The story is, by and large, traditional serial killer fare: Someone is stabbing gay men to death, often in lewd situations. The NYPD captain (Paul Sorvino) sends in Steve Burns (Al Pacino) undercover to ferret out the killer. The straight-edge Steve learns all about gay culture, in which pocket to put bandanas to indicate your proclivities, and so on. But by and large he's just supposed to "go out there and find the killer." But the undercover activity takes its toll on his psyche, most notably in his (non-gay) relationship with Nancy (Karen Allen, virtually the only woman in the film at all).
Continue reading: Cruising Review
People may forget that The Exorcist, recently screened at the Boston Film Festival and now hitting wide re-release, was a wildly independent movie when that particular movement was really getting in gear. Shocking and blasphemous-beyond-words in 1973, the story of a sweet little girl's demonic possession still has a renegade feel today -- the introductory exposition takes nearly forty minutes, the use of profane language is disgusting and thrilling, even by today's standards, and the long battle at the film's end is relentless.
Continue reading: The Exorcist Review
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