It shames flashy movies like The Matrix sequels, which adopt surface style and frenetic movement but lack sheer, sumptuous vision. Altman's movie isn't just a pretty sheen ("I hate pretty!" snaps Malcolm McDowell as the head of the ballet company), it's a full audio-visual experience. For all the limbs blown apart in Matrix Revolutions it's got nothing on the Company dancers bandaging their bruised heels and toes, or the horrifying moment when a tendon snaps during a rehearsal. It's something we can respond to, relate to. It's emotion pictures, corresponding to the vibrant, emotive images of the dance.
Continue reading: The Company Review
A good example: Pollock was suicidal, maniacal and violent throughout his 44-year life. The first sentence of Naifeh's and Smith's book -- the very first sentence -- is this quote from Pollock: "I'm going to kill myself." Explains a lot, but for some odd reason, Harris only hints at Pollock's suicidal tendencies in his long-anticipated film.
Continue reading: Pollock Review
Georgia (Mare Winningham) is the older of two singing sisters, one of those talented ultra-folky types with a huge following and who sings songs with choruses like "No more haaaaaard tiiiiiiimes." Sadie (Jennifer Jason Leigh) is the pariah of the family (and is much more interesting)--a strung-out heroin addict with a voice more reminiscent of Johnny Rotten than Joan Baez and who has a penchant for hacking up cover songs. As Sadie puts it, "I sing." Well, sort of.
Continue reading: Georgia Review
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Thank you, Robert Altman. Coming fast on the heels of one of the worst moviegoing...
Please, please, please, please, please read the book that formed the basis of the movie...