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Maurice Review


Very Good
The second of three adaptations of E.M. Forster novels by James Ivory and Ismael Merchant, Maurice is one of Merchant-Ivory's strongest showings.

A painstakingly produced period piece, this Edwardian drama centers around the title character Maurice (pronounced "Morris") Hall (James Wilby), an Edwardian-era fancy lad who finds himself smitten with a schoolmate during his days at college in Cambridge (though this is of course notoriously against the law in England at the time). At first, he's smitten with Clive (Hugh Grant in his first major film role) but after seeing what happens to a friend of theirs (Mark Tandy) when he's busted for homosexuality and sentenced to hard labor in prison, they both attempt to mend their ways. Clive gets married, Maurice attempts hypnosis. This seems to "cure" Clive -- well enough, anyway -- but Maurice still can't shake it. Eventually he winds up shacking up with the much lower-class gamekeeper at the country estate.

Continue reading: Maurice Review

The Whistle Blower Review


OK
If you're going to build a Cold War thriller an implicate a massive government conspiracy along the way, try not to set your movie entirely in police stations and hotel rooms. This tepid Michael Caine drama doesn't get much past the excitement level of your usual county fair (Caine doesn't believe his son committed suicide! It's a cover-up!). Still, some fine performances from Caine, James Fox, John Gielgud, and others make this less painful than a poke to the eye.

Frenzy Review


Excellent
One of Hitchcock's final movies is also one of his goriest -- his first R-rated feature -- and most dryly funny. The story's a relatively straight-up crime drama; we know who the bad guy is from the start -- Jon Finch, playing the Necktie Murderer. But he's framed another guy for his crime spree. Meanwhile, inspector Oxford (Alec McCowen) is on the case, and when he isn't tracking down clues, he's eating the increasingly questionable cooking of his trying-hard-but-failing wife. It's Hitch's last great film (he made one more movie and died eight years later), and proof that he still had his form -- last seen put to good use in 1963's The Birds.

Maurice Review


Very Good
The second of three adaptations of E.M. Forster novels by James Ivory and Ismael Merchant, Maurice is one of Merchant-Ivory's strongest showings.

A painstakingly produced period piece, this Edwardian drama centers around the title character Maurice (pronounced "Morris") Hall (James Wilby), an Edwardian-era fancy lad who finds himself smitten with a schoolmate during his days at college in Cambridge (though this is of course notoriously against the law in England at the time). At first, he's smitten with Clive (Hugh Grant in his first major film role) but after seeing what happens to a friend of theirs (Mark Tandy) when he's busted for homosexuality and sentenced to hard labor in prison, they both attempt to mend their ways. Clive gets married, Maurice attempts hypnosis. This seems to "cure" Clive -- well enough, anyway -- but Maurice still can't shake it. Eventually he winds up shacking up with the much lower-class gamekeeper at the country estate.

Continue reading: Maurice Review

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