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On the South East coast of England, in the once resplendent seaside resort of Margate, By The Sea Festival took up residency in the re-imagined heritage pleasure park, Dreamland. After the success of Foals and Hot Chip in its inaugural year By The Sea returned to a resurgent Margate to blend the established with the up and coming in an environment like no other. Amongst the helter skelter, big wheel, carousels and coasters the various artists took to the stages (and decks) in the wonderfully evocative Roller Disco, down at the dodgems or in the newly restored Hall By The Sea. With Kiss Me Quick cocktails and enough locally brewed cider to entice The Wurzels the amassed throngs were in for a very entertaining weekend.
Wild Beasts ("They're so f'ing sexy"-Blaine Harrison, Mystery Jets) got off to a cracking start in the Hall By The Sea with a pumped up version of 'Big Cat' and an impromptu birthday celebration for "ideosynchratic drummer" Chris Talbot before launching into a sizemic, shape shifting and floor shaking rendition of 'He The Colossus' and a wonderful working of 'Wanderlust'. The Kendal foursome sounded on top of their game, channelling circa '82 Simple Minds, ahead of their upcoming live set on 6Music.
In the shabby chic surroundings of the kitsch come cool Roller Disco, Mystery Jets got joyously playful with 'Flash A Hungry Smile'. After the initial grief imparted in 'Telomere' they ramped up the tempo and asked the assembled masses, "do you feel like dancing?" A blinding rendition of their single, 'Bubblegum', ensued. Taken from the band's latest album, 'Curve Of The Earth', it easily got the biggest interaction of the night so far. The Middlesex quartet followed up with another crowd pleaser, 'Young Love', and quite bizarrely another birthday shout-out, this time for Gary who did all of the MJ's art work! With apparently "too many tracks for just one album this year" the band took to a highlight off their new 5 track E.P, 'The Whole Earth', 'The World Is Overtaking Me' sounded spectacular, with front man Blaine and his three cohorts synched in tight unison, delivering a belting track replete with (Tubeway Army era) Numan esc keyboard loop, they sounded awesome; full of passion and presence as well as full of love for their fellow performers, especially The Big Moon, Wild Beasts and Meilyr Jones (at one time late on in his set striking a quick Bowie pose whilst teasing us with an all too brief classic Bowie riff) Mystery Jets pitched it perfectly in the Roller Disco with a short, sharp very entertaining set that left you just aching for a little more.
Bowie's final album 'Blackstar', along with 11 other British albums released in the last year, made the shortlist announced on Thursday.
Radiohead, Skepta, The 1975 and the late David Bowie are the big names to have been shortlisted for the 2016 Hyundai Mercury Music Prize, with Adele and previous winner James Blake the notable absences.
The 12-strong shortlist, picked by a panel of music critics, industry figures and artists, was announced on Thursday morning (August 4th) on BBC Radio 6 Music. David Bowie’s 25th and final album Blackstar, released just two days before his death in January this year, is already being touted as one of the favourites to win the overall prize when the winner is announced on September 15th.
Radiohead’s recent album A Moon Shaped Pool makes the Oxford five-piece the most nominated act in Mercury Prize history. Their albums OK Computer, Amnesiac, Hail To the Thief and In Rainbows all made shortlists in previous years, and this doesn’t even count lead singer Thom Yorke’s nomination for his 2006 solo album The Eraser. However, they have not yet won the award.
The Bat For Lashes singer has teamed up with Jon Hopkins to create the tear-jerker track.
Bat For Lashes' Natasha Khan and music producer Jon Hopkins have joined their creative forces to bring the official soundtrack song for upcoming war thriller, How I Live Now. Jon Hopkins had been working on the Kevin Macdonald-directed film's soundtrack when he decided to invite the exquisite vocals of Khan.
With an opening akin to The Stone Roses' 'I Wanna Be Adored,' the track is built around a softly thrumming bassline; a beating heart-style rhythm that keeps pace whilst Khan's ever-ethereal, mournful vocals sing of being "far away" from someone.
Natasha Khan (aka Bat For Lashes) and music producer Jon Hopkins have collaborated on 'Garden's Heart'; a new song set to feature on the soundtrack to Saoirse Ronan's gripping new drama film 'How I Live Now'.
