While one could argue that Robert Altman's 1993 film Short Cuts was simply an updating of his 1975 classic Nashville, with a much higher quotient of star power and slightly more prurient subject matter - an attempt to keep the once iconic filmmaker from straying into the shadowy irrelevance like so many of his '70s peers - and while that argument could very well be true, that doesn't deprive Short Cuts of any of its power, or disprove the fact that it's ultimately a better film.

Spinning together a series of short stories from the master of the form, Raymond Carver, Altman takes some 20-odd Los Angelenos and twists their lives together seemingly just for the fun of how their individual little lives play out and connect up, like a puppetmaster who can't stop adding new puppets to his repertoire. To flesh out his tapestry of early '90s Southern California life, Altman has a fine batch of actors and actresses, including everyone from the best of their generation (Jennifer Jason Leigh, Robert Downey Jr) to the solidly respectable but not terribly exciting choices (Julianne Moore, Matthew Modine, Madeleine Stowe) to oddly effective musician stunt casting (Lyle Lovett, Tom Waits, Huey Lewis) to one lordly presence (Jack Lemmon).

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