours with them, this is the story of two American sisters suffering the slings and arrows of French male infidelity -- but even these women served up as the movie's heroines are worthy of very little sympathy.
Naomi Watts plays Roxy, an insecure doormat of a pregnant poetess in present-day Paris, who is in shock at the departure of Charles-Henri (Melvil Poupaud), her philandering husband who has taken up with a married Russian dancer. Just arrived from Santa Monica, her supposedly self-possessed younger sibling Isabel (Kate Hudson) is appalled at Roxy's plight -- although that doesn't stop the little hypocrite from becoming the throwaway mistress of the cheater's Uncle Edgar (Thierry Lhermitte), an arrogant right-wing politician.
Continue reading: Le Divorce Review
Winningly wry and roguish Owen Wilson seems very much at home in the cheeky, tropical-noir world of Elmore Leonard in "The Big Bounce," a watered-down adaptation that has enjoyable vim and vigor, even if it isn't quite a faithful adaptation of Leonard's wily style.
Wilson has a gift for taking what other actors might see as rapid-fire dialogue and slowing it down to a hang-loose pace, making it seem more naturally smirky, and thereby making it his own. So as a lackadaisical surfer/vagabond/con man whose philosophy toward a career in crime is that he'll "take money if it's lying around," he's an ideal anti-hero to shrug his way through this fun but forgettable flick about an undercooked caper of mob money and double-crosses.
Fired from a construction job on the North Shore of Oahu and freshly sprung from the hoosegow after landing a baseball bat upside the foreman's noggin, Jack Ryan (Wilson) is offered a job by the blithely amused local judge who heard his case (Morgan Freeman, harmonizing perfectly with Wilson's laid-back style) -- and who likes to ruffle the feathers of Ray Ritchie (Gary Sinise), the crooked real estate developer who was pressing charges.
Continue reading: The Big Bounce Review
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