The Bat For Lashes singer has teamed up with Jon Hopkins to create the tear-jerker track.
Bat For Lashes' Natasha Khan and music producer Jon Hopkins have joined their creative forces to bring the official soundtrack song for upcoming war thriller, How I Live Now. Jon Hopkins had been working on the Kevin Macdonald-directed film's soundtrack when he decided to invite the exquisite vocals of Khan.
With an opening akin to The Stone Roses' 'I Wanna Be Adored,' the track is built around a softly thrumming bassline; a beating heart-style rhythm that keeps pace whilst Khan's ever-ethereal, mournful vocals sing of being "far away" from someone.
Natasha Khan (aka Bat For Lashes) and music producer Jon Hopkins have collaborated on 'Garden's Heart'; a new song set to feature on the soundtrack to Saoirse Ronan's gripping new drama film 'How I Live Now'.
The video for the track begins with a clip from the movie, where Saoirse's character Daisy gets split up from her boyfriend by soldiers during the onslaught of the Third World War. She is then seen running a bath and tending to her cuts and bruises miserably, while appearing to visualise plants and lily pads in the tub, taking her back to her favourite countryside spot where she and her lover would talk and go skinny dipping. The song has a slow and steady rhythm, almost like beating heart, and Natasha's vocals are as charming and evocative as ever with the power to reduce any listener to tears even without the depressing subject matter of the movie.
Jon Hopkins had been working on the rest of the film score when he decided to enlist the talents of Natasha - a decision that was enthusiastically backed by director Kevin Macdonald. Bat For Lashes released her third album last year entitled 'The Haunted Man' and is currently on her US headline tour supporting it.
Emeli Sande is among the nominees for two prizes at the Ivor Novello awards in May.
Emeli Sande may be adding to her growing list of accolades as she is newly nominated for two different awards at the 58th Ivor Novello awards.
Her UK number 2 hit 'Next To Me' is nominated for Best Song Musically and Lyrically as well as the Most Performed Work award. Competing in the former category is 'Laura' by Bat For Lashes and 'Two Fingers' by Jake Bugg while the latter category also sees nominations from Olly Murs' 'Dance With Me Tonight' and Coldplay's Paradise. Sande has previously received two Urban Music Awards, three BRIT, three MOBO awards and an ECHO Music Award among several others and she's definitely up for a chance in the Ivor Novellos as her nominated track was apparently the third most listened to track of 2012 - a pretty impressive achievement in itself, though not as impressive as the reception her number one debut album 'Our Version of Events' received!
Other artists nominated in two separate categories are Plan B with 'Ill Manors', which is up for Best Contemporary Song and Best Original Film Score, and Alt-J with 'Fitzpleasure' for Best Contemporary Song and 'An Awesome Wave' for Best Album. The awards ceremony will make its way to the Grosvenor House hotel in London later this Spring on May 16th 2013.
The band are the likely winners of the Ivor Novello for Best Contemporary Song.
Mercury Music Prize winners Alt-J could well be adding an Ivor Novello award to their collection of gongs, NME announced today (April 17, 2013). The band have been nominated in the Best Contemporary Song category for their song Fitzpleasure, alongside Plan B’s Ill Manors and The Maccabees Pelican. Alt J won last year’s Mercury Music Prize for their debut album An Awesome Wave. The album has also been nominated in the Album Award category, alongside Beon Howard’s Every Kingdom and Lianne La Havas’ Is Your Love Big Enough?
The awards ceremony celebrates songwriting ability and the remainder of the categories are Best Song Musically and Lyrically, Best Contemporary Song, PRS for Music Most Performed Work, Best Original Film Score and Best Television Soundtrack.
The full list of nominees is below. The 58th annual Ivor Novello awards will take place on May 16th, 2013 at London’s Grosvenor House.
Continue reading: Will Alt J Add An Ivor Novello Award To Their Mercury Gong?
This year’s Brit Awards nominations look as though they were concocted by a group of strangers, with wildly different cultural backgrounds, on a drunken night out. Is this a sign that the mainstream music world is finally starting to accept that it’s becoming more and more acceptable to have diverse musical tastes? Or are the organisers of the BRITS simply trying to spark controversy? have they lost the plot? Or is this an honest reflection of the mindset of a 2013 British music buying public? Let’s take a look at the evidence, and scrutinise some of the more baffling categories…
British Female Solo Artist Nominees – One of the more sensitive and contentious issues, here, in the British female solo artist category. Of the five nominees, only four of them were alive this year. We understand that Amy Winehouse has a lasting legacy in British pop music. We understand that she was – and, in many ways remains - a tour de force. But, for the sake of the awards, we simply have to ask, at the risk of sounding flippant, what has Amy Winehouse done for British music in the last 12 months? Sadly, nothing. Her posthumous album (released in December 2011, we should add), Lioness: Hidden Treasures was politely and quietly denounced for being little more than cuttings from the studio floor. We simply can’t get our heads around her inclusion on this list. With Bat For Lashes throw in as the ‘alternative’ wild card, to lend a touch of outsider cool to the category, it’s between Emeli Sande, Paloma Faith and Jessie Ware to catch this one, we reckon.
Continue reading: BRIT Awards 2013 Nominees Announced: Diverse? Or Just Weird?
Could Taylor Swift have what it takes to topple Mumford & Sons from the top of the US albums chart, with her new album Red? Of all of this week’s releases, Taylor looks the likely candidate to upset the current chart positions. Taylor has become headline news over the last few years. As she has gradually traversed the boundary from country to pop – and even sneaks in a spot of dubstep in this latest full-length outing – she appears to be welcomed with arms as open at the Grand ol’ Opry as they are at the annual MTV Awards parties.
