Bai Ling

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Bai Ling - The 26th Annual Night of 100 Stars at the Beverly Hills Hilton Hotel at Beverly Hilton - Beverly Hills, CA - Los Angeles, California, United States - Sunday 28th February 2016

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Bai Ling - 2016 OK! Magazine Pre-Grammy Party held at Lure Nightclub - Arrivals at Grammy - Los Angeles, California, United States - Friday 12th February 2016

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Bai Ling - OK! Magazine's 2016 Pre-Grammy Party at Lure Nightclub - Arrivals at Grammy - Los Angeles, California, United States - Saturday 13th February 2016

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Bai Ling

Bai Ling - Los Angeles premiere of Well Go USA Entertainment's 'IP Man 3' at the Pacific Theaters at The Grove - Arrivals at The Grove - Los Angeles, California, United States - Wednesday 20th January 2016

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Bai Ling - Bai Ling at Los Angeles International Airport (LAX) - Los Angeles, California, United States - Monday 18th January 2016

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Crank: High Voltage Review


Very Good
Jason Statham remains the most mysterious of action heroes. Sure, he's muscular and menacing, with a façade both funny and frightening. But take him away from all the bare-knuckled bedlam, and he's nothing but a ready ripped torso. In films like Death Race and The Transporter, he's often nothing more than a cut clothesline to hang stunts on. The same could be said for his work in the grand guilty pleasure Crank. As a man who must find the antidote to a poison he was purposely given, Statham was all adrenaline and attitude. Lionsgate hopes to continue the cult with the mandatory sequel High Voltage -- and you know what, it's a terrific sleazoid treat.

When last we saw Chev Chelios (Statham), the unstoppable hitman had seemingly survived a freefall from an airborne helicopter. Now, he's been kidnapped by Asian mobsters who want to harvest his vital organs. Chelios escapes, soon learning that he must keep the batteries managing his artificial heart charged while Doc Miles (Dwight Yoakam) tries to figure out a way to put the real one back in. Hoping to find his stolen body part, Chelios scours Los Angeles, running into old girlfriend Eve (Amy Smart), insane hooker Ria (Bai Ling), and various criminal types. It seems that all paths lead to a shady Chinese mobster named Poon Dong (David Carradine). In typical Chelios fashion, however, the way is fraught with cops, criminals, and some incredibly crazy circumstances.

Continue reading: Crank: High Voltage Review

The Gene Generation Review


Weak
Here's a three-word phrase that'll get any film critic's blood pumping: "Starring Bai Ling." As an actress who's usually deployed to amp up a film's quotient of exotica and erotica, her presence, sad to say, usually indicates that questionable quality lies ahead. The Gene Generation puts Ling into the tightest leather imaginable, but she still has enough flexibility to do as much machine gun shooting and karate kicking as is required to save a future world from destruction by DNA tampering.

In the dark, Blade Runny dystopia in which Michelle (Ling) lives with her no-good younger brother Jackie (Parry Shen), scientists are toying with a glove-like device that can recombine DNA. In virtuous hands it could cure diseases for good, but in evil hands, it could be weaponized and destroy the world. That's how these things usually go. Let the chase begin.

Continue reading: The Gene Generation Review

The Breed (2001) Review


OK
In the near future, vampires exist peacefully alongside man until a renegade group seemingly tries to rebuild a kind of Nazi regime, with bloodsuckers herding humans into concentration camps. This strange WWII allegory is unfortunately neither very successful as a political drama nor as a monster movie; the flashbacks are too obvious, and the buddy cop plot is overwhelmingly impossible to follow. Our cop heroes (Adrian Paul and Bokeen Woodbine: one's human, one's a vampire) jump from suspect to suspect without so much as a word of explanation why. The moody atmosphere (pitch black, everywhere) and illegible computer readouts with dossiers on each character don't help.

Man About Town Review


Good
Yeah, that's Ben Affleck grinning out at you from the cover of this direct-to-DVD release, but don't let that turn you off of the film completely. Man About Town may be rehashed from Jerry Maguire and

Edmond Review


Weak
There's a slight chance, very slight, that David Mamet is a genius. As a writer, his blunt, edgy, and constantly interrupted dialogue has earned him a lot of weight, so much so that he is considered one of the more important playwrights of the last 25 years or so. As a director, he is precise and extremely-well calculated, if not a bit lacking in aesthetic substance and style. When he directs his own work, it tends to go remarkably smooth, as it did in the fantastic Heist and his best film, State and Main. However, when put in the hands of others, sometimes it goes exceedingly well (James Foster's Glengarry Glen Ross) or exceedingly bad (Michael Corrente's American Buffalo). The latest is a retelling of his play Edmond by King of the Ants helmer Stuart Gordon.On his way home from work, Edmond Burke (William H. Macy) decides to stop at a fortune teller. She simply tells him this: "You are not where you're supposed to be." This causes him to leave his wife (a brief Rebecca Pidgeon) and to go out on the town to get an old fashioned piece of tail, as suggested by a stranger at a bar (the reputable Joe Mantegna). He goes through strippers, booth girls and expensive call girls, played by a who's who of young actresses ranging from Mena Suvari to Denise Richards. He finally settles on a waitress (Julia Stiles) who he picks up after attacking a pimp and finding a newfound love for life. This passion, however, leads to a terrible act that lands him in jail and doing things that he was scared of before, constantly saying "every fear hides a wish."Mamet's sly style of writing somehow seems lacking here. In Glengarry, he wrote with blood and thunder about the rigorous work of real estate salesmen and in Oleanna, he split the sexual harassment debate so thinly that you couldn't see his opinion without microscope eyes. With Edmond however, he lays everything out for the audience and world to see, allowing the character to often pontificate on basic musings like what it's like to feel alive and the mundane nature of normal life. There is a serious lack of subtext that gives off the feeling of extreme annoyance.Gordon directs with a simple enough structuralism and he gives impressive terror to the climactic scene where Edmond goes over the edge. However, this simplicity also leads to a considerable loss in mood and atmosphere, which seems devoid after the excellent opening scene in the fortune teller's room. The actors, chiefly Macy and Stiles, struggle to keep the story afloat and exciting, but it's a losing battle. Reliable character actors like Bai Ling and Dylan Walsh (so good in Nip/Tuck) are given scant screen time to show their prowess, but Bokeem Woodbine works wonders as Edmond's bunkmate when he enters prison. None of this, however, allows Edmond to make more than a small ripple in the water. It's a fussy little movie that wants to be much more controversial and important than it is. Did I say those chances were very, very slight?The dead hooker's under the card in the middle.