The video for the track begins with a clip from the movie, where Saoirse's character Daisy gets split up from her boyfriend by soldiers during the onslaught of the Third World War. She is then seen running a bath and tending to her cuts and bruises miserably, while appearing to visualise plants and lily pads in the tub, taking her back to her favourite countryside spot where she and her lover would talk and go skinny dipping. The song has a slow and steady rhythm, almost like beating heart, and Natasha's vocals are as charming and evocative as ever with the power to reduce any listener to tears even without the depressing subject matter of the movie.
Jon Hopkins had been working on the rest of the film score when he decided to enlist the talents of Natasha - a decision that was enthusiastically backed by director Kevin Macdonald. Bat For Lashes released her third album last year entitled 'The Haunted Man' and is currently on her US headline tour supporting it.
The band are the likely winners of the Ivor Novello for Best Contemporary Song.
Mercury Music Prize winners Alt-J could well be adding an Ivor Novello award to their collection of gongs, NME announced today (April 17, 2013). The band have been nominated in the Best Contemporary Song category for their song Fitzpleasure, alongside Plan B’s Ill Manors and The Maccabees Pelican. Alt J won last year’s Mercury Music Prize for their debut album An Awesome Wave. The album has also been nominated in the Album Award category, alongside Beon Howard’s Every Kingdom and Lianne La Havas’ Is Your Love Big Enough?
The awards ceremony celebrates songwriting ability and the remainder of the categories are Best Song Musically and Lyrically, Best Contemporary Song, PRS for Music Most Performed Work, Best Original Film Score and Best Television Soundtrack.
The full list of nominees is below. The 58th annual Ivor Novello awards will take place on May 16th, 2013 at London’s Grosvenor House.
Continue reading: Will Alt J Add An Ivor Novello Award To Their Mercury Gong?
This year’s Brit Awards nominations look as though they were concocted by a group of strangers, with wildly different cultural backgrounds, on a drunken night out. Is this a sign that the mainstream music world is finally starting to accept that it’s becoming more and more acceptable to have diverse musical tastes? Or are the organisers of the BRITS simply trying to spark controversy? have they lost the plot? Or is this an honest reflection of the mindset of a 2013 British music buying public? Let’s take a look at the evidence, and scrutinise some of the more baffling categories…
British Female Solo Artist Nominees – One of the more sensitive and contentious issues, here, in the British female solo artist category. Of the five nominees, only four of them were alive this year. We understand that Amy Winehouse has a lasting legacy in British pop music. We understand that she was – and, in many ways remains - a tour de force. But, for the sake of the awards, we simply have to ask, at the risk of sounding flippant, what has Amy Winehouse done for British music in the last 12 months? Sadly, nothing. Her posthumous album (released in December 2011, we should add), Lioness: Hidden Treasures was politely and quietly denounced for being little more than cuttings from the studio floor. We simply can’t get our heads around her inclusion on this list. With Bat For Lashes throw in as the ‘alternative’ wild card, to lend a touch of outsider cool to the category, it’s between Emeli Sande, Paloma Faith and Jessie Ware to catch this one, we reckon.
Continue reading: BRIT Awards 2013 Nominees Announced: Diverse? Or Just Weird?
In 2006, Natasha Khan, aka Bat For Lashes, released her debut album Fur And Gold. However, it was not until she appeared on the (formerly less bloated and more focused) Culture Show in February 2007 that I paid her much attention. Her voice, the arrangement, her character, the performance and the overall song were all utterly individual and completely captivating; almost instantaneously substantiating the old adage that first impressions really do make the strongest of impressions. Later that same year she and her band appeared at Glastonbury, performing a stunning (televised) set drawn from the Mercury nominated album. As well as showcasing what a unique and formidably talented performer she is, this performance, for me at least, also served to qualify and validate my opinion that Natasha Khan is a truly remarkable artist.
In 2009, Khan released her second album, Two Suns, garnering further critical acclaim, another Mercury Music Prize nomination and a wider audience. Familiar themes of love, relationships, treasure, celestial bodies and dreams continued to run through her song writing but the new material definitely highlighted a more accomplished, assured Khan expressing herself with a justifiable confidence.
The latest album from Bat For Lashes, The Haunted Man, is a another move forward for Khan. It still plays on her strengths and yet again reminds us what a terrific singer-songwriter she is. This time around she has also employed the skills of some prodigious talent (Beck, Rob Ellis, Adrian Utley) as well as trusted producer David Kosten to aid and abet her to make another stunning album.
Continue reading: Bat For Lashes - Haunted Man Album Review
Date of birth
25th October, 1979
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