The major label debut from Kendrick Lamar has already been hailed as one of the most significant hip-hop albums of the year. Good Kid, m.A.A.d. City was leaked online last week, ahead of its official US release today. A review from the UK’s NME magazine remarked that he may have lost some of his edge since releasing his 2011 mixtape, but the 25 year old from Compton certainly hasn’t forgotten his roots. With the success of single ‘Swimming Pools’ already under his belt, Good Kid… looks set to be a huge hit for Lamar.
A strong contender from across the pond comes in the form of Bat For Lashes, from the UK. Natasha Khan has been causing a bit of a stir with the cover to her latest album The Haunted Man, as she’s not wearing much in the way of clothing. Well, she’s not really wearing anything in the way of clothing. Discussion of her high-class Kate Bush-esque songs should soon eclipse the chatter about her nudity though. Her last album, 2009’s Two Suns was a huge success in her homeland, though it only reached 141 in the US album charts. Could The Haunted Man be the album that Natasha needs to break America?
In 2006, Natasha Khan, aka Bat For Lashes, released her debut album Fur And Gold. However, it was not until she appeared on the (formerly less bloated and more focused) Culture Show in February 2007 that I paid her much attention. Her voice, the arrangement, her character, the performance and the overall song were all utterly individual and completely captivating; almost instantaneously substantiating the old adage that first impressions really do make the strongest of impressions. Later that same year she and her band appeared at Glastonbury, performing a stunning (televised) set drawn from the Mercury nominated album. As well as showcasing what a unique and formidably talented performer she is, this performance, for me at least, also served to qualify and validate my opinion that Natasha Khan is a truly remarkable artist.
In 2009, Khan released her second album, Two Suns, garnering further critical acclaim, another Mercury Music Prize nomination and a wider audience. Familiar themes of love, relationships, treasure, celestial bodies and dreams continued to run through her song writing but the new material definitely highlighted a more accomplished, assured Khan expressing herself with a justifiable confidence.
The latest album from Bat For Lashes, The Haunted Man, is a another move forward for Khan. It still plays on her strengths and yet again reminds us what a terrific singer-songwriter she is. This time around she has also employed the skills of some prodigious talent (Beck, Rob Ellis, Adrian Utley) as well as trusted producer David Kosten to aid and abet her to make another stunning album.
Continue reading: Bat For Lashes - Haunted Man Album Review
Albums of Note... That 'difficult second album' phase is probably even more difficult when - in between your first and second album - you have performed at the Royal wedding, had your songs splashed all over the TV, dumped one of the UK's best-known radio DJs (Greg James) and started dating one of the United States' best-known producers (Skrillex). Ellie Goulding seems to have done a solid job of navigating the pressures of retaining her identity, whilst no doubt being squeezed by her record label. Overall though, Halcyonis not quite the blast of personality that we expected from Goulding: "The most disappointing thing is that they've not even really allowed Goulding's voice to flourish. She has a vocal that's pleasant if not exactly stand out, but all life in it's been stamped out through auto-tuning and correction, the singer sounding as though she's being possessed by the spirit of nothing at all."
Tall Ships are beginning to gather serious momentum on the live circuit in the UK and their debut album, Everything Touching cements that reputation. It's by no means a perfect debut but Tall Ships are already breaking free of the 'math rock' parameters that have been loosely placed about them. "The majority of the ten tracks are instrumentally intense with sounds overlapping and complimenting each other. An intriguing debut from Tall Ships, but there's just a spark missing. They should cut down on the instrumentals and replace with some words because, when they're used, the science and instrumental beauty are amplified perfectly."
Natasha Kahn, or Bat For Lashes as she is better known, appears completely nude on the cover of her new album, The Haunted Man, (with the obvious bits covered up of course), and whilst the album has received near universal praise from critics, it has also whipped up quite a storm due to the ‘explicit’ cover.
In light of this controversy, Kahn has admitted that she herself is thoroughly shocked at the amount of criticism the album cover has garnered, citing the fact that the music industry is awash with overtly sexual representation of women, so then why should her album cover be any different.
Speaking to Spinner magazine, she went on to add, "I think it freaks people out because I've got no makeup on, there's no retouching. It's super-raw and wild and black and white. But that's what Patti Smith did, that's what PJ Harvey did, that's what all the coolest people have done, from my icons anyway."
Continue reading: Album Cover Controversy Confuses Bat For Lashes’ Natasha Kahn
Natasha Khan, better known as Bat For Lashes, has been rather quiet over the past few years, but her new album 'The Haunted Man'- her first record since 2009- will be released on October 23rd. Speaking to Spinner she explained her hiatus, which lasted longer than planned. Said that she “felt desperate about the record quite a lot of the time... it wasn't coming easily. [She] almost lost [her] way. Maybe the hardest records are the best in the end. But this record definitely made [her] bleed for it.”
Speaking to the Observer in September she said "I feel like I'm at the crux of something quite special. There's a feeling in the air which is different to the other two. I feel like I'm reaching something." And it looks as though the Guardian agrees with her, giving her an impressive 4/5 stars. Their review remarks specifically on the contrast between this album and her work that preceded it. Alex Petidris said: “Gone are the horses, head-dresses, candles and hippy accessories, the stuff that could cause a passer-by to label her kooky, one of the most dispiriting adjectives in the English language.”
The album cover reflects this dramatic change in style and substance, a black and white photograph of a naked Khan, with a naked man draped over her shoulders like a fox shawl, and as Petridis says 'the cover matches the contents.' The Haunted Man is minimalist and refined and reminiscent of School of Seven Bells. Dare we say it, Bat for Lashes has grown up. A cliché, for sure, but not a fallacy.
Continue reading: Bat For Lashes New Album The Haunted Man; Minimalist and Refined