This lesson is lost on the people behind End of the Spear, who continue a not-so-great tradition of 2005: cramming storylines and tangents into the basic plot like a film is some kind of supreme burrito where quantity matters over quality. You'll get extra characters and supreme plots for that crispy cinematic crunch! Finish End of the Spear and you'll have no idea what you've watched, no idea of how characters relate to each other, or what the movie's is about. You will be full. And annoyed.
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The first frames of this account suggest how the reformation of the church got started. In this initial sequence, bolts of lightning reveal a man running in a field in the darkness of night as though they were aimed at him. He splashes down into the mud and cries out, "Save me, St. Anne," vowing that, if she does him this small favor, he'll become a monk and devote his life to the church. Thus we are introduced to Martin Luther (Joseph Fiennes) as well as to the imagined landscape of his mind.
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