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Carrie Review


OK

A more feminine slant elevates this remake to something interesting, even if the film is overwrought and essentially unnecessary. Director Peirce calls this a new adaptation of the Stephen King novel rather than a remake of the 1976 Brian DePalma film. But while this is an efficiently made freak-out, Peirce packs the screen with nods to the earlier movie, which remains the iconic version of this story.

Carrie (Moretz) is bullied at high school because she doesn't quite fit in. Mean girl Chris (Doubleday) targets her ruthlessly, humiliating her in the locker-room when she first gets her period. But Chris' friend Sue (Wilde) thinks this went too far, and convinces her hunky boyfriend Tommy (Elgort) to take Carrie to the prom. Back home, Carrie's mother Margaret (Moore) is a religious fanatic who hates men, rejects any hint of sex and locks Carrie in a tiny closet to pray for forgiveness when she even mentions going to a dance with a boy. But Carrie's womanhood has also brought her telekinetic powers. And as the prom approaches, Chris is planning something nasty that will provoke Carrie to react.

The first problem here is in casting Moretz as a teen wallflower, because she's simply too confident and glamorous to believe as someone so socially inept. Thankfully, Moretz is a terrific actor, so she sharply catches Carrie's nervous energy and makes us believe that she's been pushed to the brink by both her mother and her classmates. Even so, she works out how to use her power far too quickly. Opposite her, Moore delivers a superbly detailed portrayal of a paranoid true believer.

Continue reading: Carrie Review

The Big Year Trailer


Brad Harris is having what he calls a 'no-life crisis'. He is stuck in a soul destroying job and he is still living with his parents, despite him being in his mid-thirties. The one thing that holds any interest for him is bird watching. When he discovers that this year is known to 'birders' as 'The Big Year' - one year where birders set out to find as many birds in the country as possible - Brad is determined to beat the record previously set by Kenny Postick.

Continue: The Big Year Trailer

Terry Fator Hosts A Star-Studded One Year Anniversary Celebration Held At The Mirage Resort Casino

Barry Shabaka Henley Saturday 13th March 2010 Terry Fator hosts a Star-Studded One Year Anniversary Celebration held at The Mirage Resort Casino Las Vegas, Nevada

Barry Shabaka Henley
Barry Shabaka Henley

Friends Of The Family's 11th Annual Families Matter Benefit And Celebration Held At The Beverly Wilshire

Barry Shabaka Henley Friday 1st June 2007 Friends of the Family's 11th Annual Families Matter benefit and celebration held at the Beverly Wilshire Beverly Hills, California

Barry Shabaka Henley
Barry Shabaka Henley

Life Review


Weak
Rather lukewarm for balls-out Eddie Murphy/Martin Lawrence comedy, Life tells the story of two 1930s black men wrongly sentenced to life in prison for murder. That's just brimming with comedy potential, no? Well, Life isn't so sweet, as Murphy and Lawrence spend much of the movie trading insults and slapfighting like children. It isn't until they become old men and we reach present day that the characters are very likable. In other words: This is not Shawshank.

The Terminal Review


OK
No modern traveler has more notoriety than Merhan Karimi Nasseri, who has been stranded in Terminal One of Paris's Charles de Gaulle airport since 1988. Nasseri was expelled from Iran in 1977 and spent 10 years trying to gain political asylum in Europe. That all came to an end when his bag was stolen in Paris, essentially stranding him at CDG. In 1993, a movie was made about him (Lost in Transit), starring Jean Rochefort. Nasseri's life reappears on screen this year in The Terminal, courtesy of Steven Spielberg and Tom Hanks. And shamefully, Nasseri goes unmentioned in the movie's production notes.

In The Terminal, Spielberg gives us Hanks as Viktor Navorski, a visitor from the fictitious country of Krakhozia in Eastern Europe. Hanks, made up to be pasty and lumpy, puts on a mush-mouthed accent reminiscent of Yakov Smirnoff, and finds himself landing at New York's JFK on a mission we won't discover until the end of the film. We know only that it involves a Planters peanut can.

Continue reading: The Terminal Review

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