Barbara De Fina - A variety of stars were snapped as they arrived for the Closing of The 2015 Tribeca Film Festival and to celebrate the 25th Anniversary of 'Goodfellas' in Manhattan, New York, United States - Saturday 25th April 2015
Lyme disease in the Long Island burb is the horror malady of the moment, as constructing new homes smack dab in the middle of the woods may be beautiful but it is also nightmarish. Radio announcers point out that Lyme disease causes psychiatric disturbances and severe mental disorders. Mothers weep at the thought of their kids contracting it and duct-tape the kiddies' clothing together to keep out the ticks. But if Lyme disease is the rampant contagion that all fear, it must have seeped into the residents' skulls and infected their brains. Because the only sensible parental character in Lymelife is Charlie, and he is obviously nuts.
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Based on a true story, Casino is the tale of Sam Rothstein (Robert De Niro), the best of the old bookmakers, who is hand-picked by his mob bosses "Back Home" to go to Las Vegas to run the Tangiers Casino. Sam has to contend with managing the bosses' skim going out the back door, cheats at the tables, the law breathing down his neck, and strung-out hustler Ginger (Sharon Stone), whom Sam falls for, and, despite his better judgment, eventually marries. Add to the mix Nicky Santoro (Joe Pesci), who basically reprises his role from GoodFellas as a "problem solver" with a temper from hell, and it's pure chaos in the high-glamour world of 1973 Las Vegas.
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The single Mom is Sammy (Laura Linney), an organized bank loan officer living in her small-town childhood home. The loner is her scraggly brother Terry (Mark Ruffalo), a troubled wanderer coming back to ask Sammy for cash. And while this seems pretty basic from the outset, Lonergan has some smart ideas up his sleeve.
Continue reading: You Can Count On Me Review
The film I'm talking about is Martin Scorscese's Kundun, the Dhali Lama film of 1997 that was nominated for four academy awards but walked away with none (sadly). With a cast that no one's heard of it still managed to pull off what is becomming impossible: make a great film about a religion that is, for the most part, misunderstood. Make you sympathize with the Tibetans, and hate the Red Chinese, and, at the same time, illustrate the drama of the Dhali Lama's early life.
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For 246 minutes and two stuffed-full DVDs, Scorsese takes the viewer who's willing on an epic journey through the movies of Italy, starting with the Neo-Realist movement that sprung from the aftermath of World War II. Snippets of Italian movies are shown, with Scorsese narrating about their historical importance and/or impact on him, personally. Sometimes he'll show various versions (old print vs. new print, American TV version vs. original version) in order to aid your understanding of the work.
Continue reading: My Voyage To Italy Review
A shocking disappointment, Bringing Out the Dead marks Scorsese's first film since Kundun, and his first contemporary movie since Casino. So neither of these took place in New York, but Scorsese is so in love with his hometown, it shows through in all his work. Dead actually begins with the title card, "This film takes place in New York City" (or something close to that), just so there's no confusion.
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Bindi Irwin paid an emotional tribute to her late father 'Crocodile Hunter' Steve Irwin...