A more feminine slant elevates this remake to something interesting, even if the film is overwrought and essentially unnecessary. Director Peirce calls this a new adaptation of the Stephen King novel rather than a remake of the 1976 Brian DePalma film. But while this is an efficiently made freak-out, Peirce packs the screen with nods to the earlier movie, which remains the iconic version of this story.
Carrie (Moretz) is bullied at high school because she doesn't quite fit in. Mean girl Chris (Doubleday) targets her ruthlessly, humiliating her in the locker-room when she first gets her period. But Chris' friend Sue (Wilde) thinks this went too far, and convinces her hunky boyfriend Tommy (Elgort) to take Carrie to the prom. Back home, Carrie's mother Margaret (Moore) is a religious fanatic who hates men, rejects any hint of sex and locks Carrie in a tiny closet to pray for forgiveness when she even mentions going to a dance with a boy. But Carrie's womanhood has also brought her telekinetic powers. And as the prom approaches, Chris is planning something nasty that will provoke Carrie to react.
The first problem here is in casting Moretz as a teen wallflower, because she's simply too confident and glamorous to believe as someone so socially inept. Thankfully, Moretz is a terrific actor, so she sharply catches Carrie's nervous energy and makes us believe that she's been pushed to the brink by both her mother and her classmates. Even so, she works out how to use her power far too quickly. Opposite her, Moore delivers a superbly detailed portrayal of a paranoid true believer.
Continue reading: Carrie Review
Brad Harris is having what he calls a 'no-life crisis'. He is stuck in a soul destroying job and he is still living with his parents, despite him being in his mid-thirties. The one thing that holds any interest for him is bird watching. When he discovers that this year is known to 'birders' as 'The Big Year' - one year where birders set out to find as many birds in the country as possible - Brad is determined to beat the record previously set by Kenny Postick.
Continue: The Big Year Trailer
In The Terminal, Spielberg gives us Hanks as Viktor Navorski, a visitor from the fictitious country of Krakhozia in Eastern Europe. Hanks, made up to be pasty and lumpy, puts on a mush-mouthed accent reminiscent of Yakov Smirnoff, and finds himself landing at New York's JFK on a mission we won't discover until the end of the film. We know only that it involves a Planters peanut can.
Continue reading: The Terminal Review
In 1947, Dalton (Bryan Cranston) is the film industry's top-paid screenwriter, so of course the House Un-American Activities Commission goes after...
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This lively romp is entertaining enough to amuse the audience even when it veers off the rails.