Justin is an average boy with big dreams living in a Kingdom where the Queen has enlisted lawyers instead of knights. However, Justin wants more than anything in the world to become one the latter, just like his deceased grandfather Sir Roland. He must embark on a quest to train to become the best knight he can and on the way meets his three mentors, Blucher, Legantir and Braulio, a wacky wizard named Melquiades and the very beautiful Talia. Sooner than he'd hoped, he finds his first challenge; Sir Heraclio and his sidekick Sota are attempting to raise an army to defeat the Kingdom, leaving Heraclio crowned king. Justin must protect the Kingdom he was brought up in and, in doing so, purloin his grandfather's old sword from Heraclio's clutches.
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Dame Edna Everage and Barry Humphries - Dame Edna Everage, real name Barry Humphries, arrives at The London Palladium ahead of his farewell tour show tonight in 'Eat, Pray, Laugh!' - London, United Kingdom - Monday 15th July 2013
Bilbo Baggins is a hobbit, who lives a quiet life in The Shire. His peace is interrupted one day when Gandalf arrives on his doorstep, persuading Bilbo to hold a party in his home. Bilbo refuses but has no choice but to agree when Gandalf pesters him.
Mary (voiced by Whitmore then Collette) is a friendless 8-year-old in Melbourne whose father spends his life quietly stuffing birds while her luridly colourful mother Vera (Geyer) remains attached to a sherry bottle. Desperate for a friend, she writes to a random New Yorker: Max (Hoffman) is a painfully lonely 44-year-old with Asbergers, and her letter completely unsettles his carefully ordered life. But he eventually responds, and over the decades each of them opens up to their pen-pal in extremely unusual ways.
Continue reading: Mary and Max Review
2002 will earn but a single Dickens adaptation, a motion picture of Nicholas Nickleby, perhaps Dickens' least-read work and one of his most wandering (the novel being more than 800 pages long).
Continue reading: Nicholas Nickleby Review
You deserve a grain-of-salt warning before reading this review: Your friendly film critic really can't abide Charles Dickens, and "Nicholas Nickleby" is especially exemplary of everything that irks me about his work.
The characters in this tale of 19th Century woe are largely one-dimensional -- implausibly sweet and naive or absurdly ruthless and cruel without reason -- and they invite second-guessing to a distracting degree.
Nineteen years old and suddenly the head of his family after his father's death, the title character (played by the over-earnest Charlie Hunnam) reluctantly moves with his mother and sister from the quiet country cottage they can no longer afford to dirty, polluted, noisy, heartless London, seeking the help of Nicholas's rich, odious uncle (Christopher Plummer), who doesn't see why he should be burdened with helping his brother's family.
Continue reading: Nicholas Nickleby Review
The youngster was scooped up near his reef home by some monstrous, two-legged land creature in scuba gear and deposited into a Australian dentist's fish tank, populated by a colorful crew of fellow captives who help little Nemo (voice of Alexander Gould) hatch an escape plan. In the meantime, Marlin -- his fretful father with the perfectly anxiety-ridden intonations of Albert Brooks -- ventures deeper into the deep blue than he has ever dared before, determined to find the boy.
Helped along the way, if "helped" is the word for it, by a dingbat blue tang with short-term memory problems (and the oh-so-apropos voice of Ellen DeGeneres), Marlin finds his courage in dangerous adventures (mines and shipwrecks) and discovers friends in the forms of a surfer-dude sea turtle (voiced by Andrew Stanton, the movie's director), an astute pelican (Geoffrey Rush) who becomes his transportation into the dentist's office, and a trio of 12-stepping sharks who are trying to go vegetarian (including future "Hulk" Eric Bana and Barry Humphries, aka "Dame Edna").
Resourceful in its storytelling (the East Australian Current which Marlin must travel is akin to an underwater freeway crossed with a roller coaster) and reliably, steadily hilarious ("Hey, you're a clown fish," observe all the dopier sea critters who meet mopey Marlin. "Tell us a joke!"), "Finding Nemo" is also astounding to look at. Like a fantastical scuba dive, the picture's always-in-motion undersea universe would be downright photo-realistic if Stanton and his animators hadn't dialed up the cartoonishness just enough to give all the fish googly ping-pong-ball eyes.
Continue reading: Finding Nemo Review