It shames flashy movies like The Matrix sequels, which adopt surface style and frenetic movement but lack sheer, sumptuous vision. Altman's movie isn't just a pretty sheen ("I hate pretty!" snaps Malcolm McDowell as the head of the ballet company), it's a full audio-visual experience. For all the limbs blown apart in Matrix Revolutions it's got nothing on the Company dancers bandaging their bruised heels and toes, or the horrifying moment when a tendon snaps during a rehearsal. It's something we can respond to, relate to. It's emotion pictures, corresponding to the vibrant, emotive images of the dance.
Continue reading: The Company Review
A good example: Pollock was suicidal, maniacal and violent throughout his 44-year life. The first sentence of Naifeh's and Smith's book -- the very first sentence -- is this quote from Pollock: "I'm going to kill myself." Explains a lot, but for some odd reason, Harris only hints at Pollock's suicidal tendencies in his long-anticipated film.
Continue reading: Pollock Review
Georgia (Mare Winningham) is the older of two singing sisters, one of those talented ultra-folky types with a huge following and who sings songs with choruses like "No more haaaaaard tiiiiiiimes." Sadie (Jennifer Jason Leigh) is the pariah of the family (and is much more interesting)--a strung-out heroin addict with a voice more reminiscent of Johnny Rotten than Joan Baez and who has a penchant for hacking up cover songs. As Sadie puts it, "I sing." Well, sort of.
Continue reading: Georgia Review
There's already an Oscars buzz surrounding this movie.
Thank you, Robert Altman. Coming fast on the heels of one of the worst moviegoing...
Please, please, please, please, please read the book that formed the basis of the movie...