Barbara Jo Allen

Barbara Jo Allen

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Sleeping Beauty Review


Excellent
It's a shame that Sleeping Beauty is saddled with such a sissy title. It's really quite the adventure, with a horse-riding hero, a spell-flinging evil fairy, and even a freakin' dragon! This is also the movie that the now-ubiquitous Magic Kingdom is taken from, it's where our titular heroine, aka Aurora hails from. But when that evil wench Maleficent (like the evil queen from Snow White but with horns) casts a spell that ensures she'll die from being pricked from a spinning wheel, three good fairies take Aurora into the woods, dub her Briar Rose, and try to keep her from harm. By the movie's midpoint, Rose has grown up to her teens, met the love of her life, and has finally been pricked by that wheel, and only through the good magic of the fairies does she stay alive, trapped in an unending slumber. And so our hero Prince Phillip rides into Maleficent's castle, showing down her evil minions and finally Maleficent herself (who takes the form of that dragon I mentioned). Awesome!

Beauty remains one of Disney's finest works. It was unequivocally the best animated film of its era up until arguably The Jungle Book (1967) or even Disney's comeback with The Little Mermaid (1989), depending on your point of view. It succeeds thanks to its awesome score -- borrowed from Tchaikovsky's waltzes -- as well as unprecedentedly detailed animation (dig the backgrounds) and its insanely over-the-top villain ("Me, the mistress of all evil!"). There's no freakin' singing animals or easy solution to the problem -- the prince has to hack his way through a wall of thorns then beat down a dragon in order to get his lady back! Young kids may not really dig the non-caricatured imagery and the lack of child-friendly messages; this isn't exactly the kind of movie you sing along to. (Poor Tchaikovsky missed the Mickey Mouse Club era by about a century.)

Continue reading: Sleeping Beauty Review

Sleeping Beauty Review


Excellent
It's a shame that Sleeping Beauty is saddled with such a sissy title. It's really quite the adventure, with a horse-riding hero, a spell-flinging evil fairy, and even a freakin' dragon! This is also the movie that the now-ubiquitous Magic Kingdom is taken from, it's where our titular heroine, aka Aurora hails from. But when that evil wench Maleficent (like the evil queen from Snow White but with horns) casts a spell that ensures she'll die from being pricked from a spinning wheel, three good fairies take Aurora into the woods, dub her Briar Rose, and try to keep her from harm. By the movie's midpoint, Rose has grown up to her teens, met the love of her life, and has finally been pricked by that wheel, and only through the good magic of the fairies does she stay alive, trapped in an unending slumber. And so our hero Prince Phillip rides into Maleficent's castle, showing down her evil minions and finally Maleficent herself (who takes the form of that dragon I mentioned). Awesome!

Beauty remains one of Disney's finest works. It was unequivocally the best animated film of its era up until arguably The Jungle Book (1967) or even Disney's comeback with The Little Mermaid (1989), depending on your point of view. It succeeds thanks to its awesome score -- borrowed from Tchaikovsky's waltzes -- as well as unprecedentedly detailed animation (dig the backgrounds) and its insanely over-the-top villain ("Me, the mistress of all evil!"). There's no freakin' singing animals or easy solution to the problem -- the prince has to hack his way through a wall of thorns then beat down a dragon in order to get his lady back! Young kids may not really dig the non-caricatured imagery and the lack of child-friendly messages; this isn't exactly the kind of movie you sing along to. (Poor Tchaikovsky missed the Mickey Mouse Club era by about a century.)

Continue reading: Sleeping Beauty Review

Barbara Jo Allen

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