So, one day Chuck Levine (Sandler) and Larry Valentine (James) decide to get hitched. The reason is simple: Larry doesn't want to fill-out an insurance form, so he gets Chuck to pose as his "life partner," thus allowing any pension money to go directly to Larry's two kids, a tomboy daughter and a showtune-singing son. Larry still can't get over his saintly wife's death and Chuck has more than likely contracted more STDs than the leather upholstery in Tommy Lee's Jaguar; they're a match made in heaven.
Continue reading: I Now Pronounce You Chuck And Larry Review
And so Will Smith and Tommy Lee Jones return to their black suits in one of the most uninspired sequels in recent memory, going through the motions while spouting one-liners en route to encounters with familiar characters at the familiar locations which made the original Men in Black so endearing.
Continue reading: Men In Black II Review
The Crew works for several reasons. The clever script is reminiscent of an old Billy Wilder movie, following four "past their prime" wiseguys from Jersey who now live in the Raj Mahal Apartment House in Miami Beach. The wiseguys find themselves being evicted from their "golden paradise" by greedy landlords bent on raising rents for new beach bunnies and boys looking for beachfront property. The four mobsters, Bobby Bartellemeo (Richard Dreyfuss), Joey "Bats" Pistella (Burt Reynolds), Mike "The Brick" Donatelli (Dan Hedaya), and Tony "Mouth" Donato (Seymour Cassel) decide to hatch a scheme to plant there a dead body heisted from the morgue in order to drive out the new tenants and keep their home. This "simple plan" suddenly goes screwy, of course, and the boys become involved with a stripper named Ferris (Jennifer Tilly) who wants her stepmother killed, a paranoid Latin drug lord who's convinced a mysterious rival is out to get him, and a rat with its tail on fire.
Continue reading: The Crew Review
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