The Breed Review


OK
In the near future, vampires exist peacefully alongside man until a renegade group seemingly tries to rebuild a kind of Nazi regime, with bloodsuckers herding humans into concentration camps. This strange WWII allegory is unfortunately neither very successful as a political drama nor as a monster movie; the flashbacks are too obvious, and the buddy cop plot is overwhelmingly impossible to follow. Our cop heroes (Adrian Paul and Bokeen Woodbine: one's human, one's a vampire) jump from suspect to suspect without so much as a word of explanation why. The moody atmosphere (pitch black, everywhere) and illegible computer readouts with dossiers on each character don't help.

Somewhere In The City Review


Weak
No race is more egomaniacal than the New Yorker, the only group of people who would have the gall to call a film Somewhere in the City and have people assume they could only be talking about New York. It's otherdwelling types that get the last laugh, because this film is one boring dog from start to finish, a self-centered tale about a random assortment of self-absorbed New Yawkers, headlined by the most self-absorbed of them all -- Sandra Bernhard -- and redeemed only by a surprise appearance by one honorable former mayor.

Continue reading: Somewhere In The City Review

The Beautiful Country Review


Good
It's getting harder to appreciate an immigrant saga like The Beautiful Country in which audiences are expected to be swayed by the poor and huddled masses. After all, isn't the United States a country of immigrants? To make such a film memorable, directors should try one of two things: Remind us of the importance of this notion through a distinctive personal narrative, or tell us something we haven't heard before. The Beautiful Country flirts with both possibilities, but not enough to produce something memorable.

In 1990 Vietnam, Binh (newcomer Damien Nguyen) has an even more difficult time because of his genetics. He's the product of a mixed marriage, a hasty but loving union of a Vietnamese mother and G.I. father, neither of whom he has seen in years. After he's forced out of his master/guardian's house, Binh, armed with little more than an old photograph and a bicycle, treks to Saigon where he reunites with his mother. A tragic accident forces another long, winding trek to America to find his father.

Continue reading: The Beautiful Country Review

Wild Wild West Review


Weak

It is readily apparent that Will Smith, Kevin Kline and Kenneth Branagh had a ball on the set of "Wild Wild West."

Smith -- playing gun-slinging government agent Jim West -- looks so cool in his leather pants, waistcoat, and bolero jacket and hat, that at one point in the movie he's standing next to the voluptuous and nearly naked Salma Hayek (in a largely ornamental role), and your eyes are drawn to him. It's gotta be fun to look that slick.

Kline gets to play government agent Artemus Gordon, an eccentric inventor and master of disguise, which is right up his alley. He can barely keep from cracking himself up in his introductory scene, vamping around in saloon matron drag and pancake makeup.

Continue reading: Wild Wild West Review

Anna & The King Review


Good

Because "Anna and the King" stands on its own remarkably well, it may be unfair to begin this review with a comparison to "The King and I," the most famous film adapted from the same source material. But what I found most striking about the elegant, intelligent remake is how acutely aware it made me of the insulting Euro-centricity of its predecessors.

In the same story told in 1946 ("Anna and the King of Siam"), 1956 (from the Rodgers and Hammerstein musical) and 1999 (that dreadful cartoon version), widowed English schoolteacher Anna Leonowens has always been portrayed as a much wiser, civilized woman who teaches the elaborate but backwards Asian monarch to think like a European, to waltz like a European and shapes his diplomatic policy by whispering in his ear.

The prudent but powerful screenplay for this non-musical, epic remake -- directed by Andy Tennant, who so successfully reinvented Cinderella in "Ever After" -- puts this Anna (played by Jodie Foster) and this King (Chow Yun-Fat) on very equal footing, making their relationship far more combative and compelling.

Continue reading: Anna & The King Review

Bai Ling

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Bai Ling

Date of birth

10th October, 1966

Occupation

Fashion Model

Sex

Female

Height

1.60






Bai Ling Movies

Crank 2: High Voltage Trailer

Crank 2: High Voltage Trailer

Watch the trailer for Crank 2: High Voltage.Jason Statham picks up his role as Chev...

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Edmond Movie Review

Edmond Movie Review

There's a slight chance, very slight, that David Mamet is a genius. As a writer,...

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Sky Captain and the World of Tomorrow Movie Review

Sky Captain and the World of Tomorrow Movie Review

Good science fiction is so hard to come by. Usually reserved for big Memorial Day...

Anna And The King Movie Review

Anna And The King Movie Review

Anna and the King of Rock and Roll...My theory is that every generation needs their...

The Beautiful Country Movie Review

The Beautiful Country Movie Review

It's getting harder to appreciate an immigrant saga like The Beautiful Country in which audiences...

Star Wars: Episode III - Revenge of the Sith Movie Review

Star Wars: Episode III - Revenge of the Sith Movie Review

Here's your "Revenge of the Sith" review in a nutshell: It may well be the...

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